I have in the past argued that our canonical gospels are not really about the life and person of Jesus but rather they are a dramatization of core theological beliefs of the early Church. Jesus is a personification, a mouthpiece and a role constructed to play out this dramatization. One could say I have sided with Adela Yarbro Collins when she expresses doubts about the gospels really being biographies of Jesus when she writes:
With regard to the gospel of Mark at least, one may question whether the main purpose of the work is to depict the essence or character of Jesus Christ. (Collins 1990, p. 41)
The fundamental purpose of Mark does not then seem to be to depict the essence or character of Jesus Christ, to present Jesus as a model, to indicate who possesses the true tradition at the time the gospel was written, or to synthesize the various literary forms taken by the tradition about Jesus and their theologies. (Collins 1990, p. 44)
The gospel begins with a reference to Jesus Christ [son of God], not out of interest in his character, but to present him as God’s agent. . . . (Collins 1990, p. 62)
That was yesterday. Today I am being pressured to re-think that viewpoint. The reason is chapter 2, “Civic and subversive biography in antiquity” by David Konstan and Robyn Walsh in Writing Biography in Greece and Rome: Narrative Technique and Fictionalization, edited by Koen De Temmerman and Kristoffel Demoen. [In the interests of disclosure I must confess that this book cost me an arm and half a leg so one may suspect that I am motivated by a need to justify my extravagance by an over-willingness to be persuaded by its contents.]
Konstan and Walsh begin by proposing that there are two types of ancient biographies. (I’ll call them biographies even though that term carries more rigorous understandings of how one should write seriously about a life of a person than were applicable to their Greco-Roman counterparts. These ancient “lives” or “biographies” are usually called “bioi” (Greek) or “vitae” (Latin) to remind us of their often quite different attributes.)
Type 1: civic biographies
These are the universally acknowledged great and good, the pillars of society, whose lives shine as exemplars for us all to emulate. They
highlight the virtues of their subjects, often great statesmen or military heroes who exemplify justice and courage, or else brilliant thinkers and writers, the philosophers and poets whose lives might serve as models . . . (Konstan and Walsh 2016, p.28)