I have added a new page in the right column under Archives By Topic to allow easy access to the complete list of recent posts on Revelation presenting Thomas Witulski’s second century date for the work. The page also includes all other posts that have discussed Revelation from various perspectives.
But since we’re here right now, here is a copy of that page:
Annotated list of Vridar posts on the Book of Revelation
This post concludes my reading of Thomas Witulski’s three works proposing that the Book of Revelation was written at the time of Hadrian and the outbreak of the Bar Kochba War.
The first series, taken from Die Johannesoffenbarung und Kaiser Hadrian, covered Hadrian’s identification with Zeus, his popularity as a Nero Redivivus, and his propagandist Polemon’s activities in Asia Minor and their impact on Christians there;
the second series with Die Vier Apokalyptischen Reiter Apk 6,1-8 surveyed the years of Trajan’s conquests, the widespread Jewish rebellions and the consequences of their savage suppression, represented by “the four horsemen of the apocalypse”;
this third round has dipped into Apk 11 und der Bar Kokhba-Aufstand to see how W understands the measuring of the temple and the two witnesses of Revelation 11.
I prefer to read works cited for myself to gain a fuller knowledge and understanding of the evidence and interpretations being raised. This has been especially helpful since I rely on machine translations of the German works and sometimes it has been a struggle to be sure I have grasped the exact idea W has sought to convey. The wider reading has led me sometimes to go beyond W’s specific content but I hope I have made it clear whenever I have done so. With this final series some of the works I have wanted to read have still not reached me so I may later return to expand on one or two parts of the discussion. I do appreciate critical comments that some readers have added. It may take me a few days to catch up with them but they are always important to help keep us honest and thorough in our explorations of this text and what it can tell us about early Christian history.
W’s final chapter brings together his analyses of the text and examination of the primary evidence for the events of the early second century.
A Contemporary Interpretation of the Measuring of the Temple (Rev 11:1-2)
I was given a reed like a measuring rod and was told, “Go and measure the temple of God and the altar, with its worshipers. But exclude the outer court; do not measure it, because it has been given to the Gentiles. They will trample on the holy city for 42 months.
If read against contemporary history, W concludes, this passage can be interpreted as an allusion to Hadrian’s visit to the province of Judea in 130 CE and his efforts to embed a Hellenistic-Roman culture that was opposed to “Old Testament” Jewish thinking. The rebels’ program to rebuild the Yahweh sanctuary in Jerusalem and to reinstall a temple priest cult should also be understood in this context.
For W, the measuring presupposes that the buildings are not yet constructed (or have been destroyed) at the time of the writing of the Apocalypse. This corresponds to the conditions in Jerusalem on the eve of the Bar Kochba revolt as Cassius Dio describes them.
W cites the many works that have discussed the thesis that Hadrian’s decision to rebuild Jerusalem as the Roman colony of Aelia Capitolina. The question in part focuses on the contradictory ancient sources. We only have an epitome of Cassius Dio’s History and that condenses the original words to:
At Jerusalem he founded a city in place of the one which had been razed to the ground, naming it Aelia Capitolina, and on the site of the temple of the god he raised a new temple to Jupiter. This brought on a war of no slight importance nor of brief duration, for the Jews deemed it intolerable that foreign races should be settled in their city and foreign religious rites planted there. (LXIX, 12, 1f)
Eusebius, however, informs us that Cassius Dio’s “cause” was rather the “result” of the war:
The climax of the war came in Hadrian’s eighteenth year, in Betthera, an almost impregnable little town not very far from Jerusalem. The blockade from without lasted so long that hunger and thirst brought the revolutionaries to complete destruction, and the instigator of their crazy folly paid the penalty he deserved. From that time on, the entire race has been forbidden to set foot anywhere in the neighbourhood of Jerusalem, under the terms and ordinances of a law of Hadrian which ensured that not even from a distance might Jews have a view of their ancestral soil. Aristo of Pella tells the whole story. When in this way the city was closed to the Jewish race and suffered the total destruction of its former inhabitants, it was colonized by an alien race, and the Roman city which subsequently arose changed its name, so that now, in honour of the emperor then reigning, Aelius Hadrianus, it is known as Aelia. Furthermore, as the church in the city was now composed of Gentiles, the first after the bishops of the Circumcision to be put in charge of the Christians there was Mark. (Church History, 1.6)
It is in theory possible to harmonize the two accounts and hypothesize that Hadrian’s declaration of his plan to build the new capital led to the outbreak of the war and that he completed that task after the war’s end. The critical question of what exactly Hadrian accomplished prior to hostilities remains. In the words of one of the scholars W references,
The contradiction can easily be understood if we examine it from a historical perspective. Hadrian declared his will to rebuild the famous and sacred city of the past around 130 CE, on the occasion of his voyage to the east. He may even have accomplished some practical steps toward the actual foundation, including the pomerium. At that stage, the Jews, who could not bear the idea of a new Greek-Roman city being built in place of their historical and sacred capital, decided to rebel. Only after the suppression of the revolt, in 135 CE, was the city actually built.
As is well known, Hadrian accompanied the foundation of Aelia Capitolina by two symbolic anti-Jewish acts. The name of the Provincia Iudaea was changed to Provincia Syria Palaestina, and the Jews were expelled from the city and its region. There is no reason to believe that Hadrian would have contemplated such symbolic acts were it not for the Bar Kokhba revolt. It seems likely that the Emperor intended to enhance his reputation as a builder and restorer of ruined and unfinished monuments and as a benefactor of cities. It also seems likely that the Emperor expected to be embraced and admired by the citizens of Iudaea, and particularly by the Jews, for rebuilding the famous city of Jerusalem, as did the citizens of many other cities, including Gerasa (Jerash) of Arabia.
Though such an interpretation cannot be proved, it seems to me very reasonable. The conclusion that Hadrian had in mind the restoration of a city named Hierosolyma is more likely than the conclusion that he had decided on a completely new name already as early as 130. It should be remembered that although Jerusalem was indeed ruinous at that time, it was not totally deserted, and life had begun to be revive[d]. The replacement of the famous historical name Jerusalem by Aelia Capitolina was a very severe and symbolic act, analogous to the changing of the name Iudaea into Syria Palaestina, or in short, Palestine. In both cases the Imperial administration intentionally suppressed Jewish national feelings. (Tsafrir, 32f — recall that coins personified Judea in Greco-Roman dress)
In trying to make the most of Cassius Dio’s words through his epitomizer, Xiphilinus, Eliav concludes,
67 Such a characterization of the writer’s intensions (sic) may be the reason that, as Isaac has already pointed out . . . this passage, unlike other descriptions found in Dio, focuses wholly on the temple built by Hadrian without mentioning any other urban actions (of the kind mentioned later in the Chronicon Paschale).
To summarize, the clause describing Hadrian’s actions on the Temple Mount bears the stamp of a Christian writer such as Xiphilinus (or any one before him). This conclusion is derived from content gaps in the structural design of the passage, from its vocabulary, and from the theological tendencies it reflects. Dio’s original version has been lost, but it might be possible to reconstruct it using the clues in the second segment. Describing the events from the Jewish perspective, Dio tells of the Jews’ dissatisfaction with the foreign shrines placed in their city (ίuερά άλλότρια έν αύτή ίδρυθήναι). It may be that the first segment described the same situation, that is, Hadrian’s founding of a foreign city and building a pagan shrine (or shrines) there. In the course of paraphrasing this passage, a later writer turned the situation into a theological confrontation between Hadrian and the Jewish God. This writer re-situated the pagan shrine, shifting it from the city in general to the Temple Mount in particular. Moreover, he painted a neutral act customary in the establishment of a new colony in the harsh colors of a religious confrontation by using a “loaded” verb and referring to the temple by a name familiar to both Jewish and Christian readers.67
This conclusion extracts the historical barb from the story of the pagan shrine on the Temple Mount, and shows it to have been planted by a religiously motivated writer. (Eliav, 142f)
W’s view is that hopes for a rebuilt temple were dashed and that the author feared the war would end in defeat. If the fate of Jewish rebellions in the time of Trajan had not been warning enough, it appears that the fate of the Jewish rebels was sealed when Hadrian called Severus from Britain to suppress the uprising.
The historical reference of Rev 11:1-2a to the first phase of the Bar Kokhba revolt becomes even more conclusive if it is assumed that the decision to (re)found Jerusalem as the Roman colony of Aelia Capitolina and, in connection with this, the decision to erect a pagan sanctuary there can be dated to the time immediately before the military escalation, i.e. around 130 AD. Then the statements of Rev 11:1-2a could be referred to these decisions of Hadrian without any problems: The apocalyptist is supposed to measure the temple, the θυσιαστήριον [= altar] and the people worshipping there for the purpose of rebuilding or reconstruction. (W, 306 – translation)
The prophecy of 11:2b that the nations will trample the city of Jerusalem underfoot, robbing it of its religious identity,
. . . corresponds entirely to the Hellenistic-imperial ideology propagated by Hadrian in the context of his visit to the province of Judea, which will ultimately win the day and leave no room for the continued existence of a more or less independent Judean state with a decidedly Old Testament Jewish religiosity inherent in and shaping it. (ibid)
The author wrote the Apocalypse soon after the outbreak of the Bar Kochba war. He used the future tense because he felt its doomed outcome to be inevitable.
A Contemporary Interpretation of the Two Witnesses (Rev 11:3-13)
This post concludes Thomas Witulski’s analysis of the text of Revelation 11:3-13.
On the verses describing the resurrection and ascension of the two witnesses, W judges that they are inserted by a later hand for the following reasons.
The narrative of the two witnesses up to the moment of their deaths is told in the present and future tenses but there is an abrupt change in tense in the account of their resurrection and ascension. Up until the deaths of the two witnesses we are reading a prophecy: after their deaths, suddenly we are in the “past tense” and what reads like a vision:
The next segment of the narrative (vv 11–13) centers on the unexpected event of the resurrection and ascension of the two witnesses as well as the punishment of their enemies. Somewhat surprisingly, this section is dominated by verbs in the past tense, as if it were a narrative of a past sequence of events.
This abrupt change of tense comes with a change of genre, a change to a visionary report:
in vv. 11-13 he changes to the [aorist], as narrating what he had already seen and heard in vision.
The imagery of the spirit of God entering them so that they come to life and stand on their feet comes from Ezekiel 37:10, another visionary account.
W discusses various attempts to explain this change of tense: it cannot be a simple Hebraism because the question relates to change of tense, not merely using a past tense to stress the certainty of future events; other proposals fail to explain why a single author would have failed to have reworked his source material to be more consistent with the tense here as he is when reworking material from Zechariah.
His own view, translated, is as follows.
Within the framework of literary criticism, the verses Rev 11:11-13 are to be regarded as not having been written by the apocalyptist, but as having been secondarily inserted into the already existing context by a later hand, without this interpolator having taken into account that Rev 11:3-10 are formulated as a prophecy and not as a visionary report; the insertion was then possibly made in order to align the account of Rev 11 with that tradition which describes the appearance of Elijah and Enoch, offering both their death and their subsequent resurrection, or else in order to present the orientation of the message through the two μάρτυρες as an ultimately successful engagement. Whether the interpolator, who would then have added Rev 11:11-13, would still have been aware of the original reference of the depiction Rev 11:3-10 and its original historical-temporal background, would, however, have to remain extremely questionable.
The interpolator was not aware of the original account’s reference to certain historical persons. Such a conclusion begins to make sense of the questions raised in the previous post:
It is also odd that we read nothing further here about the beast from the abyss that had just killed the two “witnesses” or “martyrs”. It is as if he is no longer at the scene to witness the sudden turn of events and the ascension to heaven.
One more oddity: only in this passage in Revelation do enemies of God give glory to God as a result of witnessing or experiencing calamitous events like an earthquake or plague or other catastrophe. In every other such scenario they respond with intensified anger.
The significance of that last point is emphasized again in further discussion below — see text f.
After this analysis of what, exactly, the passage is saying and what appears to be its provenance, W is in a position to demonstrate the historical circumstances that informed details of the account of the two witnesses. But those historical references will have to wait for a future post. At this point we are laying the groundwork for that historical interpretation. Continue reading “The Two Witnesses of Revelation 11 – part D”
But after three days and a half, the Spirit of life from God entered into them, and they stood upon their feet; and great fear fell upon them that saw them. And they heard a great voice from Heaven, saying unto them, “Come up hither!” And they ascended up to Heaven in a cloud, and their enemies beheld them. And that same hour there was a great earthquake, and a tenth part of the city fell; and in the earthquake were slain seven thousand men, and the remnant were seized with fear, and gave glory to the God of Heaven. — Revelation 11:11-13 (KJ21)
Here we come to a dramatic turning point in the narrative (including a change of tense). Whose is the “great voice from Heaven” that calls out “Come up here”? We are not told. Even the phrase “spirit of life from God” does not mean that God raised up the two martyrs but only that it was God’s spirit that entered into them: the author uses a different expression when he wants to convey the idea of God directly acting. Who, exactly, “saw them” and reacted in fear is also left vague.
Readers who think the two witnesses are a kind of latter-day Moses figure run into the problem that there was no Jewish tradition — neither biblical nor in Josephus nor Philo — that Moses was bodily resurrected.
One would presume that the voice from heaven was God speaking but that interpretation is not certain. Revelation refers to other heavenly voices that do not belong to God.
It is also odd that we read nothing further here about the beast from the abyss that had just killed the two “witnesses” or “martyrs”. It is as if he is no longer at the scene to witness the sudden turn of events and the ascension to heaven.
One more oddity: only in this passage in Revelation do enemies of God give glory to God as a result of witnessing or experiencing calamitous events like an earthquake or plague or other catastrophe. In every other such scenario they respond with intensified anger.
Such are the difficulties that concern us but we must ask if they would also have troubled the original readers. Would the first audiences have understood exactly who and what was being described?
Sit back (or forward if you prefer to concentrate) and observe the following case for Revelation‘s two witnesses being an adaptation of another Jewish source document. And prepare to meet a new character in one of the stories, the virgin Tabitha who gruesomely has her blood sucked from her.
After this journey we will return to the above resurrection and ascension passage and examine it afresh.
Analysis of Revelation 11:3-13
The first question Thomas Witulski [W] explores is whether the author was creating a new narrative entirely from his imagination or whether he was re-working a “tradition” known to him. To answer that question W compares 11:3-13 with two similar accounts: the Apocalypse of Elijah and a chapter by the church father Lactantius in Divine Institutes. Can these works be shown to depend on Revelation 11 or do they indicate the existence of an earlier account that we can say was also available to the author of Revelation?
Apocalypse of Elijah (see the earlywritings site for views on date and provenance: W notes it belongs to the second half of the third century CE)
The relevant passage:
My blood [that is the blood of an earlier mentioned virgin named Tabitha] you have thrown on the temple has become the salvation of the people.
Then, when Elijah and Enoch hear that the Shameless One has appeared in the holy place, they will come down to fight against him, saying,
The Shameless One will hear and be furious, and he will fight with them in the market-place of the great city; and he will spend seven days fighting with them. And they will lie dead in the market-place for three and a half days; and all the people will see them. But on the fourth day they will arise and reproach him, saying
The Shameless One will hear and be furious and fight with them; and the whole city will gather round them. On that day they will shout aloud to heaven, shining like the stars, and all the people and the whole world will see them. The Son of Lawlessness will not prevail over them.
He will vent his fury on the land
(From The Apocryphal Old Testament edited by H.F.D. Sparks)
These are the two olive trees and the two candlesticks, standing before the Lord of the earth. (Rev 11:4)
The above identification of the two witnesses draws upon the imagery in Zechariah 4:
1 And the angel who talked with me came again and waked me, as a man who is wakened out of his sleep,
2 and said unto me, “What seest thou?” And I said, “I have looked and behold, a candlestick all of gold with a bowl upon the top of it, and his seven lamps thereon, and seven pipes to the seven lamps which are upon the top thereof;
3 and two olive trees by it, one upon the right side of the bowl, and the other upon the left side thereof.”
4 So I answered and spoke to the angel who talked with me, saying, “What are these, my lord?”
5 Then the angel who talked with me answered and said unto me, “Knowest thou not what these be?” And I said, “No, my lord.”
6 Then he answered and spoke unto me, saying, “This is the word of the Lord unto Zerubbabel, saying, ‘Not by might nor by power, but by My Spirit,’ saith the Lord of hosts.
7 Who art thou, O great mountain? Before Zerubbabel thou shalt become a plain; and he shall bring forth the headstone thereof with shoutings, crying, ‘Grace, grace unto it!’”
8 Moreover the word of the Lord came unto me, saying,
9 “The hands of Zerubbabel have laid the foundation of this house; his hands shall also finish it. And thou shalt know that the Lord of hosts hath sent me unto you.
10 For who hath despised the day of small things? For they shall rejoice and shall see the plummet in the hand of Zerubbabel with those seven. They are the eyes of the Lord, which run to and fro through the whole earth.”
11 Then answered I and said unto him, “What are these two olive trees upon the right side of the candlestick and upon the left side thereof?”
12 And I answered again and said unto him, “What be these two olive branches, which through the two golden pipes empty the golden oil out of themselves?”
13 And he answered me and said, “Knowest thou not what these be?” And I said, “No, my lord.”
14 Then said he, “These are the two anointed ones, who stand by the Lord of the whole earth.”
The two anointed ones in Zechariah are the political leader, Zerubbabel, and the high priest, Joshua.
Thomas Witulski addresses the various interpretations of the two olive trees and two candlesticks in Revelation that are found in the commentaries and concludes that the author meant to depict two historical persons (as opposed, for example, to representatives of Christianity), but that he also did not want them to be understood as spiritual heirs of Zerubbabel and Joshua.
“Witnesses” is possibly a misleading translation in the context of Revelation 11. It suggests persons who offer a testimony, or carry a message. But the one thing lacking in Rev 11 is any indication of a message proclaimed by these two μάρτυσίν. A better translation might be “martyrs”.
Zerubbabel and Joshua were symbolized by two branches of the olive tree and were not represented in any way by the candlestick. The two witnesses [μάρτυσίν], in contrast, were symbolized by both two candlesticks and two olive trees (not branches). In Zechariah, there is a clear distinction between the candlestick and the olive trees but in Revelation 11 the two images are united as the two μάρτυσίν.
Of particular significance is that Revelation notably avoids using the title of “anointed ones” that is assigned to Zerubbabel and Joshua. Even though in Revelation we read a partial quotation of Zechariah 4:14, we see that the two μάρτυσίν are not allowed a title of special anointing. For Christians, after all, there was only one anointed one, Jesus Christ. The two μάρτυσίν have no such spiritual title. Further, from what we know of early Christianity, it is unlikely that outstanding status would have been given to any members since in a sense all Christians were “priests and kings”, and there were many prophets among them.
Nor does the apocalyptist of Revelation link the two μάρτυσίν with plans to rebuild the temple in Jerusalem. One might have expected such an association given that Revelation 11 begins with a commission to measure a temple and Zechariah has a strong focus on the role of Zerubbabel and Joshua in the building of the second temple.
So why does Revelation cast the two μάρτυσίν as two olive trees and two candlesticks if they are not “anointed ones” and are not engaged in a rebuilding of the temple — and, as we saw in the previous post (part A), are apparently commissioned by a heavenly being of a lesser status than the one commissioning the author John? Witulski’s view is that the author of Revelation was working very freely with a prophetic tradition based on Zechariah where the two leaders of Israel, the political and priestly heads, were represented by two candlesticks and two olive trees.
Moses and Elijah?
The powers attributed to the two μάρτυσίν bring to mind the miracles of Moses and Elijah. However, both of the μάρτυσίν are said to wield these powers so it is unlikely that they are meant to represent the two OT heroes. Elsewhere in both the OT and Jewish writings some of these powers are described quite independently of associations with Moses and Elijah (e.g. 1 Kings 8:35; 1 Sam 4:8).
We continue following Thomas Witulski’s case for dating the book of Revelation in the time of emperor Hadrian and the Bar Kochba war. Before attempting to place the events of chapter 11 (the measuring of the temple and the two witnesses) in a historical context W undertakes to closely examine the text in order to be clear about what it does and does not say.
Revelation 11:3 And I will give power unto my two witnesses, and they shall prophesy a thousand two hundred and threescore days, clothed in sackcloth.”
4 These are the two olive trees and the two candlesticks, standing before the God of the earth.
5 And if any man will hurt them, fire proceedeth out of their mouth and devoureth their enemies; and if any man will hurt them, he must in this manner be killed.
6 These have power to shut heaven, that it rain not in the days of their prophecy, and have power over waters to turn them to blood, and to smite the earth with all plagues, as often as they will.
7 And when they shall have finished their testimony, the beast that ascendeth out of the bottomless pit shall make war against them, and shall overcome them and kill them.
8 And their dead bodies shall lie in the street of the great city, which spiritually is called Sodom and Egypt, where also our Lord was crucified.
9 And they of the people and kindreds, and tongues and nations shall see their dead bodies three days and a half, and shall not suffer their dead bodies to be put in graves.
10 And they that dwell upon the earth shall rejoice over them and make merry, and shall send gifts one to another, because these two prophets tormented them that dwelt on the earth.
11 But after three days and a half, the Spirit of life from God entered into them, and they stood upon their feet; and great fear fellupon them that saw them.
12 And they heard a great voice from Heaven, saying unto them, “Come up hither!” And they ascended up to Heaven in a cloud, and their enemies beheld them.
13 And that same hour there was a great earthquake, and a tenth part of the city fell; and in the earthquake were slain seven thousand men, and the remnant were seized with fear, and gave glory to the God of Heaven. (KJ21)
The time allotted to the two witnesses is the same as the time the gentiles are to tread down the holy city. (Recall the previous post.) It seems reasonable to conclude that the two witnesses are active during the time of Jerusalem being fully occupied (including the temple area) by the gentiles.
Well known to the readers
The two witnesses are introduced with the definite article τοῖς “which suggests that they were known as eschatological figures or ciphers to both the apocalyptist and his audience or readers” (W, 45, translation):
As well-known figures (the article τοῖς is not missing in any manuscript) the two witnesses are introduced here without any mention of them in the Apok so far. (Haugg, 13f – translation)
The time specification of verse 2 “for forty-two months” corresponds to that of verse 3 “1260 days”. The two witnesses are introduced as a definite quantity with a definite article. Apparently, the author presupposes that the reader understands him, which means that he alludes to a familiar idea. (Müller, 208f – translation)
However, the apocalyptist does not name them even though it appears they are well-known to his readers. By avoiding a clear identification the author appears to be allowing himself room to reinterpret their role. The references to Jerusalem in the opening verses of this chapter and again in verse 8 (W will make his case that “where also our Lord was crucified” is original to the text and not an interpolation) indicate that the two witnesses will appear in the area around Jerusalem, certainly in Palestine. Continue reading “The Two Witnesses of Revelation 11 – part A”
And there was given me a reed like unto a rod; and the angel stood, saying, “Rise, and measure the temple of God and the altar, and them that worship therein. But the court which is outside the temple, leave out, and measure it not, for it is given unto the Gentiles; and the Holy City shall they tread under foot for forty and two months. — Revelation 11:1-2 (21st C KJV)
Immediately following the above verses comes the account of the “Two Witnesses”. In Thomas Witulski’s view Revelation was composed in the time of Hadrian and the years of the Bar Kochba revolt, that is between 130 and 135 CE. Previous posts have covered how he explains the trials of the seven churches, the four horsemen of the apocalypse, the emergence of two beasts, one of them identified by the number 666, in the context of major events in the eastern Mediterranean world during the times of Trajan and Hadrian. It’s time I covered Witulski’s analysis of Revelation 11.
Is the passage about the temple at the time Jerusalem was under siege in 69/70 CE?
Is the passage a depiction of a heavenly temple?
Is it an allegory of the church?
Is the measuring for the destruction or for the preservation of an existing temple or for plans for a future temple?
Before attempting to decide how a passage fits events around the time of writing, W takes a close look at what, exactly, the text appears to be saying.
A significant point that stands out in W’s discussion is the notice that the author who is given the command is never said to carry it out. He does not measure anything.
He is told not to measure the outer court because it is given to the gentiles. He is then told that the Holy City shall they tread under foot for forty and two months.
The treading down of the holy city is introduced as a future event. The measuring of the temple and the instruction to leave out the outer court is all present tense. The outer court is given to the gentiles — now, at the time of the instruction; but the news that the holy city is to be trodden down is introduced as something that is yet to happen. W concludes that the 42 months duration of the treading down of the holy city is not part of the present time in which the measurement is expected to take place and in which the outer court (only, not the entire temple or city) is given to the gentiles. Here is an adapted version of W’s explanatory table:
We do not read that all of the city except for the temple will be trampled underfoot by the gentiles for 42 months but that the city — implying the whole city — will be trodden under. The “holy city” is holy because the temple stands there. Without the temple it is not holy. W cites Dulk:
This sentence is unintelligible if the first part of the text is construed to mean that the temple will be preserved. If the holy city is trampled, that includes the temple. The text does not state that the rest of the city will be trampled, but simply that the city (without exception) will be trampled. Moreover, the city at issue is the ‘holy city’. What makes the ‘holy city’ holy is precisely the presence of the temple. It is hard to see how this sentence could be otherwise construed than with the implication that the whole city, with as its central element the temple, will be trampled. (Dulk, 441). — (in part cited by W, 26)
And it shall come to pass in that day [that] I will make Jerusalem a trodden stone to all the nations: every one that tramples on it shall utterly mock at [it], and all the nations of the earth shall be gathered together against it.
By replacing “Jerusalem” with “holy city” the author of Revelation is reminding readers of the temple and emphasizing that the temple itself will be included in the destruction (W, 27). Compare Joel 3:17 (4:17 in LXX)
. . . ye know that I am the Lord your God dwelling in Zion, My holy mountain. Then shall Jerusalem be holy . . .
W concludes that the measurement that is announced and whatever is implied by it will be overtaken by the fact that everything about it will be destroyed.
There have been two approaches to the scholarly work on the two witnesses: one search has attempted to find the models from Jewish traditions upon which the two witnesses are based; the other has focussed on identifying the figures “in reality”: are they historical persons who embody ancient prophetic characters, or are they two ancient prophets returned at the moment of crisis, or are they meant to be symbols?
The early Jewish templates
Enoch and Elijah come to mind on the basis that both are said to have ascended to heaven without first dying. There was apparently a widespread belief that one or both of them would return one day to complete the work they had begun before being taken to heaven. One has to wonder how such a model fits Rev 11:6 which reads much more like the works of Moses, though:
and they have power to turn the waters into blood and to strike the earth with every kind of plague . . .
Victorinus of Pettau wrote one of the earliest commentaries on Revelation in which he proposed that the models for the two witnesses were Elijah and Jeremiah. Victorinus relied upon a tradition that Jeremiah, like Elijah, had been translated to heaven without seeing death. W. notes, however, that the same kind of problem applies to Jeremiah: the two witnesses perform the works of Elijah (calling fire down from heaven and proclaiming the end to rainfall for an extended period) and Moses (turning waters to blood and striking the earth with plagues) — none of which can be related to anything we know of Jeremiah.
Since Elijah eliminated his enemies by calling down fire from heaven and punishing Israel with a drought, and Moses turned waters to blood and ordered plague after plague, most exegetes have settled on Elijah and Moses being the templates for the two witnesses. They perform the same miracles, after all. Christian tradition, according to the canonical gospels, further links Elijah and Moses at the time they appeared together at Christ’s transfiguration.
Nonetheless, the notion that Moses had ascended to heaven in the past as Elijah had done is “only very rarely attested in Jewish and Christian tradition, if at all.” (Witulski p. 9 – citing Aune)
Witulski concludes that while it cannot be denied that the author of Revelation used traditional material form Jewish and Christian sources, his interest was not to equate the two witnesses with those traditional figures but only to use traditional motifs to shape a particular profile for them.
In Revelation 12 the character of the narrator-visionary, John, is exposed to two visions in heaven: one of a woman clothed with the sun, moon and the twelve constellations who is about to give birth to a child; the other of a dragon, a war in heaven (against the one clothed in the heavenly bodies of the sun, moon and constellations?) and the fall of that dragon to earth.
Once the dragon has fallen to earth, we learn that the heavenly events were harbingers of events on earth: the woman in heaven is now seen on earth. The moment she gives birth the child is snatched away from the threatening dragon and taken to heaven. (Recall the book of Daniel: there we read that everything that happens on earth is anticipated in heaven; all earthly battles are first fought out in the skies by the heavenly representatives of the earthly powers.) The dragon then chases after the woman who has to flee into the wilderness for safety. The dragon accordingly changes its plans and turns back to attack the other children of the woman. These are said to keep the commandments of God and hold the testimony of Jesus.
Julius Wellhausen demonstrated the parallel visions in Revelation 12 with the following table:
The following argument is a paraphrase of Wellhausen’s Zur apokalyptischen Literatur.
On earth, the dragon is evidently the Roman empire. (This conclusion derives from a comparison with the information about the beast with seven heads and ten horns in chapters 13 and 17.) The woman appears to be Zion, the twelve-tribes of Israel, who gives birth to the messiah, the one whom Revelation declares will rule the nations with a “rod of iron”. But what kind of Messiah is this? Wellhausen writes,
But it is disputed whether Sion and the Messiah are Christian or Jewish terms here. The question is not already answered by the fact that the Revelation of John as a whole, in its present form, is a Christian book. For the last author used sources and possibly Jewish sources. (Wellhausen, 218 – translation)
The episode of the birth and immediate rapture of the child from earth is unlike any Jewish expectation of a messiah that we know of, but it is also clearly not a part of all we know of Christian views of the messiah, either.
Revelation 12 can hardly be interpreted in any way that allows for a growth of the child to manhood, his life and ministry on earth, nor of his death on earth. Revelation 12 clearly leads readers to understand that the child is snatched up to heaven the moment it is born. Note that in verse 4 the dragon is standing beside the woman waiting for the moment the child is born. There is no scope for the child to grow to adulthood on earth.
Many Christians have interpreted the woman of Revelation 12 as the church. But that view likewise brings insuperable difficulties with it. How can the messiah be the son of the church, one born through the church? The Christian church holds the Christ to be its head, not its child.
If we think of the woman as Israel, however, there is no problem with the idea of the messiah being born from that nation represented as a woman. Jesus was born of his mother Israel or more specifically, Judah.
Another difficulty with reading Revelation 12 as an orthodox Christian text is that it claims the primary enemy of the messiah is the Roman empire. Not the Jews, or any group among the Jews such as the Pharisees or Herodians. In Revelation 12 the only enemy of the messiah is Rome. The Jews are the (loving) mother of the messiah. But Rome is not depicted as the enemy of the messiah from the moment of his birth but even before his birth! How do we make sense of this from a Christian perspective?
Revelation 12 allows no room for a crucifixion of the messiah, certainly not on earth. The Jews are not enemies of the messiah in Revelation 12. Only the Romans are his enemy.
From all of this it follows that the flight of the woman into the wilderness cannot be an allusion to the flight of Christians from Jerusalem to Pella to escape the final destruction of Rome in 70 CE, nor can that flight of the woman in Revelation 12 be a reference to any part of the body of Christianity at any time. The flight to Pella of the Jewish Christians is said to have happened some near 70 years after the birth of the messiah. That time gap is not possible for Revelation 12’s account of the birth of the child and flight of the woman. The two are effectively simultaneous events.
The child is not the historical Messiah of the Christians, but an imagined one of the Jews. The vision consists of a Jewish prophecy. (220 – translation)
The author of Revelation 12 is drawing upon the time schedule of the book of Daniel to come to 1260 days. In Daniel we read of a persecution by Antiochus Epiphanes and the visionary of Revelation is expecting a similar time-table with the Roman oppressors.
The woman of Revelation 12 is the portion of the Jewish nation that escaped from the Roman army and continued to maintain their polity elsewhere. These were the Jews who fled from Jerusalem and thus escaped a deadly encounter with Roman forces. These Jews — many Pharisees and scribes opposed by the zealots — became the seed of a future Jewish cultural-religious (rabbinical) revival.
The Romans lost interest in pursuing those Jews and turned against those who remained in Jerusalem.
We know from the later chapters of Revelation that the messiah will come from heaven to crush the forces of evil and rule over all nations.
So why has the author of this chapter described the earthly birth of Jesus at all? What was the point?
Vischer already answered this aptly. There seems to be a compromise between two equal demands. On the one hand, according to the old conception, the Messiah must come forth from the people of Israel, on the other hand, according to Daniel, from heaven. This is rhymed by the assumption that he was born of the mother Sion shortly before the beginning of the three and a half years, but that he was caught up into heaven immediately after his birth and thus did not stay on earth during the time of need. (Wellhausen, 221 – translation)
An analogy can be found in Isaiah chapters 7 to 9: Immanuel (“God with us”) is born at the beginning of a critical time, then disappears from view for a while, and suddenly appears in full glory at the end. That’s Wellhausen’s comment, but he adds that obviously in Isaiah there is no contrast between heaven and earth as abodes for the Christ but that Isaiah does present the pattern of birth, disappearance and return at maturity at the moment of the final stage of the crisis.
I have been attempting to share with interested English speaking readers the German language publications of Professor Thomas Witulski’s thesis that the book of Revelation was most probably written in the early 130s, the time of emperor Hadrian.
The first series surveyed the reasons for identifying the two beasts of revelation, the one from the sea and the other from the land, with Hadrian and his propagandist Polemon. We saw the case for interpreting Hadrian as a Nero redivivus and the relevance of the number 666. The same series took an overview of how Hadrian’s program of an intensified focus on emperor worship in Asia Minor along with his own unprecedented identification with Zeus himself, and the requirement of all homes to contain shrines to the emperor, explained the situations facing the seven churches addressed in the opening chapters of Revelation. (I may still add to this series with further discussion of the evidence for Hadrian’s impact on Asia Minor.)
The second series covered the four horsemen of the apocalypse and their relation to events preceding Hadrian: the two-stage conquests of Trajan; the bloodbath that covered much of the eastern Mediterranean as a result of the Jewish (probably messianic) uprisings; the effects of these rebellions on the food supply in Asia Minor; and the merciless suppression of those rebellions by the Romans.
This third series is based on a third book by Witulski, Apk 11 und der Bar Kokhba-Aufstand : eine zeitgeschichtliche Interpretation [= Rev 11 and the Bar Kokhba Uprising: a contemporary interpretation]. Those who read German are excused from reading these coming posts and turning instead to the book made available on archive.org.
One of the darkest parts of Revelation
Ulrich Müller wrote in his commentary:
Das 11. Kapitel gehört zu den dunkelsten Stücken der Offb. = Chapter 11 is one of the darkest parts of Rev. (Müller, 205)
André Feuillet wrote an article for New Testament Studies,
Le chapitre xi de l’Apocalypse est un des passages les plus discutés de ce livre, célèbre entre tous par son obscurité. = Chapter xi of the Apocalypse is one of the most discussed passages of this book, famous among all for its obscurity. (Feuillet, 183)
Pierre Prigent in his commentary:
The majority of commentators start their explanation of Rev 11 by admitting they encounter in this passage (and in chapt. 12) the greatest difficulties in the entire book. (Prigent, 337)
If hitherto the passage has been so dark, Witulski asks:
Can the text of Rev 11:1f, 3-13 . . . possibly be illuminated in a new and hitherto completely unknown way by dating of the writing of Rev to the time of Emperor Hadrian? (Witulski, 1 – translation)
Go and measure the temple
I was given a reed like a measuring rod and was told, “Go and measure the temple of God and the altar, with its worshipers. But exclude the outer court; do not measure it, because it has been given to the Gentiles. They will trample on the holy city for 42 months. — Rev 11:1-2
Since Julius Wellhausen (Analyse der Offenbarung Johannis — how can a 1907 book not be available online!*) many interpreters of Revelation 11 have agreed that the prophecy should be read as set in the last days of the Jewish War that culminated in the destruction of Jerusalem and its temple in 70 CE. The prophecy was penned by a zealous Jew who had hoped that though the Roman armies were besieging Jerusalem there was still an expectation that God would intervene and protect the inner sanctuary of his temple. (Wellhausen pointed out that the passage has no characteristics of a Christian or Christ-related proclamation.) After all, do we not read in the account of Josephus that many Jewish defenders clung to the belief that divine deliverance was sure and imminent: Continue reading “Measuring the Temple in Revelation 11 – the Questions Arising”
And I looked, and behold a pale green/blue horse: and his name that sat on him was Death, and Hades followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. — Revelation 6:8
Here we have two figures, one named Death and another, following, named Hades. The two of them, together, have power over the fourth part of the earth. I bypass here the bulk of Thomas Witulski’s discussion about the authenticity of the received text and other passages in which “Death and Hades” appear and jump to his conclusion:
. . . [T]he view has prevailed in ancient historical research that the uprising of the Jews in Egypt and North Africa was ultimately put down by the collaboration of two Roman commanders; on the one hand, the governor of the province of Aegyptus, Μ. Rutilius Lupus, and on the other hand, the praefectus classis Q. Marcius Turbo. (W. 192)
If we accept the view that the four horsemen represent historical persons, that the first horseman was the emperor Trajan, that the second horseman signified the Jewish messianic uprisings, and that the third represented an Asian governor attempting to regulate the consequences of that uprising, then we may think it necessarily follows that the fourth horseman named Death along with another named Hades represent the two Roman commanders appointed to suppress that Jewish rebellion.
The colour of the horse is χλωρός (chloros). The Liddell-Scott-Jones Lexicon gives its meaning as greenish-yellow, pale, green. Various commentaries denote its meaning as the colour of death, of a pale blue corpse. The word appears in Homer’s epics when persons are faced with the “pale horror” of imminent death. Another Greek author wrote of facing imminent death so that he turned “paler than grass in autumn”.
The two riders are given power over a quarter of the earth. That does not mean that they killed a quarter of the earth but that they were given that portion of the earth in which to exercise their power.
On the phrase “to kill with the sword”, David E. Aune in Revelation 6–16 notes
“To kill with the sword” sounds like a parody of the Roman ius gladii, “law of the sword,” i.e., the power to punish individual criminals (Digest 2.1.3; A. Berger, Roman Law, 529). (403)
And when He had opened the third seal, I heard the third living being say, “Come and see!” And I beheld, and lo, a black horse; and he that sat on him had a pair of balances in his hand.
And I heard something like a voice from among the four living creatures saying, “A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine!” — Revelation 6:5-6
A pair of balances in his hand
Many commentators interpret the image of scales and the weighing of grain as a representation of famine that often follows in the destruction of croplands during a time of warfare. Two Old Testament verses are commonly referenced:
Leviticus 26:26When I afflict you with famine of bread, then ten women shall bake your loaves in one oven, and they shall render your loaves by weight; and ye shall eat, and not be satisfied. (LXX)
Ezekiel 4:16-17And he said to me, Son of man, behold, I break the support of bread in Jerusalem: and they shall eat bread by weight and in want; and shall drink water by measure, and in a state of ruin: that they may want bread and water; and a man and his brother shall be brought to ruin, and they shall pine away in their iniquities. (LXX)
Thomas Witulski (whose arguments for a Hadrianic date for the book of Revelation I have been outlining) identifies the following problems with attempting to link those verses in Leviticus and Ezekiel with the third horseman of the apocalypse:
— the term for “scales” or “balances” does not appear in either Lev 26 or Ez 4;
— Lev 26 and Ez 4 speak of “bread” but “bread” is not the subject of Revelation 6:5-6;
— the scales are used to measure by weight, but what follows is not a weight measure but a volume measure; the scales are therefore not directly related to what follows – and in the words of Aune (Rev 6-16, 396), “the presence of the scales is not illuminated by what follows”;
— as we saw in the vision of the first horseman, the bow is mentioned without the accompanying reference to arrows, thus suggesting that the bow was introduced as a symbol rather than a weapon to be used, so here, scales are mentioned without the expected accompanying reference to weights. It follows that the scales, like the sword, are a symbol rather than a tool for use;
— no Old Testament reference to scales speaks of them being held in one hand as we find in Revelation 6:5.
The image of scales being held in hand appears frequently in Roman imperial coinage from the later part of the first century and throughout the second. The goddess Aequitas represents equal justice, equal decisions made in comparable cases, and stands for Roman jurisprudence in general or more specifically to the person entrusted to administer justice.
Something like a voice in the midst of the living creatures
We come now to the red horse and its rider. The first thing W [=Thomas Witulski] brings to his readers’ notice is the different manner in which this second horse is depicted:
And I saw, and behold,a white horse, and he that sat on him had a bow; and a crown was given unto him, and he went forth conquering and to conquer. . . .
And there went out another horsethat was red; and powerwas given to him that satthereon to take peace from the earth, that they should kill one another; and there was given unto him a great sword. . . .
And I beheld, and lo, a black horse; and he that sat on him had a pair of balances in his hand. And I heard a voice in the midst of the four living beings say, “A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine!” . . .
And I looked, and behold, a pale horse, and his name that sat on him was Death, and Hell followed with him. And power was given unto them over a fourth part of the earth to kill with sword, and with hunger, and with death, and with the beasts of the earth.
The red horse is introduced as “another horse” as if in juxtaposition to the first horse. There is no separate “seeing and beholding” of the red horse. Is the appearance of the red horse meant to be subsumed beneath the “seeing and beholding” of the white horse? The red horse makes its appearance — unlike introductions of the other horses — as it “went out”. But “went out” from where? We are not told. The rider of the red horse is not presented as a subject or direct object but indirectly, in the dative case, as one to whom power to take away peace is given.
We saw the rider of the white horse conquering and conquering again. Following that scenario we come to a “fiery red” horse and its rider having the power to pull the world into a spiral of violence.
Returning to the apparent source for the idea of the red horse, Zechariah 1 and 6, we find that the red horse is identified with the angel of the Jews or Yahweh. After speaking about the sins of the Jews, the prophet writes:
Zechariah 1:8 I saw by night, and behold, a man mounted upon a red horse, and he stood among the myrtle trees that were in a ravine; and behind him were there red horses, speckled, and white.
9 Then said I, “O my lord, what are these?” And the angel that talked with me said unto me, “I will show thee what these be.”
10 And the man that stood among the myrtle trees answered and said, “These are they whom the Lord hath sent to walk to and fro throughout the earth.”
11 And they answered the angel of the Lord who stood among the myrtle trees, and said, “We have walked to and fro throughout the earth, and behold, all the earth sitteth still and is at rest.”
12 Then the angel of the Lord answered and said, “O Lord of hosts, how long wilt Thou not have mercy on Jerusalem and on the cities of Judah . . .
Back to Revelation and “the power to take peace from the earth, that they should kill one another…”. Bolded highlighting is my own in all quotations:
The function of the cavalier in taking peace from the earth is portrayed as a universal phenomenon, perhaps as a conscious reversal of the Roman achievement of pax Romana, “Roman peace,” by Augustus. — Aune, 395
It denotes . . . the arising of general internal bloody turmoil, the breakdown of internal peace. — Lohmeyer, 58 (translation)
The fire-red colour of the horse points to its effect (cf. 12,3). His mission is to take peace from the earth. What is obviously meant is a civil war in which people kill each other. Civil wars are not infrequently accompanied by war. It is enough here to recall the mutual skirmishes among Jewish groups during the Jewish War (66-70 AD). However, there is no specific event in mind here (Beckwith 519). It is important that the passive voice twice emphasises that the rider acts in dependence on and in authority of God. — Giesen, 176f (translation)
The phrase “slay one another” well could suggest civil strife and not persecution, as many commentators affirm. — Beale, 379
And what of the sword that is, contrary to normal expectation, mentioned last:
. . . in the OT already there is mention of an eschatological sword with which Yahweh will strike the Leviathan (Isa 27:1) or Edom (Isa 3:4—5). Later, in the apocalypses of Late Judaism, we find this same sword in the hands of the sons of Israel who finally extract vengeance from their enemies (7 Enoch 90:19,34; 91:12). The image can, however, denote divine instigation which drives the unfaithful to kill each other, cf. 1 Enoch 88:2. — Prigent, 268
Aune sees the sword not as a literally used weapon but as a symbol of authority or power:
. . . “He was given a large sword.” In this phrase the sword is the symbol of the authority given to the cavalier expressed elliptically in v 4a: . . . “he was given [the power] to remove peace from the earth”; i.e., the interpretation precedes the symbol. . . . “to bear the sword” (Rom 13:4), is a metaphor for the power over life and death possessed by governing authorities (see Philostratus Vitae Soph. 1.532, . . . “they needed a judge with a sword”). Roman emperors carried a dagger or sword as an emblem of office (Tacitus Hist. 3.68 [pugio]; Suetonius Galba 11; Dio Cassius 42.27 [ξίφος]; Ulpian Digest 220.127.116.11). The ius gladii, “right of the sword,” in cases of capital punishment was a symbol of imperium exclusively exercised by the emperor in Rome but delegated to provincial officials (A. Berger, Roman Law, 529). Wearing a sword was also the right of only the highest military officials during the Roman Republic (Dio Cassius 42.27.2), and during the Empire a sword was worn exclusively by the emperor (Mommsen, Römisches Saatsrecht 1:433–35; 2:806). “That this cavalier was given a sword, therefore, indicates the authority and power with which he was temporarily entrusted by God . . . . The sword was a typical weapon used by ancient cavalry in warfare. One would have expected that the sword would be mentioned before the anticipated slaughter of v 4b is described. This is another instance of the author’s use of hysteron-proteron, “last-first,” i.e., the reversal of the logical order of events, a literary device used frequently in Revelation (3:3, 17; 5:5; 10:4, 9; 20:4–5, 12–13; 22:14). Unlike the description of the first cavalier, who is said to have “ridden away” . . . , nothing in this text suggests that the cavalier executed his task.” — Aune, 396
From all this it follows, to copy W’s words:
From all this it follows: The figure of the second ‘apocalyptic horseman’ is presented as a figure who appears as an autocrat and initiates a civil war within the borders of the imperium Romanum. Against the background of the explanations in Zech 1.8, the motif of the ἵππος πυρρός [= ‘bright red horse’] seems to mark its rider as belonging to the people of Israel or the Jews. — Witulski, 152 (translation)
Is it significant that the only other horse rider said to wield a sword is the Messiah: Revelation 19:11-16? If so, and if we accept that rider of the white horse was an imperial substitute for the messianic conqueror, we may be led to think that the rider on the red horse points to the bloodshed throughout Cyrenecia, Egypt, Cyprus, Mesopotamia (and possibly the regions around Judea) that was occasioned, it would seem, by messianic Jews. These uprisings followed in the wake of Trajan’s conquests.
Meanwhile the Jews in the region of Cyrene had put a certain Andreas at their head, and were destroying both the Romans and the Greeks. They would eat the flesh of their victims, make belts for themselves of their entrails, anoint themselves with their blood and wear their skins for clothing; many they sawed in two, from the head downwards; others they gave to wild beasts, and still others they forced to fight as gladiators. In all two hundred and twenty thousand persons perished. In Egypt, too, they perpetrated many similar outrages, and in Cyprus, under the leadership of a certain Artemion. There, also, two hundred and forty thousand perished, and for this reason no Jew may set foot on that island, but even if one of them is driven upon its shores by a storm he is put to death. Among others who subdued the Jews was Lusius, who was sent by Trajan. — (Roman History, 32:1-3)
Later Eusebius wrote of the same event with reference to what he read in Greek histories:
When the emperor was about to enter his eighteenth year another rebellion broke out and destroyed vast numbers of Jews. In Alexandria and the rest of Egypt, and in Cyrene as well, as if inflamed by some terrible spirit of revolt they rushed into a faction fight against their Greek fellow-citizens, raised the temperature to fever heat, and in the following summer started a full-scale war, Lupus being at that time governor of all Egypt. From the first encounter they emerged victorious. But the Greeks fled to Alexandria, where they killed or captured the Jews in the city. But though deprived of their aid, the Jews of Cyrene went on plundering the territory of Egypt and ravaging the various districts, led by Lucuas. Against them the emperor sent Marcius Turbo with land and sea forces, including a contingent of cavalry. He pursued the war against them relentlessly in a long series of battles, destroying many thousands of Jews, not only those from Cyrene but others who had come from Egypt to assist Lucuas their king.
The emperor, suspecting that the Jews in Mesopotamia also would attack the people there, instructed Lusius Quietus to clear them out of the province. Lusius deployed his forces and slaughtered great numbers of the people there – a success for which the emperor appointed him governor of Judaea. These events were recorded in similar terms by the Greek authors who wrote histories of the same period. (Ecclesiastical History, IV, 2, 1-5)
These two accounts indicate that the death toll among all races, not only the Jews, was horrific. Prominent individuals are named: Andreas by Cassius Dio and Lucuas by Eusebius.
It may seem unusual to think of any of the “four horsemen of the apocalypse” as representatives of individual persons. Nonetheless, that is the perspective advanced by Thomas Witulski as we saw in the post on The White Horseman of the Apocalypse. The argument was that the rider of the white horse was a coded reference to a historical figure: one who carried a bow, was given a crown, and who went forth conquering and to conquer yet further. Before presenting W’s interpretation of the rider of the red horse let’s back up a little and understand some of the justification for these “historical-personal” identifications.
In each of the four visions revealed by the breaking of the first four seals, there is a clear demarcation between the horse and its rider and the action to be performed by the rider. In each of the four visions we have the same pattern:
the horse appears
the colour of the horse is given
the rider is described
the effects of some action by the rider are related
Note that each of the four effects is brought about by its respective rider and some detail related to that rider: the first carries a bow, the second a sword, and so forth. It is widely acknowledged that the four horses in Revelation 6 are inspired by the model of the four horses, or groups of horses, in Zechariah 1 and 6. In those passages the horses alone are sufficient to represent the meaning to be discerned. So why does our author of Revelation introduce distinctive riders on each of his horses? Such a focus on each of the riders may suggest that the author has something other in mind than a general calamity being symbolized by each of the coloured horses.
Commentators have noted also the relationship between these horses, or at least the first one, to other imagery in Revelation. The Messiah rider of the white horse in Revelation 19 is introduced in the same way as the horses and their riders in Revelation 6:
Revelation 19:11 I saw heaven standing open and there before me was a white horse, whose rider is called Faithful and True. With justice he judges and wages war. 12 His eyes are like blazing fire, and on his head are many crowns. He has a name written on him that no one knows but he himself. 13 He is dressed in a robe dipped in blood, and his name is the Word of God. 14 The armies of heaven were following him, riding on white horses and dressed in fine linen, white and clean. 15 Coming out of his mouth is a sharp sword with which to strike down the nations. “He will rule them with an iron scepter.” He treads the winepress of the fury of the wrath of God Almighty. 16 On his robe and on his thigh he has this name written: king of kings and lord of lords.
Indeed, the first rider on the white horse to emerge from the first seal carries several reminders of the Christ figure in other sections of Revelation and Zechariah:
In Revelation 5:5 we read that the Lion of the Tribe of Judah has (like the first horseman) “conquered”.
In Revelation 19 we read (as we did of the first horseman) of a white horse, its rider, including a weapon, and his action of conquering.
In Revelation 19 we read of the rider with “many crowns”, a contrast to the first horseman with one crown.
In Zechariah 9:13f and Revelation 14:14 we find the imagery of the bow and sword related to the Messiah who slays his enemies.
The vision of the horses in Zechariah 6 is followed by a commission to the messianic high priest Joshua.
More explication can be added and W does add much more as he engages with various commentaries addressing the apparent relationships between Revelation and Zechariah and the four horsemen of the apocalypse. The point is clear: at least the first horseman can easily be understood as an individual-to-individual match to the Messiah figure.
The first horseman appears in some way to be a counterpart to the Messiah who also rides a white horse, wears many crowns, and conquers with his sword (or sickle as in ch. 14). In other words, there is a person to person correlation between the two images. And if the first rider is interpreted this way, and the other riders are described with the same patterns, then it is reasonable to interpret each of them as signifying some personal figure as well.
Such, in brief, are the main points of W’s case for identifying the riders of Revelation’s four horsemen with persons related to significant historical events preoccupying the mind of the author.
Next, we’ll follow this approach in assessing W’s contemporary person-historical interpretation of the red horse.
Witulski, Thomas. Die Vier Apokalyptischen Reiter Apk 6,1-8: Ein Versuch Ihrer Zeitgeschichtlichen (neu-)interpretation. Vandenhoeck & Ruprecht, 2015.