In 1935 the foreign correspondent of a certain English newspaper, finding himself without much material to report, despatched to England stories which supposedly dealt with the build-up to the Abyssinian war but which were in fact derived from an old colonel’s military reminiscences, published several years previously in a book entitled In the country of the Blue Nile. The correspondent’s newspaper was delighted with the reception given to these stories by its readers, and accordingly sent him a series of congratulatory telegrams – whereupon a colleague remarked to him: ‘Well, now we know, it’s entertainment they want!’41 The colleague had only then come to realize what had been known long ago to Tacitus, to whom the foreign correspondent’s technique would have seemed very familiar.
41 For a full account of this amazing and instructive story see Knightley (1975), 176—7 (whose book should be recommended reading for those who wish to understand how ancient historians worked). The reporter who deceived his newspaper and the public on this occasion assumed (quite rightly) that no one could check his stories on account of the distance involved. The same is even more true of ancient historians (see above, p. 153), who lived in a world where communications were so much more difficult.
Woodman, Tony. 1980. “Self-Imitation and the Substance of History. Tacitus, Annals 1.61-5 and Histories 2.70, 5.14-15.” In Creative Imitation and Latin Literature, edited by David West and Tony Woodman, 155, 235. Cambridge ; New York: Cambridge University Press.
Neil Godfrey
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The war correspondent story probably inspired Evelyn Waugh’s novel “Scoop”, published in 1938, which is based in a fictional country in east Africa. The wikipedia entry for “Scoop” has this to say
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“Scoop” can be read online, or downloaded, at https://archive.org/details/in.ernet.dli.2015.182288
One will regularly see remarks among biblical scholars that a claim in the sources is more likely to be true than false because witnesses were alive who could have contradicted the account. Turn to the classics department, however, and one reads more often that authors were not afraid of making up stories because they could be confident that no-one would go to the trouble of checking up and contradicting them. Two different worlds.