2015-07-24

Ancient Historians Fabricating Sources

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by Neil Godfrey

The Book of the Generations of Adam
The Book of Jasher
The Book of the Chronicles of the Kings of Judah
The Book of the the Chronicles of the Kings of Israel
The Book of the Deeds of Solomon

Throughout the books of the Hebrew Bible (the Christian’s “Old Testament”) one finds assurances for readers that the stories (or histories) being told are detailed in other written sources. Readers are further assured in a number of cases in the books of Kings and Chronicles that even more details can be found in outside sources.

That sounds authoritative. Surely only a “hyper-sceptical” cynic would insist that such source citations were fabricated and the narratives have no credible foundation whatsoever.

But there is a more prudent alternative to having to choose between either/or. We have no independent evidence for the existence of these cited sources but of course that does not mean they never existed.

Are we going a step too far, however, to wonder if they never existed at all and that our biblical authors really did fabricate at least some of them? How could we possibly know?

No, we are not going too far to seriously ponder the question because scholars do have good reasons for believing that in the ancient world historians of the day did indeed sometimes pretend to cite real sources that in fact did not exist.

If I begin to set out reasons for suspecting that in some cases the biblical authors were making up sources I run the risk of being accused of having some sort of hostile agenda against the Bible and religion generally. So let’s examine the evidence for other ancient historians fabricating their sources. If we start with the extra-biblical world then we can show that we are analysing the Bible by the same standards we apply to other ancient texts and every reasonable person will happily acknowledge our even-handedness.

One more caveat. Merely identifying grounds for the possibility that source citations are fictions does not mean they “probably” are. What it does mean is that no secure argument or conclusion for a narrative’s reliability can be built upon the presence of source citations.

This post elaborates with a few in depth case-studies on the point I made earlier where I listed examples demonstrating that it was not unusual for ancient historians to fabricate their source-claims.

1. Eyewitness to two monuments of a Pharaoh in Asia Minor

karabel04
Karabel relief. From http://www.hittitemonuments.com/karabel/

Herodotus writes in his Histories (book 2):

As to the pillars that Sesostris, king of Egypt, set up in the countries, most of them are no longer to be seen. But I myself saw them in the Palestine district of Syria, with the aforesaid writing and the women’s private parts on them. 

[2] Also, there are in Ionia two figures of this man carved in rock, one on the road from Ephesus to Phocaea, and the other on that from Sardis to Smyrna

[3] In both places, the figure is over twenty feet high, with a spear in his right hand and a bow in his left, and the rest of his equipment proportional; for it is both Egyptian and Ethiopian; 

[4] and right across the breast from one shoulder to the other a text is cut in the Egyptian sacred characters, saying: “I myself won this land with the strength of my shoulders.” There is nothing here to show who he is and whence he comes, but it is shown elsewhere. 

[5] Some of those who have seen these figures guess they are Memnon, but they are far indeed from the truth.

There are indeed two statues still to be seen at the Karabel Pass on the old road from Ephesus to Smyrna. Unfortunately for Herodotus’s credibility

  • The script on these statues is not Egyptian hieroglyphics but Hittite (“a misstatement that cannot be explained away as a simple error, since to anyone who has seen the former once or twice they are completely unmistakable” – Fehling, p. 135)
  • The better preserved of the statues depicts a Hittite war-god, not Sesostris
  • The inscription does not run across the shoulders but is set to the right of the head

I have taken the above from Katherine Stott’s Why Did They Write This Way? The main inspiration for this post and the five specific case-studies are based on Stott’s chapter 2 of that book. (I should stress that Stott’s interest is not to suggest fabrication of sources was the general rule.)

Stephanie West in “Herodotus’ Epigraphical Interests” (The Classical Quarterly, Vol. 35, No. 2 (1985), pp. 278-305) writes:

Herodotus here describes the well-known reliefs of the Karabel pass, which depict a Hittite war-god of extremely un-Egyptian appearance. . . .

If Herodotus had seen even a fraction of the Egyptian monuments he claims to have done, he could never have supposed the Karabel reliefs to be Egyptian had he actually visited the site. (West, p. 301)

I like West’s comment on the way illusory way Herodotus so easily persuades readers that he writing an authoritative and reliable account: Continue reading “Ancient Historians Fabricating Sources”


2014-02-16

How Ancient Historians Worked — Summary

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by Neil Godfrey

I’ve decided to wrap up this series with this post. The book I have been discussing is online for anyone interested in following up the issues in more depth. In the future I may have time to discuss how the same points about Thucydides can be found to apply to other ancient historians like Tacitus, Josephus, Polybius, and so forth, too.

ancient-historians

Here are the key points:

  1. A historian may inform readers he is relying upon eyewitness testimony and personal investigations in order to encourage readers to have confidence in the superiority of his narrative, but the reality may in fact be quite different. In fact the historian may well be re-creating historical scenes from other literature (epics, plays, works of other historical times and places) that are vividly realistic mental images for the reader.
  2. It was believed important for historians to select noble topics to write about. Their historical narratives were meant to serve the interests of both education and entertainment.
  3. Educational and inspirational messages were in the form of setting before readers actions that demonstrated the noble or right way to act in various circumstances, or conversely illustrating cases where the ignoble or foolish course of action brought disaster and shame. In this sense historiography belonged to what rhetoricians called the epideictic function. The point was to praise (and sometimes to praise the good by demonstrating the converse) what was good and noble in the past as an inspiration for contemporary audiences.
  4. Truth was a matter of what was plausible given all we know of the human nature and the natural world. Hence gaps in historical knowledge could be validly filled in by the historian creating scenes that were “true to life”. Historical facts were those details or events that fulfilled the purpose of the historian’s narrative. Continue reading “How Ancient Historians Worked — Summary”

2014-02-13

How Ancient Historians Constructed Dramatic Fiction: Thucydides and the Plague

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by Neil Godfrey

painting1
Plague of Athens by Neapolitan School

The plague of Athens is one of the most detailed, vivid and life-like accounts of any event from ancient times. The historian who penned it (Thucydides) assures all readers that he relied upon eyewitness reports and that he personally investigated what had happened in order to be sure of leaving a record that would be of use (as well as interest) to posterity.

But how historically true is it? Is it hyper-sceptical to even ask that question?

I ask because a few New Testament scholars who study Christian origins claim that those who raise doubts that the author of the two-part prologue to Luke and Acts was really relying upon eye-witness testimony as he appears to be claiming are “hyper-sceptical” and unreasonably biased against the Bible. This post is part of a series showing that such critical questions are indeed applied to works other than those in the Bible and that they are perfectly legitimate and gateways to deeper understanding of the texts.

Further, among ancient historians and classicists we find the rule that we can never be certain of the historicity of a narrative without external or independent corroboration. This, too, is another detail dismissed as “hyper-scepticism” among some New Testament scholars who have built “bedrock history” upon their biblical sources.

Before resuming with Woodman’s discussion of the way the historian Thucydides worked it’s worth pausing to consider an extract by Henry R. Immerwahr from the Cambridge History of Classical Literature:

The close association of history and literature produced a distinctive manner of presentation which creates difficulties for anyone who tries to use the ancient historical works as source materials. Especially through the influence of epic and drama Herodotus and Thucydides set a style followed by almost all ancient historians, which may be called mimetic, that is, they write as if they had been present at the events they describe. (An exception is the Oxyrhynchus historian who aims at a more dispassionate narrative.)

When Herodotus describes the conversations between Gyges and Candaules or the feelings of Xerxes after Salamis we can hardly believe that this is based on evidence; it is rather an imaginative, ‘poetic’, reconstruction aiming at authenticity in an idealized sense.

The same is true of Thucydides when he supplies motives for actions by delving, so to speak, into the minds of the participants (e.g. the feelings of Cleon and the assembly in the discussion of Pylos, 4.27*1″.) without mentioning his informants.

The use of speeches is only the most obvious device of the mimetic method; it reaches into the smallest narrative details and tends to destroy the distinction between ‘fact’ and interpretation. This factor, more than any other, gives ancient historiography its unique character. (CHCL – pp. 456-7)

It is often forgotten that Thucydides is our only evidence for the plague, as for so many other events of the war. It is not mentioned by Aristophanes or in any contemporary medical writing. It is mentioned by Plato (Symp. 201d), but many years later. (The contemporary Sophocles makes no mention of it.) Woodman, p. 66

This post does not argue that there was no plague in Athens during the Peloponnesian War — although see the side box for the status of the evidence for its historicity.

What this post examines is Professor of Classics A.J. Woodman’s case for Thucydides having constructed a fictional scene based upon that apparently historical event. We will see the way “historical” writing was conceived in the Hellenistic, Roman and Jewish worlds in the Classical-Hellenistic-Roman eras.

I am focusing on Thucydides because he is generally considered the historian to be most like the moderns, taking scrupulous care to establish the certainty of any fact he writes, avoiding any mythical or miraculous tales, striving for an almost modern form of “scientific accuracy”. If it can be shown that this image of Thucydides’ work is accurate then we may indeed read ancient historical works in hopes of finding that others, too, have at least to some degree written the same way, especially those for whom we have evidence that they aspired to be compared with Thucydides in some way. Thinking specifically here of Josephus and the author of Luke-Acts.

This continues from my previous post on A.J. Woodman’s argument.

Continue reading “How Ancient Historians Constructed Dramatic Fiction: Thucydides and the Plague”


2014-02-07

The Best of Ancient Historians Following Homer and the Epic Poets

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by Neil Godfrey

A.J.Woodman

This continues from my previous post on A.J. Woodman’s argument. 

History ain’t what it used to be. It is all too easy for us moderns to read a work by an ancient historian, say Josephus or Tacitus or Thucydides (some would even add a few biblical authors), and think that by making allowances for pre-modern naïvety and a few mythical tales that we are reading a regular account of the past not so very different from what we would expect from our own modern historical works.

Historical works are nothing like epic poetry. At least to us. Historians are trying to get the facts right and record what they believe really happened. Ancient historians, however, did not quite work like that. We have seen in the previous two posts that even that reputably most “modern” and “scientific” of ancient historians, Thucydides, looked upon Homer as a historian-predecessor of his. If the Iliad is what Thucydides understood as “history” then perhaps we should be a little more cautious in the way we approach his own historical work, and indeed historical works of all the ancients.

How prose trumped poetry

Thucydides rejected poetic presentation. Plain prose was his tool. We saw in the previous post that his rejection of the poetic with all the embellishments that poetry brings with it was not because he believed such a medium was inappropriate for a “historical work”. Rather, it was because he wanted to convince his audience that the subject matter about which he was writing was itself of such grand and superior importance that poetry was superfluous.

The topic or theme was impressive enough on its own merits. In this, the greatness of his subject, his work surpassed that of his predecessors, including Herodotus and Homer.

Thucydides made poetics sound like a cheap way to enhance the greatness of one’s chosen topic.

Below we have a closer look at that prose style and will see that even ancient readers saw something rather poetic about it anyway. Thucydides’  prose was far from pedestrian.

(Pause: Did similar thoughts run through the mind of the author of Luke-Acts? What greater subject to write about than the coming of Christ and the origins of the Church? How to surpass the predecessors?)

Thucydides “the disaster drama” entertainer

In the previous post we saw that Thucydides expressed regret that readers “may seem” to find his work “less entertaining” because it would lack the tales of the fabulous and legendary that were found in The Histories of Herodotus. Woodman’s translation draws attention to what he believes are key details in the Greek that tend to be overlooked by many readers, including scholars. Thucydides, he argues, is not saying that his work will not be found entertaining. He is saying that it will lack the entertainment that comes from the mythical and fabulous narratives since those sorts of stories won’t be a part of his work.

We must infer that he did expect his work to be entertaining in all other respects, which is certainly the impression we derive from 23.1-3, where he returns to the thesis . . . that [his subject matter] the present war is the greatest of all. (p. 28)

Here is 23:1-3

Continue reading “The Best of Ancient Historians Following Homer and the Epic Poets”


2014-02-06

Ancient Historians: Thucydides, historian of realism, not reality

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by Neil Godfrey

woodman
Professor of Classics, A.J. Woodman

This continues from my previous post on A.J. Woodman’s argument.

There are good reasons for approaching the Book of Acts and other historical writings of the Bible from the perspective of the wider literary culture of their day. Thucydides, the Greek historian of the Peloponnesian War, is generally thought of as an outstanding exception among ancient historians because of his supposedly well-researched and eyewitness accounts of the facts. Classicist Professor A.J.Woodman reminds us, however, that we may be advised to reconsider why we should ever think of anyone as being an exception to the ethos and culture of one’s own day.

Through these posts I am exploring the nature of ancient historiography, and by implication re-examining the assumptions we bring to our reading of the Bible’s historical books. Beginning with Herodotus and Thucydides is relevant because we will see that Jewish historians, in particular Josephus, were influenced by them. We will see that by understanding Greek and Roman historians we will also understand more clearly and in a new light the nature of the works of Josephus. And by understanding the nature of ancient historical texts we will read Acts and other historical books in the Bible with fresh insights and improved critical awareness.

The first thing to note about Thucydides is that, for all his differences from Herodotus, he wanted his own work to be read with reference to Herodotus’ Histories. He borrowed directly from Herodotus to demonstrate to readers the superiority of his own work.

Herodotus advertized the greatness of his topic. Thucydides did the same and more so. Herodotus announced that the Persian Wars were a large-scale event? Thucydides responds by greatly exaggerating the extent of the Peloponnesian War to a far greater scale.

Far from being disengaged or objective, Thucydides has deployed standard rhetorical exaggeration in order to demonstrate the superiority of his own work and subject over those of Herodotus. (p. 7)

The translation reflects the original Greek words borrowed:

thycyherod1

We will see that this — the choice of a most important or great topic — is a recurring theme in all historical writings. Ditto for intertextuality.

Homer the historian

Continue reading “Ancient Historians: Thucydides, historian of realism, not reality”


2014-02-05

How History Was Done in Bible Times: Myths about Herodotus and Thucydides

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by Neil Godfrey

Was it acceptable for Greek, Roman and Jewish historians to invent accounts of the past?

Did even historians imitate and creatively reproduce entire passages from the great epic poems and tragic plays of their day?

Can we trust ancient historians who declare they relied upon eyewitness reports?

How does our understanding of history differ from the ancient concept of “historia”?

What implications do the answers to these questions have for the way we interpret the historical books of the Bible?

Thucydides has long been reputed to have been the first “scientific historian”. In his introduction he clearly indicates that his account of the Peloponnesian War is to be based on eyewitness reports and his own personal observations. He will eschew all myth and fable. His prose is austere, complex and compressed. He is accordingly judged to be a sober, critical, authoritative historian.

woodman
A.J. Woodman

Classicist A. J. Woodman in a 1988 publication, Rhetoric in Classical Historiography: Four Studies, showed us that these views of Thucydides were in fact myths. Moderns have naively taken Thucydides’ words at face value or sometimes misinterpreted them in the light of modern ideals of how history should be written. We have also failed to recognize that even this “founder of scientific history” is in fact writing creative fiction that very often has more in common with Homeric epics and Greek tragedies than dry, scientific history.

So how is this possible? And if we can err in attributing our ideas of historical interests to Thucydides can we be sure we are not making the same mistakes with, say, Luke-Acts?

Before Thucydides we have Herodotus. Woodman begins by pointing out a few important details about this “father of history” that we will soon see carry over to Thucydides despite the many obvious differences between these two historians. Continue reading “How History Was Done in Bible Times: Myths about Herodotus and Thucydides”


2013-12-03

Is Luke Among the Lying Historians?

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by Neil Godfrey

GillWisemanOne of my earliest posts asked what Josephus might have said about the worth of the Gospels as history had he read them. In preparation for my final post on historical-critical methods with Stephen’s martyrdom as a case study I have come across (as another commenter also did) a chapter in Lies and Fiction in the Ancient World titled “Lying Historians: Seven Types of Mendacity” by T.P. Wiseman.

The reason for this post is to enhance awareness of one aspect of the nature of ancient historical writing whenever we think about Acts of the Apostles (or even the Gospels) as histories of sorts. (All bolding in all quotations is mine.)

Wiseman begins with line from Seneca, of the first century CE, where he dismisses a theory about comets by a certain Ephorus:

It takes no great effort to refute him—he’s a historian. (p. 122 in Lies and Fiction; original in Quaestiones Naturales, 7.16.1f)

Seneca explains why he has such a dim view of historians of his day:

Some historians win approval by telling incredible tales; an everyday narrative would make the reader go and do something else, so they excite him with marvels. Some of them are credulous, and lies take them unawares; others are careless, and lies are what they like; the former don’t avoid them, the latter seek them out.

What the whole tribe have in common is this: they think their work can only achieve approval and popularity if they sprinkle it with lies.

Seneca at another time parodied historical writing as the narrator of Apocolocyntosis (The Pumpkinification of Claudius):

I want to put on record the business transacted in heaven on 13 October . . . No concession will be made to umbrage taken or favour granted. This is the authentic truth. If anyone inquires about the source of my information, first, I shan’t reply if I don’t want to. Who’s going to compel me? . . . If I do choose to reply, I’ll say whatever trips off my tongue. Who ever demanded sworn referees from a historian? But if it is obligatory to produce the originator of the account, let the inquirer ask the man who saw Drusilla on her way to heaven.

Classical historians ought to have learned from the Christians that the criterion of embarrassment would have compelled belief in a resurrection if the eyewitness had been a woman and not a man. Seneca’s jibe would then have fallen flat, no doubt. Meanwhile, anyone in a seminary who has been fed the argument that detailed dates (compare Luke 3:1-2) and claims to be telling the truth (Gal. 1:20; Luke 1:1-4) are all indicators of an honest account might easily become the butt of Seneca’s joke.

Seneca’s historian joke hangs upon the principle that historians were “supposed” to always be telling the truth and nothing but the truth. This is found in what Wiseman describes as “the only theoretical discussion of historiography that survives from antiquity”, Lucian’s How to Write History (mid second century CE):

The historian’s one task is to tell it as it happened . . . the one particular characteristic of history is this, that if you are going to write it you must sacrifice to Truth alone. (p. 122)

The context of this maxim, however, would appear to limit the “Truth” to avoidance of both tall-tales or myths (which are more appropriate to poetry) and obsequious flattery of rulers and other persons of power.

The reputation of historians had not improved by the fourth century CE. We read from that period in the Historia Augusta the following conversation:

Tiberianus maintained that much of [historian] Pollio’s work was brief and careless. I protested that as far as history was concerned there was no author who had not lied about something. I went so far as to cite the places where Livy, Sallust, Cornelius Tacitus and even Trogus were refuted by clear evidence, at which he yielded to my argument and jokingly held up his hand. ‘All right then,’ he said, ‘write what you want. You can safely say whatever you like, and you’ll have those admired masters of historical style as your companions in mendacity.’ (p. 124)

The subtitle of Wiseman’s chapter is “Seven Types of Mendacity”. So what are the seven types of lies historians of the day were prone to tell?

Continue reading “Is Luke Among the Lying Historians?”


2012-09-18

What if the Gospels did cite their sources and identify their authors?

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by Neil Godfrey

English: Herodotus_from_Bodrum Български: Стат...
Herodotus_from_Bodrum (Photo credit: Wikipedia)

Would the Gospels be any more credible if their authors clearly left their names in them, along with a little biographical information clearly linking them to known historical persons, and if they at every point in their narrative informed readers of their sources for each set of sayings by Jesus and for each incident? Some sources they would explain were oral witnesses, some were official documents, maybe even some inscriptions that could be verified by any person in the region in their day.

Supposed a critic still dismissed them as fabricated tales. Would we be outraged that such a critic was completely biased against the Gospels and that she would never be so sceptical of secular writings with such an abundance of confirming testimony?

The answer ought to be that “it all depends”. It all depends on a critical analysis of all of that information. That would not be being biased against the Gospels. It would be treating the Gospels in exactly the same way scholars worth their salt treat their secular sources.

Take studies of Histories by Herodotus for instance. Herodotus has long been considered an essential source for our knowledge of the ancient world. By his own testimony he traveled widely, examining cultures first hand and gathering information from a wide range of sources, oral and written. Sure some of his tales are clearly fabulous, but why should we doubt that even those have some historical core in many cases?

1989 saw the English translation of Detlev Fehling‘s Herodotus and His ‘Sources’: Citation, Invention and Narrative Art, originally published in German in 1971. I will post from time to time on aspects of this book but for now let me outline his main arguments as summarized by Katherine Stott in Why Did They Write This Way? Reflections on References to Written Documents in the Hebrew Bible and Ancient Literature (2008): Continue reading “What if the Gospels did cite their sources and identify their authors?”


2011-02-24

Correlations between the “Histories” of Herodotus and the Bible’s History of Israel

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by Neil Godfrey

Torah inside of the former Glockengasse synago...
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Both HerodotusHistory and Primary History (Genesis to 2 Kings)

  1. are national epics
  2. had been divided into nine books at some time in their history
  3. are both about the same length
  4. begin with a prehistory that includes myths, fables, folk-tales, and legends that are treated as factual
  5. and continue in this vein until well into historical time
  6. consist of a basic format that changes concomitantly and abruptly under similar circumstances:
    • in Herodotus’ History this happens when Persians are about to fight on the Greek mainland
    • in Primary History this happens when the Sons of Israel are about to enter the Promised Land
  7. take on a semblance of historical narrative once the “homeland” becomes the locus of action
  8. — albeit one that includes miracles, marvels, and divinities who act in or at least guide history
  9. think of historic causation as being intimately tied to the will of the divinity

This is from the preface (p. x) to The Relationship Between Herodotus’ History and Primary History by Sara Mandell and David Noel Freedman, 1993.

There’s much more. But this is just for starters to justify my previous post’s speaking of Herodotus and the Bible’s core historical narrative in the same breath.


Reading an ancient historical narrative: two fundamental principles

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by Neil Godfrey

It is a naive mistake to approach every ancient narrative that purports to be about past events on the assumption that we can take it at its word — unless and until proven wrong.  Even the famous “father of history”, the Greek “historian” Herodotus, turned fables into history. The Hebrew Scriptures (Old Testament) does the same. If we are to understand how to interpret the New Testament literature we might find it useful to study ancient Hellenistic literature in general. Knowing how ancient authors worked across a wide spectrum of genres in the cultural milieu preceding and surrounding the time of the Gospels might lead to an understanding otherwise lost to us. If nothing else, a broad understanding of how ancient texts “worked” will alert us to possibilities that need to be considered and evaluated when we do read the Gospels.

I focus in this post on Herodotus and draw out lessons from modern critical studies that might profit us in reading the Gospels and Acts, perhaps even the New Testament epistles.

In school I learned that Herodotus was “a credulous collector of anecdotal data”. That was wrong. That perception was the result of taking his writings at face-value and making modern-reader judgments about that face-value reading. That’s not good enough and leaves the door open to many misreadings of the text. Continue reading “Reading an ancient historical narrative: two fundamental principles”


2010-05-01

Comparing the evidence for Jesus with other ancient historical persons

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by Neil Godfrey

Julius Caesar and wife Pompeia
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(This theme is surely past its ‘use by’ date, but it’s one I’m working through from a number of angles at the moment, so here goes once more.)

While it is often said that there is as much, even more, evidence for Jesus than for other ancient historical figures, this is simply not true.

Historical Evidence for Alexander and Julius Caesar

For Alexander the Great we have coins and other epigraphy as primary evidence. We also have a number of mythical narratives of Alexander. But the primary evidence testifies to his real existence nonetheless. With that primary evidence in mind, we can have confidence that not all literature about Alexander is necessarily fictional. I have compared the character of the five historical accounts of Alexander with the Gospels in an earlier post, Comparing the Sources for Alexander and Jesus.

For Julius Caesar, we also have coins and monuments with relevant epigraphy. There are many literary works that attest to be by contemporaries of Caesar (and that refer to Caesar), such as Cicero, and even works claiming to be by Caesar himself. I don’t think these are forgeries, but even if they were, the primary evidence alone would keep Julius Caesar “real”. That is before we even get to ancient historical works proper about him (Plutarch, Cassius Dio, Suetonius, Arrian).

Knowing or Believing? Continue reading “Comparing the evidence for Jesus with other ancient historical persons”


2009-09-24

The Bible’s “Historical” Writings: Histories or Historical Novels or . . .?

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by Neil Godfrey

Comparing Modern and Biblical “Histories”

The idea of history as a scholarly attempt to explain “what really happened in the past” is a relatively young European invention. The “first modern historian” is said to be Edward Gibbon (his History of the Decline and Fall of the Roman Empire was published 1770’s-1780’s); the acknowledged founder of modern scholarly and “evidence-based” history is nineteenth century’s Leopold von Ranke, although many students of history today are influenced by E. H. Carr‘s revision of von Ranke’s idea of the objectivity of “facts” (1961).

Bible authors did not think of writing history in this modern European way. In The Canaanites and Their Land Niels Peter Lemche writes:

Rather than writing history, the Israelite historians composed a novel, the theme of which was the origin of Israel and its ancient history. (p. 158)

Lemche unpacks this a little: Continue reading “The Bible’s “Historical” Writings: Histories or Historical Novels or . . .?”


2008-10-26

What Josephus might have said about the Gospels

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by Neil Godfrey

The Jewish historian Josephus had a bit to say about the nature of historiography, and why he believed his historical writings were more truthful than those of Greek historians. His criticisms of Greek histories have some interest when compared with modern questions about the historical reliability of the Gospels. . . . Continue reading “What Josephus might have said about the Gospels”


2007-11-27

The literary genre of Acts. 4: Historian’s Models – comparing Josephus

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by Neil Godfrey

(revised 1.15 pm)

Continuing notes from Pervo re the genre of Acts.

Pervo compares the genre of Acts with the genre of the works of other ancient historians. Below I’ve summarized Pervo’s comments but have added much more by way of illustration from Price and Feldman. I have also just received a copy of Revealed Histories by Robert Hall which I want to read before concluding this discussion. Till then, hope to discuss comparisons with historians other than Josephus in follow-up posts.

Imitation of the Masters

The Jewish historian Josephus attempted to imitate the “classical” historians, especially Thucydides. Imitation of the masters, even attempting to emulate or surpass them, was a mark of literary skill and good taste among ancient writers of the Hellenistic and early Roman imperial era, historians included. As Pervo writes (p.5), “Style was essential, not peripheral.” To be taken seriously historians would demonstrate in their works that they knew and were attempting to imitate the best in the ancients such as Herodotus, Thucydides and Xenophon. Thucydides was particularly in fashion in the time of the early Empire.

To illustrate this literary custom in particular among historians, — a few examples from Josephus: Continue reading “The literary genre of Acts. 4: Historian’s Models – comparing Josephus”