Vridar

Continuing my reading of part 2 of Nanine Charbonnel’s Jésus-Christ, Sublime Figure de Papier . . . .

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At the heart of Nanine Charbonnel’s thesis lies the question of how much we read in the gospels was written in a figurative sense and how much literal. Arthur Schopenhauer famously declared that all religious truth is expressed allegorically or mythically. But then the question becomes how such a beast can be controlled and not leave us pondering all sorts of fancies. And what devils arise if we know we are reading allegory and conclude that it is therefore not true! To bypass such anarchy Charbonnel determines to explore the precise mechanisms that have gone into the production of the gospels.

We have referred earlier to the nineteenth critical author David Friedrich Strauss. Strauss declared many episodes in the gospels to be myths but what he meant by that was a narrative constructed around an Old Testament precedent. Strauss recognized the OT origins of the infant Jesus having to flee tyrants (Pharaoh and Moses), the star of Bethlehem (the star of Balaam’s prophecy), the magi visiting Jesus (the magi of Isaiah and gifts of  Psalm 72), Jesus’ multiplications of the loaves (the manna in the desert and Elisha’s 20 loaves), the water into wine (Moses converting the brackish water into pure), the transfiguration of Jesus (Moses and Elijah with YHWH on the mountain), and so forth.

Where Strauss most notably failed was in his belief that Judaism does not allow for any notion of a suffering Messiah. He failed, therefore, to see that the most central event of the gospels was likewise a “mythical” adaptation of the OT. The significance of this viewpoint is that Strauss recognized that the author of the Jesus story was not starting from a “historical event” but from a theme, an idea. He wrote, for example, how the idea of a literal Messianic “son of God” grew out of texts like Psalm 2:7 (“Thou are my son, this day have I begotten thee”) and the prophecy in Isaiah for a child to be born to a “virgin” (Life of Jesus Critically Examined, I. ch.3, §29).

A Different Type of Symbolic Writing

Central to Charbonnel’s thesis is an understanding of different types of symbolic writing. Ernest Renan captures the most common view of the gospels as being quite unlike any form of allegory or symbolism:

That our Gospel is dogmatic I recognise, but it is by no means allegorical. The really allegorical writings of the first centuries, the Apocalypse, the Pastor of Hermas, the Pista Sophia, possess quite a different charm. (Renan, Life of Jesus, Appendix)

For Charbonnel the symbolism of the gospels is also striking even though quite unlike that of texts we typically think of as symbolic. Rabbinic writings contain another form of figurative tales that are typically called midrashic. But for Charbonnel there is another type of midrashic literature not found in those later Jewish texts.

Look at the Shepherd of Hermas, for example. Much of the text is clearly symbolic with characters personifying the church, virtues, etc. However, at other times it relates scenes that could well pass as realistic story even though we know they should be interpreted allegorically. Charbonnel raises the suggestion that our canonical gospels and the canonical Book of Revelation might be two sides, an obverse and reverse, of a symbolic form of narrative.

Similarly with the Dead Sea Scrolls. Many are written as pseudepigraphs, in the names of the patriarchs, or of the prophets. They appear to be a new type of literature at variance from what we are familiar with in the Old Testament collection. The scrolls indicate the presence of a particular community and a leader, the Teacher of Righteousness. Many assume both of these to be a literal group and a historical leader. Yet we have no way of proving either thought. As the “community” in the scrolls in fact an ideal community, a “new Israel”? (Charbonnel does not make the specific connection with Philip Davies but the same possibility can be seen underlying some of his discussion of the meaning of “Israel” — see What do we mean by Israel?) Are we reading a literary creation of a visionary utopia rather than a historical account of an actual group of persons?

Midrash

So far I have used the term “midrashic”. Charbonnel speaks of “midrash”. We have come across considerable controversy in some quarters of the meaning of this term so let’s settle what we mean, exactly, in this series, or in Nanine Charbonnel’s text. Charbonnel draws upon the definition set forth by the Jewish scholar Daniel Boyarin. I quote from the relevant section of The Jewish Gospels:

Although a whole library could [and has been) written on midrash, for the present purposes it will be sufficient to define it as a mode of biblical reading that brings disparate passages and verses together in the elaboration of new narratives. It is something like the old game of anagrams in which the players look at words or texts and seek to form new words and texts out of the letters that are there. The rabbis who produced the midrashic way of reading considered the Bible one enormous signifying system, any part of which could be taken as commenting on or supplementing any other part. They were thus able to make new stories out of fragments of older ones [from the Bible itself), via a kind of anagrams writ large; the new stories, which build closely on the biblical narratives but expand and modify them as well, were considered the equals of the biblical stories themselves. (Boyarin, p. 76)

Such a definition is broad. The later rabbinic midrash can be made to fit a narrower definition. In this discussion, however, we are looking at a form of Jewish literature that preceded those rabbinic texts.

So in this context what can be said about the Gospels? Continue reading “A Midrashic Hypothesis for the Gospels”

Continuing my reading of part 2 of Nanine Charbonnel’s Jésus-Christ, Sublime Figure de Papier . . . .

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Legend? Tale? Novel? — If these labels can be applied to any of the Old Testament works they fail when we attempt to relate them to the New Testament narratives.

The impasse of the “legendary” additions to a “biography”

The eighteenth-century scholars of the Enlightenment sought to pull Jesus down from his divine status but to endorse him as a wise and exceptional teacher and human being. Lessing (Education of the Human Race, 1780) spoke of humanity going through various psychological stages and being ready for Jesus at the time he came to bring us out of childish legalism and into the light of the rational and spiritual appropriate for emerging adolescence.

A BETTER Inftructor muft come and tear the exhaufted Primer from the child’s hands. Christ came !

That portion of the human race which God had willed to comprehend in one Educational plan, was ripe for the fecond ftep of Education. . . .

That is, this portion of the human race had advanced fo far in the exercife of its reafon, as to need, and to be able to make ufe of, nobler and worthier motives of moral action than temporal rewards and punifhments, which had hitherto been its guides. The child has become a youth. Sweetmeats and toys have given place to the budding defire to become as free, as honoured, and as happy as its elder brother. (Lessing, Education, sections 53-55)

Ernest Renan caused a storm when he published a study of Jesus (1863) that humanized him, psychologized him and stripped him of his divinity, in the process establishing his more “genuine” place in history.

Let us then place the person of Jesus on the highest summit of human grandeur. Let us not permit ourselves to be led astray by exaggerated distrust in regard to a legend which continually draws us’ into the supernatural world. The life of a Francis d’Assisi is also only a tissue of miracle. Still has anybody ever doubted the existence and the character of Francis d’Assisi ?  . . . .

The evangelists themselves, who have bequeathed to us the image of Jesus, are so far below him of whom they speak, that they constantly disfigure him because they cannot attain his hight. Their writings are full of mistakes and misconceptions. At every line we recognise discourse of a divine beauty reported by writers who do not understand it, and who substitute their own ideas for those which they but half comprehend. Upon the whole, the character of Jesus, far from having been embellished by his biographers, has been belittled by them. Criticism, to discover what he really was, must eliminate a series of mistakes, arising from the indifferent understanding of the disciples. They have painted him as they conceived him, and often, while thinking to make him greater, have in reality made him less. (Renan, Life of Jesus, 368-69)

According to Renan (and historical Jesus studies are in one sense still following in his train) everything in the Gospels can be explained in terms of mixing the historical with the legendary. Renan excels at it and that’s what caused a scandal in France at the time: the gospels are full of invention, alteration, metamorphosis, the illusions of followers, when it suits him, and authentic sayings whenever they correspond to the idea that he makes Jesus “the incomparable man”. Renan’s efforts are still being undertaken today though with ongoing efforts to hone sharper analytical tools.

Another false foundation has been the “logia”, the supposedly authentic words of Jesus that registered on the spot by original witnesses. Not mentioned by Charbonnel but Maurice Casey’s claim is one of the more extreme: he proposed that a disciple took down words and wrote on wax tablets the words of Jesus as he heard Jesus speak. Edgar Quinet from 1838 could joke about this research on the logia:

Lessing held them to be free translations of a lost original which one imagined in turn to be Hebrew, Aramaic, Chaldaic or Syriac, even Greek, and which finally was supposed never to have been written; this is what was called an oral gospel.(Edgar Quinet, ”La vie de Jésus-Christ, du Docteur Strauss”, en ligne § 33)

We have theories woven around the purported words of Papias that an original Gospel of Mathew contained words of Jesus in Hebrew. We have Q, the source hypothesized to explain similarities between Matthew and Luke that are not found in Mark, and that is thought to consist primarily of sayings material. But none of these hypotheses, even if there were such documents, can possibly be verified as originating with the words of Jesus and accordingly they can bring us no closer to a historical Jesus.

Treating the gospels as primarily “legendary” colouring of the life of Jesus does not help us get closer to a historical Jesus behind them. On the contrary, the concept contributes to obscuring the question of the nature of “biography”. Renan was forced to admit the vagueness of the notion:

Let the Gospels be in part legendary, that is evident since they are full of miracles and the supernatural; but there are different species of legends. Nobody doubts the principle traits of the life of Francis of Assisi, though in it the supernatural is met at every step. Nobody, on the contrary, gives credence to the “Life of Apollonius of Tyana”, because it was written long after the hero and in the conditions of a pure romance. (Renan, Life of Jesus, 17-18)

A more radical view of the gospels is that they consist largely of myth. But this view does not help bring us closer to a historical Jesus, either. Continue reading “Inadequacy of the Tools in the Search for the Historical Jesus”

Such is the epilogue introducing Nanine Charbonnel’s introduction to the second and major part of her book, Jésus-Christ, sublime figure de papier. What follows is my attempt to pass on the main sense of Charbonnel’s chapter. (See the Charbonnel archive for the previous posts.)

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No matter how much we have prepared for a calm discussion on the hypothesis of the non-existence of Jesus (see the previous posts in this series), a paper persona yet nonetheless a sublime creation of the human spirit, we are inevitably faced with a different reality:

• mainstream media may pretend neutrality when publishing on the notion but is in fact quite ignorant of the issues;
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• which opens the way to numerous charlatans of the Dan Brown Da Vinci Code variety, with suggestions of lost secrets, usually of a sexual nature, such as involving a marriage between Jesus and Mary Magdalene. These sorts of readings feed on a hatred of the institution of the Church and paradoxically only serve to strengthen the position of the Church as the only true rational voice;.

• * The Russian novelist Mikhaïl Bulgakov in The Master of Margarita wrote of the president of one of the most significant literary associations of Moscow ordering a young poet to compose “a great anti-religious poem”. He is, however, dissatisfied with the result: “Berlioz therefore wanted to show the poet that the main thing was not to know how Jesus was – good or bad – but to understand that Jesus, as a person, never existed, and that everything we told about him was pure invention – a myth of the most ordinary kind.” (Le Maître et Marguerite, Lère Partie, ch. I, trad, du Russe by C. Ligny, Robert Laffont, 1968; pocket ed., 2009, p. 27).

  Charbonnel, on the contrary, affirms that it is by no means a “myth of the most ordinary kind”, and refuses in advance to be designated as “mythicist” — a term that is applied as a convenient way to disqualify her thesis.

  the historical baggage (at least in France) of the earlier mythicist views: Dupuis and Volney (18th century) reduced Christianity to either an astral mythology or an essentially pre-existing pagan religion without any regard for Judaism or key specifics of the texts. These theories became associated with Freemasons, “free-thinkers” and even state communism.*.

• the naive pusillanimity of the “rationalists” (such is the literal translation and one I find it too delicious to alter.)
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  • We have seen in relation to the Old Testament how the Holbach-style Enlightenment inadvertently led us into the ruts of an “objectivist” hermeneutic. A fortiori, as for Jesus, the loss of religious belief, far from allowing a grasp of the admirable richness of the production of sublime texts, led to pseudo-evidence: the Gospels would become a testimony about a normal man so that everything supranormal in the gospels would be removed in some way.
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  • We have also seen how Spinoza unfortunately made “rationalization” coincide with psychological or naturalistic reductionism. As far as Jesus is concerned, Spinoza opens the impasse into which a pseudo-enlightened modernity will go astray: dividing up testimony between a real man and imaginary additions. Oldenburg asked Spinoza:

    “This story of passion, death, burial, the resurrection of Christ seems to be told in such vivid colors that I will not be afraid to appeal to your conscience: do you believe that this story should be taken for an allegory or literally […]?”

    Spinoza answers: “I understand the passion of Christ, his death and his burial, literally; his resurrection on the contrary, in an allegorical sense.”

  • And this is how we destroy this very thing that we seek to explain. We come to a situation where it is standard to believe in real, historical persons behind the narrative but that the stories themselves have been embellished. (Not that we should ridicule these efforts since they — names like Paulus and Renan — displayed great courage to promote such “critical” views in the eighteenth and nineteenth centuries, such as accounting for miracles by coincidences or psychological confusion, etc.)
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  • We arrive then at the supreme impasse which faces us today: belief in the distinct existence of a “historical Jesus and the Christ of faith”. The terms date from the great author David Friedrich Strauss in 1865, but have entered everyday thought, especially since the influence of the great theologian Bultmann (1930s to 1960s). We will see that these terms, this dichotomy (historical Jesus vs Christ of faith) constitute the most formidable barrier to any scientific advance. Let us first recall some other popular views . . .
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• Reduction to the ethical message: The biblical text is treated as a repository of the highest of sacred ethical teachings emanating from the great teacher Jesus. Of course, such an approach must ignore the similar contemporary teachings of Judean rabbis, of cruel judgemental pronouncements, and so forth. Continue reading “Jesus Christ, Sublime Literary Creation of the Human Spirit”

Last year I posted my understanding of Part 1 of the French publication, Jésus-Christ, sublime figure de papier. See Charbonnel: Jesus Christ sublime figure de papier for the ten posts covering that introductory section of Nanine Charbonnel’s book. Anyone who read through those posts would have realized that they were preparatory for what they expected to read about from the book’s title. They would also have begun to appreciate that there is much more to understand about the background to any “biblical” writing than a layperson’s or generalist’s knowledge will prepare them for. It may be some weeks (even months?, god forbid!) before I resume my chapter by chapter posts on the second half of Charbonnel’s work but in the meantime here is some background and overview of what is to come.

The author

http://charbonnel.populus.org/rub/2

A specialist in hermeneutics, Philosophy Professor Dr Nanine Charbonnel (University of Strasbourg, France) published various books among which …

• • Philosophie de Rousseau (Rousseau’s philosophy), 3 vols., Aréopage, 2006 ;
  • Comme un seul homme. Corps politique et Corps mystique (Together as one. Body Politic and Mystical Body), Aréopage, 2010 ;
  • Critique des métaphysiques du propre. La ressemblance et le Verbe (Critique of the literal sense in metaphysics. Similitude and Logos), Hildesheim / Zürich / New York: Olms Verlag, 2014;
  • Jésus-Christ, sublime figure de papier (Jesus Christ as a sublime paper persona), Paris : Berg International, 2017.

I. A few words by the French publisher

Nanine Charbonnel’s major points

Her book provides a deep insight into Jesus as a literary construct. In no way is it a diatribe against Christianity, nor the debunking of a hoax but an apt introduction to Jewish culture and the Hebrew bible which highlights the devices underlying the gospels as unparalleled written masterpieces. This book is based on an articulate academic research conducted by a philosopher well aware of the Christian tradition and culture and keen on what Christianity has brought to Western civilisation.

For quite a few centuries, critiques who, in their own right, are reluctant to believe in a God who was made Man, have fallen back on a seemingly simple distinction between the ”Jesus of History”, about whom nothing is known, and the ”Christ of faith” who would only depend on a confessional affirmation. This standpoint actually leads to a deadlock and we had better look for another kind of approach. It sounds more consistent to consider how the gospels fit in the Hebrew-Greek midrashic tradition. Everything takes place in the text and only in the text, in keeping with the Hebrew Holy Scriptures in which words and reality are the two sides of the same coin. Therefore nothing is to be put aside in what the Gospel characters are said to do, including the miracles they are supposed to operate since this is part and parcel of their identity. On the other hand, whatever they do is a form of accomplishment – within the text – of what is adumbrated in the Hebrew Bible. As far as the Jesus character is concerned, his name – Yeshua – stands for Salvation and embodies both the Jewish people and the presence of YHWH within his people.

In her book, Nanine Charbonnel shows that the evangelists wrote out … dramatized portraits with no consideration of their historical existence, which cannot be understood within the framework of legendary fiction or other traditional literary genres. The gospel narratives are thoroughly symbolic and composed within first century Judaism. The belief in a historical man called Jesus is mainly due to a hermeneutic confusion, i.e. what was actually figurative came to be read literally. The multiplicity of languages used in those days increased that misunderstanding. We are therefore invited to re-examine those unique masterpieces.

II.  A brief presentation of my research, THE GOSPELS AS MIDRASH

Continue reading “Jesus Christ as a sublime paper persona”