Tag Archives: Midrash

The Prologue of the Gospel of John as Jewish Midrash

While writing a post relating the Logos, Word, of the Gospel of John’s Prologue to hitherto longstanding Jewish ideas I came across the following explanation of “the formal characteristics of Midrash as a mode of reading Scripture” that requires a separate post or full quotation. It is a portion of an article by Daniel Boyarin that is based on an article by David Stern in The Jewish New Testament, “Midrash and Parables in the New Testament“.

One of the most characteristic forms of Midrash is a homily on a scriptural passage or extract from the Pentateuch that invokes, explicitly or implicitly, texts from either the Prophets or the Hagiographa (Gk “holy writings”: specifically, very frequently Psalms, Song of Songs, or Wisdom literature) as the framework of ideas and language that is used to interpret and expand the Pentateuchal text being preached. This interpretive practice is founded on a theological notion of the oneness of Scripture as a self-interpreting text, especially on the notion that the laer books are a form of interpretation of the Five Books of Moses. Gaps are not filled with philosophical ideas but with allusions to or citations of other texts.

The first five verses of the Prologue to the Fourth Gospel fit this form nearly perfectly. The verses being preached are the opening verses of Genesis, and the text that lies in the background as interpretive framework is Proverbs 8.22–31. The primacy of Genesis as text being interpreted explains why we have here Logos and not “Wisdom.” In an intertextual interpretive practice such as a midrash, imagery and language may be drawn from a text other than the one under interpretation, but the controlling language of the discourse is naturally the text that is being interpreted and preached. The preacher of the Prologue to John had to speak of Logos here, because his homiletical effort is directed at the opening verses of Genesis, with their majestic: “And God said: Let there be light, and there was light.” It is the “saying” of God that produces the light, and indeed through this saying, every thing was made that was made.

Philo, like others, identifies Sophia and the Logos as a single entity. Consequently, nothing could be more natural than for a preacher, such as the composer of John 1, to draw from the book of Proverbs the figure, epithets, and qualities of the second God (second person), the companion of God and agent of God in creation; for the purposes of interpreting Genesis, however, the preacher would need to focus on the linguistic side of the coin, the Logos, which is alone mentioned explicitly in that text. In other words, the text being interpreted is Genesis, therefore the Word; the text from which the interpretive material is drawn is Proverbs, hence the characteristics of Wisdom:

1. In the beginning was the Word,
      And the Word was with God,
2. And the Word was God.
      He was in the beginning with God.
3. All things were made through him,
      and without him was not anything made that
        was made.
4. In him was life, and the life was the light of men.
5. The light shines in the darkness, and the darkness
      did not receive it.

The assertion that the Word was with God is easily related to Proverbs 8.30, “Then I [wisdom] was beside him,” and even to Wisdom of Solomon 9.9, “With thee is wisdom.” As is frequently the case in rabbinic midrash, the gloss on the verse being interpreted is dependent on a later biblical text that is alluded to but not explicitly cited. The Wisdom texts, especially Proverbs 8, had become commonplaces in the Jewish interpretive tradition of Genesis 1. Although, paradoxically, John 1.1–5 is our earliest example of this, the form is so abundant in late antique Jewish writing that it can best be read as the product of a common tradition shared by (some) messianic Jews and (some) non-messianic Jews. Thus the operation of John 1.1 can be compared with the Palestinian Targum to this very verse, which translates “In the beginning” by “With Wisdom God created,” clearly also alluding to the Proverbs passage. “Beginning” is read in the Targumim sometimes as Wisdom, and sometimes as the Logos, Memra: By a Beginning—Wisdom—God created.

In light of this evidence, the Fourth Gospel is not a new departure in the history of Judaism in its use of Logos theology, but only, if even this, in its incarnational Christology. John 1.1–5 is not a hymn, but a midrash, that is, it is not a poem but a homily on Genesis 1.1–5. The very phrase that opens the Gospel, “In the beginning,” shows that creation is the focus of the text. The rest of the Prologue shows that the midrash of the Logos is applied to the appearance of Jesus. Only from John 1.14, which announces that the “Word became flesh,” does the Christian narrative begins to diverge from synagogue teaching. Until v. 14, the Johannine prologue is a piece of perfectly unexceptional non-Christian Jewish thoughtthat has been seamlessly woven into the Christological narrative of the Johannine community.

I need to update my series on the meaning of midrash. There are major implications here for the gospels, especially the Gospel of Mark.


Boyarin, Daniel. 2011. “Logos, a Jewish Word: John’s Prologue as Midrash.” In The Jewish Annotated New Testament, edited by Amy-Jill Levine and Marc Zvi Brettler, 546–49. New York: Oxford University Press.

https://www.academia.edu/36254597/Daniel_Boyarin_Logos_a_Jewish_Word_John_s_Prologue_as_Midrash_in_Amy-Jill_Levine_and_Marc_Zvi_Brettler_eds._The_Jewish_Annotated_New_Testament_New_York_Oxford_University_Press_2011_546_549.


Midrash: A Message from God, though not historically true

Let us now turn to a famous story found in the Babylonian Talmud, b. Taanit 5b. While sitting together at a meal Rav Nahman asked Rabbi Yitzhaq to expound on some subject. After some preliminary diversions, Rabbi Yitzhaq said in the name of Rabbi Yohanan, “Our father Jacob never died.”

Rav Nahman was taken aback by this claim and said,  “But he was embalmed and buried.” How is possible to do such things to someone who has not died?

Rabbi Yitzhaq responds and says, . . . . “I am engaged in Bible elucidation,” and he then cites Jer 30:10, “Therefore fear not, my servant Jacob, says the LORD; be not dismayed, Israel, for I will save you from afar and your seed from the land of their captivity.” He continues, “Israel is compared to his seed; just as his seed is alive so too is he alive.”

At first sight, it appears that the midrashic statement denying Jacob’s death is being derived from Jer 30:10. However, if we look closer at the passage, we will find a fascinating distinction between the biblical deathbed scenes of Abraham (Gen 25:8) and Isaac (35:29), on the one hand, and that of Jacob (49:33), on the other. In the former scenes, two verbs, . . . “expired,” and . . . “died,” and one phrase, . . . “was gathered to his people,” are used to describe their deaths. Regarding Jacob, however, only two verbs appear: expiring and being gathered to his people. For the midrashist, the absence of any verb from the root . . . “to die”, in the description of Jacob’s death cannot be by chance, but must be understood as communicating to us the Bible’s message that Jacob did not die.

According to the story, Rabbi Yitzhak’s statement to Rav Nahman was made in a completely neutral context — that is, outside of any context whatsoever. Consequently, Rav Nahman understood this claim as being functionally parallel to a claim such as “Elijah did not die.” The characteristic position of rabbinic Judaism is, of course, that Elijah never died but is still alive; indeed, according to the rabbis, he is the heavenly recorder of human deeds. Rav Nahman therefore asked Rabbi Yitzhak: But Jacob was embalmed and buried, so how can you claim he did not die. Rabbi Yitzhak’s response, . . . . “I am engaged in Bible elucidation,” and the citation of Jer 30:10, is not given to tell us the source of his previous statement, for as we have just seen, its source is the absence of any mention of death in Jacob’s deathbed scene. What he is doing is saying the following:

“You have misunderstood me; my statement that Jacob did not die is not to be understood as a literal-historical depiction of historical facts, but as midrash.”

Midrash comes to tell us a story placed in the biblical text by God, having no necessary relationship to the actual historical events, but whose purpose is to give us a message from God. That message is being explained to Rav Nahman by Rabbi Yitzhaq’s citation of Jeremiah. God’s exclusion of any mention of Jacob’s death is a promise found midrashically in Genesis and explicitly in Jeremiah: for Rabbi Yitzhaq, Jacob’s nondeath is a promise that his seed shall exist forever.

This midrash and its surrounding narrative are important because they give what we desperately need in reading midrash: a cultural and theoretical context. The original misunderstanding by Rav Nahman and the final exposition by Rabbi Yitzhak show, as clearly as possible, that midrashic narrative is explicitly demarcated from the historical-literal reconstruction of past events. Midrash is the rabbis’ reconstruction of God’s word to the Jewish people and not the rabbis’ reconstruction of what happened in the biblical past.

(Milikowsky, pp. 124 f.)

The Bible’s stories are never questioned. They are always bed-rock “true history”.

But the rabbis added stories to those Bible events that are clearly not factual, but nonetheless meaningful and explantory.

Why should the rabbis develop a mode of discourse that tells the truth by means of fictional events, when the only literature they have in front of them is the Bible, which tells the truth by means of true historical events?

For the answer to that question Milikowsky finds a significant discussion on the importance of “good fiction” in Plato’s Republic. At this point, return to the previous post: Why the rabbis . . .

Now what we see in the Gospel of Mark at one level looks like midrashic narrative. For example, we have quotations from Malachi mixed with quotations from Isaiah and Exodus. In the opening scene we have re-enactments of a “man of god” spending time in the wilderness and returning to call out a certain people and performing miracles. It is all familiar to anyone familiar with the Old Testament narratives.

So what is going on here? The question inevitably arises: Does the author of the earliest gospel expect hearers to believe the story as genuine history or as a “message from God” which the Bible texts assert to be “valid” or “true” without necessarily being “historically true”? If the latter, it is surely easy to see why it would be understood and accepted as true on both levels: as a message from God and as genuine history.


Milikowsky, Chaim. 2005. “Midrash as Fiction and Midrash as History: What Did the Rabbis Mean?” In Ancient Fiction: The Matrix of Early Christian And Jewish Narrative, edited by et al Jo-Ann A. Brant, Charles W. Hedrick, and Chris Shea, 117–27. Symposium Series 32. Atlanta: Society of Biblical Literature.


Why the Rabbis (and Gospel Authors, too) Wrote Fiction as “True History” — Duplicate Post

Looks like I cleverly managed to publish the same post twice instead of deleting one of the copies. I have deleted the contents of this post and add this redirection:

Why the Rabbis (and Gospel Authors, too) Wrote Fiction as “True History”

Why the Rabbis (and Gospel Authors, too) Wrote Fiction as “True History”

Chaim Milikowsky

Chaim Milikowsky gives his answer to the question in the title, or at least he answers the question with respect to rabbinical literature. I have added the connection to our canonical four gospels, and I could with equal justice add Acts of the Apostles.

I read CM’s answer in Ancient Fiction: The Matrix of Early Christian And Jewish Narrative, but I see that the author has made the same work freely available online. (Oh, and I posted on CM’s chapter five years ago this month: Why Gospel Fiction was Written as Gospel Truth — a plausible explanation. I think that first post was less technical than what I intend this time round.)

Let me begin with the conclusion this time. The answer to the question in the title is found in a work once again by one of the most influential Greek thinkers in history: Plato. We have been looking at the influence of Plato on the Old Testament writings through the works of Russell Gmirkin and Philippe Wajdenbaum, but CM sees his influence on rabbinic midrashic story telling. I suggest that the evangelists have carried through the same fundamental type of story telling.

Here are the key passages in Plato’s Republic. After deploring mythical tales of gods that depict them lying, cheating, harming others, Socrates sets out what is a far more noble curriculum for those who would become good citizens. Myths of conniving and adulterous gods had no place. God must always be shown to be pure and good. Stories depicting the gods as immoral were to be removed from society; stories that had an edifying message for their readers were to be shared widely.

For a young person cannot judge what is allegorical and what is literal; anything that he receives into his mind at that age is likely to become indelible and unalterable; and therefore it is most important that the tales which the young first hear should be models of virtuous thoughts. 

There you are right, he replied; but if any one asks where are such models to be found and of what tales are you speaking –how shall we answer him? 

I said to him, You and I, Adeimantus, at this moment are not poets, but founders of a State: now the founders of a State ought to know the general forms in which poets should cast their tales, and the limits which must be observed by them, but to make the tales is not their business. 

Very true, he said; but what are these forms of theology which you mean? 

Something of this kind, I replied: — God is always to be represented as he truly is, whatever be the sort of poetry, epic, lyric or tragic, in which the representation is given. 

Right. 

(Republic, 378e-379a Benjamin Jowett trans.)

God himself will be portrayed as incapable of lying, but there will be a place for story tellers to fabricate stories that teach goodness and lead people to righteous character: read more »

Did the Search for Meaning in Scriptures Really Lead to the Gospel Narratives?

To some extent, the followers of Jesus knew the basic facts: he was crucified by the authority of Pontius Pilate (with the complicity of the Jewish leadership?) outside the city of Jerusalem around the time of the Passover. Yet what was the meaning of those events? As Koester has noted, that question led the followers of Jesus back to the Scriptures, to familiar passages that seemed to describe some comparable situation. For example, according to Nils Dahl, “[E]arly Christians read Psalm 22, Psalm 69, and other psalms of lamentation, probably also Isaiah 53, as accounts of the passion of Jesus before there existed any written passion story.” 21 As Crossan explains, these believers did not read such passages “as referring exclusively and individually to Jesus but rather… to their original referents and to Jesus now as well.” 22 Thus, in addition to the examples cited by Dahl, one passage that helped Jesus’ followers make sense of what had happened was this verse from the Psalms: “The rulers take counsel together, against the LORD and his anointed” (2: 2). Another such passage— one that seemed to include what had happened to Jesus’ followers— was a verse from Zechariah: “Strike the shepherd, that the sheep may be scattered” (13: 7b). And after reports of the resurrection, Jesus’ followers saw new significance in this verse from Hosea: “After two days [the LORD] will revive us; on the third day he will raise us up” (6: 2). According to Crossan, these “passion prophecies” led the first generation of Christians to develop the belief that Jesus’ suffering and subsequent vindication had all been part of God’s plan.

Chumney, David. Jesus Eclipsed: How Searching the Scriptures Got in the Way of Recounting the Facts (Kindle Locations 1608-1621). Kindle Edition.

A new book titled Jesus Eclipsed has been introduced by its author, David Chumney, over three posts on John Loftus’s Debunking Christianity site (part 1, part 2, part 3). I have been reading both the book and David’s introductory blog posts and may discuss the work in more detail later. For now I can comment that Chumney is strongly opposed to mythicism (sometimes to the point of misrepresentation) even though his arguments are in all respects — except for two details — found at length in mythicist works by Robert Price, Richard Carrier and Earl Doherty. The two details on which he differs are that Josephus (his James passage) and Paul (his meeting with James) provide sufficient evidence to establish the historicity of Jesus. Unfortunately I think Chumney unwittingly slips into arguing from the same assumptions and with the same circularity as other New Testament scholars, perhaps not surprisingly given that Chumney has the same background in seminary studies. But here I address primarily a point that occurred to me just now as I read his sixth chapter.

Most readers will be familiar with the standard scholarly explanation for the passion narrative in the gospels being infused with allusions to “Old Testament”. The disciples were so stunned by the unexpected turn of events, it is said, that they turned to the scriptures to find some means of understanding the death of Jesus and their subsequent “Easter experience”. The passage by Chumney above sums up the idea.

The question that occurred to me this time on reflecting on this explanation for the scriptural echoes throughout the passion narrative was,

“But didn’t the scriptures provide a ready set of answers for exactly the sort of demise Jesus had met? Why were those traditional explanations apparently inadequate?”

We know the Bible and extra canonical Second Temple writings were riddled with laments and praise for the righteous one who suffers unjustly. Unjust suffering, persecution, martyrdom — such was the fate of the righteous man ever since Abel and on right through Job, the Psalms and to the Maccabees. Jewish scribes wrote plenty to remind readers of this “fact of life” and to console them, assuring them that God found their blood “precious in his sight”.

So why the need to take from Psalm 22 the line that spoke of dividing garments and casting lots for them? How did that passage add to the meaning of what had happened?

Did that really happen? Chumney’s argument is correct: he turns back to the nineteenth century and David Strauss’s point in The Life of Jesus:

 “[W]hen we find details in the life of Jesus evidently sketched after the pattern of prophecies and prototypes, we cannot but suspect that they are rather mythical than historical.”

But the Psalm 22:18,

They divide my clothes among them
and cast lots for my garment.

I suggest, would have added no more meaning to their experience of loss than 22:17, 20-21

All my bones are on display;
. . . . .

Deliver me from the sword,
my precious life from the power of the dogs.

Rescue me from the mouth of the lions;
save me from the horns of the wild oxen.

None of those lines has any association with a death by crucifixion and they are ignored by the evangelists who composed the passion narratives. Are we to infer that the disciples of Jesus did find deeper meaning for the death of Jesus in verse 18? If so, how could that be?

The obvious answer, of course, is that the disciples were reminded of that passage in Psalms when they learned from eyewitnesses that the clothes of Jesus were indeed taken by the soldiers.

Do we have a problem here?

But if that is what inspired the disciples to find meaning in Psalm 22:18 we run into a problem. read more »

Why Gospel Fiction was Written as Gospel Truth — a plausible explanation

Some New Testament scholars have difficulty with the term “midrash”. Goulder stopped using it because of this, though his student Spong has not followed his lead here. I continue to use the term as generally as Spong does because Jewish scholars themselves, especially a number who are specialists in midrashic and Jewish literary studies, use it the same way as Spong and likewise refer to the Gospels as examples of midrashic literature!

There are different types of midrash. Midrash Halakah is a narrow legalistic type of interpretation; Midrash Haggadah can be expressed in creative and imaginative ways, including extended story-narratives not unlike the narratives found in the Gospels. See:

If, as some argue, the Gospels were really only parables (e.g. Crossan) or midrash (e.g. Goulder/Spong) about Jesus and not “true” histories or biographies, why is it that, as far as we know from the oldest surviving evidence, they have always been read as literal histories or biographies of Jesus? (I am not saying they were universally read as literal biographies of Jesus since we simply don’t know how the first readers interpreted any of them.)

In my previous post I suggested that a simple explanation for the Gospels being a mix of history and fiction is something quite different from the standard view that they are narratives that have been based on oral traditions stemming from historical events and that over time were piously exaggerated. If they are indeed “Jewish novels” not unlike so much other historical-fiction so popular in the Hellenistic era, then how was it that they appear to have been so quickly read as historical “reports”?

Chaim Milikovsky
Chaim Milikovsky

An interesting light has been thrown onto this question, I think, by Chaim Milikowsky in “Midrash as Fiction and Midrash as History: What Did the Rabbis Mean?” a chapter in Ancient Fiction: The Matrix of Early Christian and Jewish Narrative. Milikowsky explores the question of the “truth status” of midrashic narratives compared with the “truth of the Bible”. If the Gospels are midrashic literature as Jewish scholars specializing in ancient Jewish and midrashic studies say they are, then Chaim Milikowsky’s chapter may be relevant to how we understand their early history, too.

In the side-box I have linked to some posts where I illustrate some of the narrative forms of midrash and to instances where Jewish specialist scholars describe the Gospels as midrashic literature. For convenience in this post I will illustrate a narrower (and more well known) form of midrash for those of us to whom the term is quite new.

Three examples of midrash

We know the Biblical story of Cain killing Abel. A midrash says that prior to this murder, it was actually Abel who overpowered Cain and was about to kill him when Cain cried out for mercy. Abel relented, giving Cain the opportunity to turn the tables and kill Abel instead. What was the source of this midrashic tale? The Hebrew says literally, in translation, that Cain “got up onto his brother”. The rabbis reasoned that for Cain to have “got up onto” Abel he must have first been “under” Abel. read more »

Merry Midrash

pharaoh killing baby males

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Annunciations and Holy Conceptions

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annunciation-mid

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The Josephs’ Dreams and Moves to Egypt read more »

24. Earl Doherty’s Response to Bart Ehrman’s Case Against Mythicism – Part 24

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Mythicist Claim Three: The Gospels Are Interpretive Paraphrases of the OT

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COVERED IN THIS POST:

  • The Gospels constructed out of scriptural midrash
  • Jesus’ passion modelled on a traditional Jewish story
  • The Gospel of the Old Testament according to Robert Price
  • The Gospel Jesus as a new Moses
  • A Jesus miracle modelled on Elijah
  • What does the midrashic Gospel Jesus symbolize?
  • Fictional episodes vs. the genuine article?
  • Thomas L. Thompson and intertextual dependency
  • What did Paul mean by “receiving” and “passing on”?
  • Putting our trust in Luke and John

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* * * * *

Claim 3: The Gospels Are Interpretive Paraphrases of the Old Testament

(Did Jesus Exist? pp. 197-207)

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. . . . scholars began to realize that the events of the Synoptic Gospels were wholesale reworkings of elements and stories in Hebrew scripture.

Bart Ehrman now tackles perhaps the most momentous development in the entire history of New Testament scholarship, and it is a fairly recent one. While there were murmurs and insights in this direction beforehand, it was only around 1980 that scholars began to realize that the events of the Synoptic Gospels were wholesale reworkings of elements and stories in Hebrew scripture. A seminal work in this area was an article published in the Harvard Theological Review No. 73 (1980) by George Nickelsburg, entitled “The Genre and Function of the Markan Passion Narrative.

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The Gospels under a microscope

Nickelsburg first of all clinched the case that the entire Markan passion story is made up of building blocks extracted from the prophets and the Psalms, in some cases literally ‘chipped out’ of their scriptural settings and set into place in a new composition like a bricks-and-mortar construction.

Cleansing of the Temple

Thus, Hosea 9:15, “Because of their evil deeds I will drive them from my house,” and Zechariah 14:21, “No trader shall be seen in the house of the Lord,” became the literal building blocks of the Cleansing of the Temple scene.

Agony in Gethsemane

Psalm 42:5, “How deep I am cast in misery, groaning in my distress,” supplied Jesus’ agony in the garden of Gethsemane.

Beatings of Jesus

Isaiah 50:6-7, “I offered my back to the lash. . . I did not hide my face from spitting and insult,” was inserted literally and graphically into the picture of the ordeals which Jesus underwent.

Gambling for Jesus’ clothes

At the foot of the cross the soldiers gambled for Jesus’ garments because Psalm 22:18 said: “They divided my garments among them and for my raiments they cast lots.”

And so on.

There is scarcely a thread in the entire fabric of the passion story which has not been extracted from the scriptural tapestry. (In The Jesus Puzzle and Jesus: Neither God Nor Man I trace in detail the course of Mark’s passion story through its scriptural and literary sources.)

But it was not only at the nitty-gritty level that Mark used scripture to craft his story. Nickelsburg revealed that the overall shape of it followed a common generic model found in centuries of Jewish writing: read more »

Appendix to my “concluding response” — that ca.4 letter word MIDRASH

This is tiresome, but I forgot to mention one more tiresome detail in Dr McGrath’s “review” (isn’t a review supposed to inform readers of what the book being discussed actually says??) —

McGrath compares Doherty’s use of the word “midrashic” with how a related word is apparently used by Barbara Thiering and John Shelby Spong. McGrath even links Thiering and Spong together as if they have a similar approach to New Testament studies.

McGrath has the ignorance, the gallstones, the ignorance (one is not allowed to use a word that relates to “truth-telling” or “lying”) to compare Doherty’s — and now Spong’s too! — use of the word “midrash” to that of Barbara Thiering’s use of another word, pesher.

It’s a pity Dr James McGrath was not sitting beside me when I attended a session where John Shelby Spong was the main speaker and at which he was asked about the works of Barbara Thiering. He would have learned that any similarity in thought between the two scholars could only come from the most creative cartoonists Hollywood has produced.

It’s also a pity that Dr James McGrath has not had the time or interest to familiarize himself with any of Spong’s scholarly background or publications. If he ever does get the chance to do so he will learn that Spong is Michael Goulder’s successor of sorts, and is advancing Goulder’s arguments, with refinements more or less. (Has Dr McGrath even ever heard of Michael Goulder? One only has limited free time when one’s teaching curriculum requires so many hours of watching Dr Who! and contemplating each program’s “intersects” with religion).

But back to this use of the word “midrashic” that McGrath takes such strong objection to.

I have said enough and do not want to repeat myself. I simply invite Dr McGrath (Is he sticking his fingers in his ears right now and shouting “La La La, I can’t hear you!”?) to review what Jewish scholars of midrashic literature themselves say about the Gospels containing or even being “midrash”, not to mention his very own New Testament scholarly peers! —

Midrash and the Gospels 1: Some definitions and explanations

Midrash and the Gospels 2: debates in the scholarly sphere

Midrash and Gospels 3: What some Jewish scholars say (and continuing ‘Midrash Tales of the Messiah’)

Messiahs, Midrash and Mythemes — more comparisons with the Gospels

McGrath actually wrote the following bollocks: read more »

Explaining the noble lies (or pious fiction) in the Gospels

Walk on the water
Image via Wikipedia

Mainstream scholars struggle trying to explain why the Gospel authors included clearly symbolic — nonhistorical — tales about Jesus in their gospel narratives.

Marcus J. Borg, Mark Allan Powell, Dale C. Allison, Roger David Aus, John Dominic Crossan, John Shelby Spong and Robert Gundry are some of the scholars who acknowledge tales such as the virgin birth, Jesus walking on water, the transfiguration, the miracles of the loaves, the resurrection appearances are fabrications, metaphors.

(So much for that argument that there were enough surviving eyewitnesses or people who knew eyewitnesses to keep the evangelists honest!)

Marcus J. Borg writes of stories like Jesus and Peter walking on water, the turning the water into wine at the Cana wedding, and the virgin birth:

Purely metaphorical narratives . . . are not based on the memory of particular events, but are symbolic narratives created for their metaphorical meaning. As such, they are not meant as historical reports. (p.  57, Jesus: Uncovering the Life, Teachings, and Relevance of a Religious Revolutionary) read more »

Messiahs, Midrash and Mythemes — more comparisons with the Gospels

6th August: expanded “the trial” comparison into “The face to face confrontation of secular and religious leaders

Comparing other rabbinic midrash with the Gospels

In my previous post I covered Galit Hasan-Rokem’s comparisons of some early Christian and rabbinic midrash. In this post I comment on Hasan-Rokem’s discussions of other tales in the midrash of Lamentations Rabbah and draw my own comparisons with the Gospels.

An image of the French philosopher, Claude Lév...
Claude Lévi-Strauss: Image via Wikipedia

The second rabbinic story of a Messiah discussed by Hasan-Rokem is one about the death of “King Messiah” Bar Kochba. Here the messiah is the villain. (Rabbinic sources subsequently referred to him as Bar Kozeba, Son of Lies.) I think there are a number of interesting plot and motif similarities here, just as there are between the messiah birth narratives of the Christian and rabbinic literature and that were detailed in the previous post. But what makes the overlaps interesting is considering an explanation for them through the constructs of anthropologist Claude Levi-Strauss. If this turns out to be an invalid process, invalidly applied, fair enough. But let’s see what it might possibly suggest till then.

The midrashic tale is found in full (and re-edited) in the last half of the post titled Birth and Death of the Messiah: Two Jewish Midrash Tales (and have since copied it again at the end of this post, too.)

First, the common elements. I can see about 20. Some are more “distinctly defining” attributes that signal a common idea than others: #10 and #17 are surely tell-tale (DNA-linking) ones. read more »

Midrash and Gospels 3: What some Jewish scholars say (and continuing ‘Midrash Tales of the Messiah’)

Jewish scholars of midrash have recognized that “midrashic” techniques, methods of interpretation of texts in the Hebrew Bible, have been creatively woven into Christian Gospel narrative and teaching material as much as Jews worked creatively with midrash in their own literature.

Jon D. Levenson

 

Jon D. Levenson

Jon D. Levenson wrote The Death and Resurrection of the Beloved Son : The Transformation of Child Sacrifice in Judaism and Christianity to argue essentially that the “Christ of faith” figure in the Gospels and Pauline epistles was a distinctively Christian-Jewish midrashic creation:

Jesus’ identity as sacrificial victim, the son handed over to death by his loving father or the lamb who takes away the sins of the world . . . ostensibly so alien to Judaism, was itself constructed from Jewish reflection on the beloved sons of the Hebrew Bible. . . . (p. x)

Another theme of Levenson’s work is that the Christian understanding that Jewish religion was obsolete is also the product of a midrash on Jewish scriptures:

[T]he longstanding claim of the Church that it supersedes the Jews in large measure continues the old narrative pattern in which a late-born son dislodges his first-born brothers, with varying degrees of success. Nowhere does Christianity betray its indebtedness to Judaism more than in its supersessionism. (p. x)

So we have a scholar of Jewish midrash expounding on the idea that the most central Christian beliefs found in the New Testament were created from a form of interpretation of the Hebrew Bible (midrash) that was shared by Second Temple Jews and Jewish-Christians alike. read more »

Midrash and the Gospels 2: debates in the scholarly sphere

(Added a paragraph commentary in the “proves historicity” section about half an hour after original posting.)

New Testament scholars do not speak with one voice when it comes to applying the word “midrash” to the Gospels. Some have resolutely opposed the idea; others take its justification in their stride. In this post I would like to demonstrate something of the fact of this diversity of opinion as I encountered it on a yahoo! group for informal scholarly discussion  about the historical Jesus, Crosstalk (1998/9) and its successor, Crosstalk2 (current).

The last exemplar I include is one that is argued not only Jack Kilmon (and John Spong), but also by Earl Doherty — though Jack himself may not like the association. But the argument almost necessarily follows in some manner from any proposition that any of the Gospel narratives are midrash.

That the Gospels contain/consist of Midrash

Jack Kilmon: http://groups.yahoo.com/group/crosstalk/message/1490

I think the virgin birth thingy got started with the Matthean scribe in his zeal for OT attestation. Not being Semitic competent, the Matthean scribe used the LXX for Isaiah which translates the ALMAH as PARTHENOS. From that point, I believe the Matthean scribe was engaging in midrash. read more »

Midrash and the Gospels 1: Some definitions and explanations

Leopold Zunz (1794-1886), a founder of the Ver...
Leopold Zunz (1794-1886). Image via Wikipedia

Updated 4th August to clarify reference to Lewis John Eron’s definition of midrash.

New Testament and Jewish studies scholars have often used the terms “midrash” or “midrashic” in connection with the Gospels, but some scholars object to applying the term to the Gospels. The difference is essentially between “purists” who want to restrict the term to certain rabbinic literature from the second century on, and those who believe it is legitimate to apply it to any instance in literature where its core characteristics are found. (I personally don’t think it always makes a lot of difference what terms one uses so long as one is clear about how one is using them and the usage is appropriate for the audience. Certainly I don’t see any reason to belittle and insult others over how they use the word. A rose by any other name, etc.)

This is the first of three posts:

  1. midrash: some definitions and explanations
  2. midrash and gospels: survey of some scholarly views and debates
  3. midrash and gospels: what some Jewish scholars say

The pioneering study in Jewish midrash was the work of Leopold Zunz, Gottesdienstliche Vorträge der Juden (Sermons of the Jews), published 1832. The Jewish Encyclopedia still refers to his work in its articles on midrash.

There are two basic types of Jewish midrash according to the Jewish Encyclopedia: read more »