Where Did the God of the Bible Come From? – [Biblical Creation Accounts/Plato’s Timaeus-Critias – 8]

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This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

Most of us have been conditioned by the conventional wisdom that the Old Testament books were written between the eighth and fifth centuries. But there is no independent evidence for the existence of any of the Bible’s books or any knowledge of biblical traditions (Davies, 1992 and Vridar.info notes), nor any evidence for the practice of Judaism itself (sabbath observance, dietary practices, etc) until the Hellenistic era — the third century (Lemche, 1993 and the post Old Testament – A Hellenistic Book?Adler, 2022 and the post The Late Origins of Judaism). It is against this background of the hard archaeological evidence that we must approach Gmirkin’s thesis of Hellenistic influence on the Bible.

With thanks to Taylor & Francis (Routledge) for the review copy

We come to the final, and longest, chapter of Plato’s Timaeus and the Biblical Creation Accounts: Cosmic Monotheism and Terrestrial Polytheism in the Primordial History by Russell Gmirkin. If the author of Genesis did use Plato’s Timaeus-Critias, what does that tell us about Jewish monotheism in the third century BCE?

In the discussion of Genesis 1 we saw Gmirkin’s case for the Genesis authors drawing upon Plato’s notion of “cosmic monotheism” — the idea of a sole creator god beyond space and time who brings about the universe, including time itself, and then retires from the scene. This god was of a higher order of divinity from other gods and it is in that sense that we speak of “monotheism” here.

In covering Genesis 2 we observed the narrative moving into a storybook world featuring a god who walked amidst his garden and spoke with his created humans and their offspring.

We read of God appearing to address a council of fellow divinities when he (or one of him/them) says, “Let us make humankind in our image….”, “Let us make him a helper….” and then at Babel, “Let us go down and confuse their language….”  The supreme deity creates the perfect world but it appears that lesser deities create potentially sinful mortals and interact with them. Sons of god are even said to bear children with human women. And then we encounter the patriarchs sacrificing at altars to gods recognized by their Canaanite neighbours.

Gmirkin compares this outline with Plato’s narrative in Timaeus and Critias. As in Genesis, Plato begins with a supreme craftsman (demiurge) god who is without human form or body and beyond space and time yet who is responsible for creating the perfect universe. After that, lesser gods take over and create corruptible humans and interact with them.

When we read Genesis against the background of Plato’s myths we begin to understand solutions to hitherto perplexing puzzles about Genesis, Gmirkin notes:

Various otherwise perplexing narrative details, small and large, attain a new clarity when interpreted in light of Platonic parallels. Most significant are those relating to a directly polytheistic mythical narrative context that complements (and in small details contradicts) the cosmic monotheism of Genesis 1: the appearance of a multiplicity of gods in both the First Creation Account (Gen 1:26) and the tale of the Garden of Eden (Gen 2:18 [LXX], 3:22); the contrast between the portraits of Elohim as supreme Creator in Genesis 1 and Yahweh as a storybook terrestrial god introduced in Genesis 2-3, and the marriages between gods and mortal women (Gen 6:1-4). The book of Genesis, like Plato’s Timaeus, promoted two complementary visions of the divine realm of the gods: a transcendent philosophical monotheism manifested in the creation of the perfect kosmos at the dawn of time, and a conventional terrestrial polytheism that accommodated the popular beliefs and cults of tradition. Both of these carefully balanced Platonic theological elements were highly innovative: that a single supremely good eternally existent god created the heavens and earth, and that the pantheon of well-known terrestrial gods, his sons and daughters, were also universally good and worthy of honor. (Gmirkin, 247)

There are also compound forms of these names for god, such as Yahweh-Elohim and El-Shaddai. There are various explanations for these in the literature — a) that the one god took on various “guises” (or hypostases), b) that they were different gods, c) that later editors were attempting to change the text (for which there is manuscript evidence) for theological reasons. Gmirkin understands that some of these later changes to the text were introduced by editors seeking to bring Genesis more closely in line with the theological perspective of Exodus-Deuteronomy.

The Genesis god of creation was called Elohim. The storybook god who appears after creation was given the name Yahweh. Yahweh, as you no doubt recognize, is also a transliteration of that famous tetragram YHWH, the god uniquely associated with the Old Testament. In Genesis 1 YHWH is not the creator.

So much for Genesis, but what about the world outside the literature?

Archaeological evidence informs us that before we have any signs of knowledge of biblical accounts Yahweh was a local deity of Jews, Samaritans and others along with other divinities, such as the mother-god Asherah. All the evidence we have for religious practices in the times of the kingdoms of Israel and Judah points to polytheism. Yahweh is simply one among a pantheon of deities.

When the Judahites were defeated by Nebuchadnezzar and many of them transported to Babylonia, we know that there they continued to worship Yahweh along with other gods — in this case the Babylonian gods. Even into the Persian era, wherever archaeologists have uncovered Jewish settlements, they find the worship of other gods alongside Yahweh. Some readers may find this surprising or think the interpretation of the evidence is perverse, but until I post more about the evidence of what has been dug up from the ground here is a smattering of many publications that interested readers can turn to for further detail:

It is not only a question of whether or not the people of Judah worshipped Yahweh alone, but as indicated in the side-box above, in particular with the Adler reference (see also his academia.edu outline of the book), archaeological evidence points to practices contrary to biblical laws and religious customs until the second century BCE.

Archaeological evidence suggests that the Pentateuch was a Hellenistic era work so it follows that Hellenistic ideas should be seriously considered among its sources.

Since Gmirkin’s analysis places the origin of the first five books of the Bible in Hellenistic times (the third century BCE) it would follow from the state of the evidence as alluded to above that Genesis 1

arguably represents the earliest expression of monotheism among the Jews and Samaritans, alongside the equally novel benevolent terrestrial polytheism of the rest of Genesis. (249)

So in Genesis we have an expression of the Plato-like supreme and sole deity, existing outside space and time, creating the cosmos and then retiring, followed by references to what looks like another deity (Yahweh) living and interacting with mortals (e.g. in Garden of Eden, with Cain and Abel, visiting and eating a meal with Abraham, wrestling with Jacob), along with patriarchs honouring the gods of the Canaanites (e.g. with Melchizedek at Salem, Bethel, El Shaddai, El Olam . . .). At the same time we find the patriarchs enjoying positive relations with their “pagan” neighbours. Abraham bonds with Amorites, engages in peaceful negotiations with Hittites and Philistines, is honoured by Egyptians, while breakdowns only happen as a result of personal wrongs and not because of any “evil” inherent in the different races themselves.

After Genesis, Yahweh changed

In both the stories and legal content of Exodus-Joshua one sees the rejection of benevolent terrestrial polytheism in favor of a Yahwistic monolatry that equated the local patron god of the Jews and the Samaritans with the creator of the universe and which opposed the gods of the nations and their cultic practices. Given that Exodus-Joshua was arguably written contemporaneously with Genesis . . . , yet from a radically different perspective, this suggests a fundamental clash in philosophy and agenda between authorial groups involved in the creation of the Hexateuch ca. 270 BCE. (Gmirkin, 249)

There are other authors who argue that a single author was responsible for the Pentateuch: Bernard Barc, Thomas Brodie, Jan-Wim Wesselius and Philippe Wajdenbaum. (See the post, Did A Single Author Write Genesis – II Kings?) Barc, who also argues for a Hellenistic origin of the Pentateuch, views the respective appearances of the god El and the god Yahweh as two different “forms” (hypostases) of the Most High and each performs an allotted function in a single plan of history. Gmirkin argues for a deeper influence of Plato and other Greek ideas on the text. A difficulty for the average reader when pondering this question is the fact that most Bibles are translations of a Hebrew text that was finalized in the Christian era. To discover earlier versions requires a comparison with ancient Greek translations and the Dead Sea Scrolls (first addressed here). We also have the question of how the final editor made changes to Genesis when he incorporated the work into a set with the following books.

Are the views of Barc, Brodie, Wesselius and Wajdenbaum able to respond adequately to the challenges Gmirkin raises? My next task is to step back and refresh my memory of the details of all of Gmirkin’s works and try to see how all of the evidence coheres.

Gmirkin does, however, offer a plausible response to those who find themselves troubled over what seems to be a fuzzy line between the gods and cults in Genesis but it casts an eye beyond Plato. Elohim is the creator but Yahweh-Elohim engages with humans; El Elyon and El Shaddai are both “Els”. In the views of the Stoic philosophers the many Greek gods were different aspects of “one god”:

Diogenes Laertius, Lives of Eminent Philosophers 7.147.

The deity, say they, is a living being, immortal, rational, perfect or intelligent in happiness, admitting nothing evil, taking providential care of the world and all that therein is, but he is not of human shape. He is, however … called many names according to his various powers. They give the name Dia (Δία) because all things arc due to (διά) him; Zeus (Ζήνα) in so far as he is the cause of life (ζην) or pervades all life; the name Athena is given, because the ruling part of the divinity extends to the aether; the name Hera marks its extension to the air; he is called Hephaestus since it spreads to the creative fire; Poseidon, since it stretches to the sea; Demeter, since it reaches to the earth. Similarly, men have given the deity his other titles, fastening, as best they can, on some one or other of his peculiar attributes.

It is possible that the well-known Stoic assimilation of the Greek gods to their monotheistic god, the creative fire, influenced the biblical conflation of deities associated with various titles of the ancient god El with the local patron god Yahweh. (Gmirkin, 300, my formatting)

Let’s continue Gmirkin’s discussion.

Something Completely Different: Here is a light-hearted digression on God’s treatment of the Egyptians at the Red Sea that comes from a study on the history of swimming through the ages:

The Hebrews left Egypt ‘with boldness’, but when they reach the Red Sea they accuse Moses, ‘Have you taken us away to die in the wilderness? Why have you so dealt with us, to bring us up out of Egypt?’ Moses (brought up by Egyptians, and perhaps therefore knowing how to swim himself ) soothes the Hebrews, and tells them not to be afraid. He stretches out his hand over the sea. God parts the Red Sea for the Hebrews, and then drowns the Egyptians. . . . .

This was the reverse of what readers might have expected, knowing that the Egyptians had always been strong swimmers and the Hebrews had never known how to swim. The parting of the Red Sea takes on new meaning when we realize that the Hebrews are non-swimmers, afraid of the water, being pursued by confident, experienced Egyptian swimmers.

from pages 55-56 (heard on Late Night Live)

It is only after Genesis, in the book of Exodus, that Yahweh claims to have been the God of the Patriarchs in Genesis and that he will tolerate no rivals. The covenant he makes with his people is to wipe out the Canaanites after having reigned death and destruction on the Egyptians.

God — Yahweh — has changed.

What of the god of the Flood, though? Did not Gmirkin say the biblical author had a more vicious view of god than Plato. At least Plato’s deity sought to discipline humans through calamity for their own good while the biblical god simply wanted to destroy humanity outright. Perhaps some of the Genesis authors also slightly wavered in their view of Yahweh’s character.

Plato’s Program and the Birth of Montheism

Gmirkin concludes from his comparative analysis that the Pentateuch was the work of authors united in seeking to introduce Plato’s program for an ideal society.

Plato taught that there was a supreme deity, formless and beyond space and time, yet who was perfectly good. Such an idea arose from the attempts of Greek philosophers to understand the origins of the universe. This concept of god (Gmirkin traces in some depth the history of the idea and the different functions of the gods of the Greek civic cults, the gods of the literary mythical world and god(s) of the natural philosophers) was the beginning of monotheism as we understand the term.

For Plato (and much of the western world has followed his idea) belief in the concept of a supreme, perfectly good deity is the first requirement of a virtuous society.

Civic authorities periodically accused and punished philosophers who openly taught “atheism” — which was how they understood the new monotheism with its implication of the rejection of other gods. Plato, however, found a role for these lesser gods in the wider society despite his philosophical preference for monotheism. But those lesser deities needed to be refashioned through literature and other arts and regular festivals as perfectly good. Old myths of gods misbehaving had to be banned. People could continue to cement their social bonds by gathering for the worship of these earthly, yet now “purified”, deities.

These ideas of Plato are what Gmirkin finds in Genesis.

Plato further envisioned a Nocturnal Council of the piously qualified as a vital institution to rule his ideal society. Members would be responsible for maintaining the morality of the public and public administration.

In Plato’s Laws, the divine philosophical ruling class elite exercised its power through an institution called the Nocturnal Council to accord with its meetings in the pre-dawn hours (Laws 12.95Id, 961b). Although Laws never explicitly mentions philosophers, “the members of the Nocturnal Council are philosophers in all but name” (Hull 2019: 217). The major function of the Nocturnal Council was to control the internal affairs of the nation. The ruling class elites of this “divine council” (Laws 12.969b; cf. the “divine polity” of 12.965c) would administer the nation’s new laws (Laws 7.809b; 12.951d, 952a-b) and education (Laws 7.811c-812a; 12.951d, 952a-b, 964b-c) from the earliest age on (Laws 12.952b), approve and strictly control its literature (Laws 7.802b-c, 811c-e) and enforce its religious beliefs (Laws 10.908e-909d), controlling the beliefs, and even the collective national memory of the populace, who would come to regard their constitution and way of life as established since time immemorial by their patron gods (Laws 7.798a-b). Through this new theocratic form of government in which the people believed they were under divine rule, the whole of national life would come under the perpetual control and guidance of philosophers, with the willing cooperation of the people who believed their leaders to be the divine agents of the supreme god. (Gmirkin, 268)


While the exoteric function of the Nocturnal Council was the administration of the state and its beliefs through control of its legislation, literature, education and religion, its even more important esoteric function was the continued pursuit of philosophical and scientific studies, thought to be essential to the proper administration of the polis. The Nocturnal Council thus functioned both as the ruling body of government and as a university for the continued study of theology, astronomy, ethics and international law, like Plato’s Academy (Morrow 1993: 509; Hull 2019: 228). Investing the nation’s highest educational institution with the full power of government not only ensured wise philosophical rule in the present but allowed the perpetuation of training in the arts of enlightened government from one generation to the next (Laws 12.960d-961b, 965a-b). (Gmirkin, 269)

Here we begin to overlap with what we have covered in other posts about Gmirkin’s earlier work. See the archived posts on Plato and the Creation of the Hebrew Bible.

Authors Divided

Continue reading “Where Did the God of the Bible Come From? – [Biblical Creation Accounts/Plato’s Timaeus-Critias – 8]”


Another (major) pointer to a late date for the Pentateuch

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This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

A question that for many years sat half-hidden, rarely if ever articulated, in the back of my mind — and no doubt in the minds of many readers with some awareness of ancient history: When did any culture in the ancient Levant start writing “books” as we would recognize them in, say, the first five books of the Old Testament?

It turns out that this question is discussed in a couple of contributions to a volume addressing the anthropologist Mary Douglas‘s insights into the literary structure of the book of Leviticus: Reading Leviticus. A Conversation with Mary Douglas, edited by John F. A. Sawyer.

Now Leviticus is certainly constructed with very ancient — “pre-book” — stylistic features, in particular, the “ring composition”. As Douglas explains:

In Leviticus’ favourite literary form, chiastic composition, the meaning is at the pivot or the middle of a series of parallel verses. On either side of the sections on leprosy there stand supporting verses on human reproduction like steps or like framing pillars. Within the series on a leprous person, two additional afflicted objects are introduced, a leprous garment, and a leprous house. The alternation makes an a–b–a–b pattern as follows:

a Leprosy of a person, diagnosis, 13: 1–46
b Leprosy of a garment, diagnosis, 13: 47–59
a′ Leprosy of a person, declaring clean and atonement, 14: 1–32
b′ Leprosy of a house, diagnosis and cleansing, atonement, 14: 47–53

When body, garment, and house are found in a carefully constructed set of rules, we have been warned. It signals a return to the body/temple microcosm. The reading is also returned to the early conceit of the ‘house-that-Jack-built’, the concentric pattern of one thing placed upon another and another. (p. 177)

An old technique for creating focus is to set up a series of concentric circles. Leviticus frequently places parallel cases in ascending order, so that the last includes the second and the second includes the first. They can be run backwards or forwards with the closure at either end. It is a very ancient formula. In Mesopotamia in the classical period, 2000 to 1500 BCE, the following magic incantation was recommended to wash a mote out of the eye:

Earth, they say, earth bore mud,
mud bore stalk,
stalk bore ear,
ear bore mote, . . .
the mote entered the young man’s eye.

A modern Hebrew example of concentric incorporation is the old doggerel recited by the children at the Passover ceremony:

Only one kid, only one kid, which my father bought for two zuzim . . .
And a cat came and ate the kid, which my father bought for two zuzim; only one kid, only one kid.
And a dog came and bit the cat which ate the kid, etc.
And a stick came and beat the dog which bit the cat which ate the kid, etc.

The English parallel is ‘The House that Jack Built’, which ends with a grand inclusive finale:

This is the stick that beat the dog, that bit the cat, that killed the rat, which ate the grain which lay in the house that Jack built.

Leviticus applies something very like this literary trope in a slow and measured fashion to the layers inside the body of a living being, and also to the body’s outer coverings. . . . (p. 54)

So Leviticus does in one sense remind readers of the earliest written compositions such as poetic epics that employed “ringing” or “concentric circle” techniques that were apparent aides to memory for oral performance. The term parallelism has been coined to discuss this very ancient and universal technique:

So far from being a local Semitic style, parallelism also governs the form of millennia-old Chinese poetry [Zongqi] and is found in oral literature throughout the world [Fox]. (p. 48)

We cannot deny that Leviticus is marked with some very ancient techniques. But it is still unlike any other “book” from very ancient times. It is not like an epic poem or list of proverbs that was constructed with such parallelism to assist the memory of the reciter.

Rolf Rendtorff responds to Mary Douglas’s analysis of Leviticus by delineating the characteristics that make it a standalone “book” even though it contains thematic links binding it to the other four books of the Pentateuch. It is a self-contained narrative about the Jerusalem cult and it is made up of a coherent structure, beginning, end, and middle, with the various parts threaded together with structures, themes and images that make it an organic whole.

“fifth-century Greek vases depict the reading of literature, such as the lyric poetry of Sappho, from scrolls. But this does not mean that the material read from papyrus rolls constituted a book in the sense of an integrated unit. Such scrolls were probably private texts, a collection of favorite poems written down for mnemonic purposes, either to be recited orally or to be committed to memory for oral performance as song.” KG. 37

Kathryn Gutzwiller continues Rendtorff’s discussion but her contribution is as a classicist, an outsider to biblical studies. For Gutzwiller it is important to distinguish the employment of ring composition from the creation of a book per see.

. . . I find another distinction to be necessary as well, one that separates the process of ring composition from the concept of the book.

In modern terms, the word ‘book’ has two different meanings that seem relevant to the topic at hand. The word refers to a physical entity, to pages bound in a volume, but a book is also an intellectual concept, that which is composed to be read as an integrated unit. While the physical entity and the intellectual construct normally correspond, this is not always the case, so that we may have a long book published in two or more volumes, each a ‘book’ in the physical sense. A similar situation prevailed in the ancient world. . . .  Books in [the physical] sense existed in Greece at least as early as the beginning of the sixth century, a period of time when the Greeks had extensive contacts with Egyptian culture. 

So when did books “in the intellectual sense” begin to appear?

The point at which the Greeks began to compose texts to fit upon a papyrus roll, and so to be books in both senses of the word, is difficult to determine. In all likelihood, the rise of prose literature in the late fifth century is connected with this phenomenon. (p. 37)

We easily think of Herodotus, the historian. Kathryn Gutzwiller suggests Herodotus was a transitional figure. Yes, he wrote an extensive history in prose, but we also know that there were oral presentations of portions of his Histories.

Soon afterwards we have the historian Thucydides who would have none of Herodotus’s popular “tricks”. His work, he announced in his opening, was not a pop piece to entertain for a moment but rather a monument to last forever.

I have written my work, not as an essay which is to win the applause of the moment, but as a possession for all time. (1.22.4)

Books — in both the physical and intellectual sense — began to appear in the Hellenistic era, explains KG: Continue reading “Another (major) pointer to a late date for the Pentateuch”

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