Musings on biblical studies, politics, religion, ethics, human nature, tidbits from science
Category: New Testament
Mostly straightforward but still some questions arise. Where does New Testament end and Church history and question of Christian origins, also certain roles of Marcion, begin? (Marcion’s argued influence on NT should be included here; also evidence of early readings found in Fathers like Tertullian.) Relevant manuscript discoveries and analysis belong here, including histories of their later copying.
The war with Rome begins not with a clang of swords but with the lick of a dagger drawn from an assassin’s cloak. (p. 3)
Addressing the reader in the second person Aslan draws her into the colourful world Jewish worship at the Jerusalem temple and shocks her after half a dozen pages by having her witness the assassination of the high priest there in 56 C.E. One knows one is in for a dramatic read.
For the more academically minded reader there are over fifty pages of endnotes detailing sources and additional explanations for what appears in the main text. To Aslan’s credit, he makes abundantly clear in his introductory “Author’s note” that
For every well-attested, heavily researched, and eminently authoritative argument made about Jesus, there is an equally well-attested, equally researched, and equally authoritative argument opposing it. (p. xx)
That’s a refreshing change from the way some scholars introduce their own work or criticize the works of others. Aslan explains that his footnotes attempt to present some of the arguments of those who oppose his views in the body of the book.
Why this book about Jesus?
By way of preliminaries, however, Reza Aslan recounts how, after migrating from Iran, he became a Christian at fifteen years of age and how this new identity happily served to strengthen his identify as an American.
In the America of the 1980s, being a Muslim was like being from Mars. My [Muslim] faith was a bruise, the most obvious symbol of my otherness; it needed to be concealed.
Jesus, on the other hand, was America. He was the central figure in America’s national drama. Accepting him into my heart was as close as I could get to feeling truly American. (p. xviii)
Not that his conversion was a matter of convenience,
On the contrary, I burned with absolute devotion to my newfound faith. I was presented with a Jesus . . . with whom I could have a deep and personal relationship.
Not “convenience” perhaps, but Reza might as well have added that he converted to the American way of devotion to the American religion.
And again like (most?) well educated Americans Aslan lost his naive fundamentalist beliefs as he learned more about the Bible, while at the same time becoming
aware of a more meaningful truth in the text, a truth intentionally detached from the exigencies of history. (p. xix)
Not being an American I was unaware of Reza Aslan’s prominent public profile as a Muslim scholar. If I had never seen the Fox interview with Aslan about this book but relied upon the book alone I would have assumed Aslan had left the Muslim religion and was writing as a liberal Christian (American and still evangelizing) scholar. He writes: Continue reading “Introducing Reza Aslan’s Zealot: The Life and Times of Jesus of Nazareth“
This post follows on from my earlier one on Chapter 9 that
began with a discussion of my own on parallelomania,
introduced Brodie’s desire to understand why the gospels appeared to use the Elijah-Elisha narrative as the framework for the life of Jesus,
Brodie’s deepening understanding of the literary artistry and coherence of the Book of Genesis,
and culminated in Brodie’s The Crucial Bridge, the hypothesis that the Elijah-Elisha narrative was an encapsulation of the larger themes of the Primary History, or Genesis to 2 Kings.
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Chapter 10
From Homer to 4Q525: 1995-2000
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Thomas Brodie continues with his biographical changes of circumstances that will segue into the establishment of the Dominican Biblical Institute, covered in chapter 11.
Among the snippets of interest for Brodie’s understanding of the Bible that emerge in this chapter:
By concentrating on understanding Genesis in its final form rather than through seeking to identify its possible sources, Brodie began to see the whole book slowly taking on a coherent shape, thus losing its initial appearance of a series of awkwardly joined story-segments. The story of Abraham began with the themes of those two all-too-ephemeral values of beauty and wealth.
The themes of duality in the Bible, discerned as early as the two creation stories of Genesis, are present even in the duality integral to the story of Elijah and Elisha. The same theme of heavenly focus balanced or set against the earthly plane is found in both. Indeed, it was work on Genesis that helped shape Brodie’s understanding of the Elijah-Elisha narrative, both in its episodic details and dual themes.
“Michael Barré suggested that, like the ancient god Janus, the second creation account (Gen. 2.4b-24) is two-faced: it looks back to the first creation account, so that the two accounts form a pair, a diptych; but it also includes features that look forward to the account of the fall (Gen. 3).” (p. 97)
Could or should Genesis be related at all to Homer’s epics, in particular the Odyssey? The character of Jacob appeared to mirror the essential qualities of Odysseus. But was not Homer too far removed from the Bible? Then Brodie learned that others had made similar observations linking Genesis to the Odyssey, and even between Jacob and Odysseus. But the notion of Homer-Bible relationship was prima facie too far removed from what was acceptable in Biblical studies. The Anchor Bible Dictionary said it all with its entry for Homer:
It seems the topic of the day is Amanda Witmer’s article in The Bible and Interpretation, Jesus, the Gospels and History. It covers many points I have addressed often enough here, and that others have addressed at length, so I will refer only in brief to some of these arguments in my little contribution to the discussion below.
Amanda begins her argument by erroneously framing the Christ Myth position as an extreme form of dogma that insists on absolutes. The same paragraph ironically calls for the necessity for “an open and enquiring mind”
In some quarters it is now fashionable to argue that Jesus did not exist! At the opposite end of the spectrum we find the position that every word of the Bible is literally true and that the gospels provide us with an unfiltered historical account of Jesus’ life. This is a false dichotomy rooted in our human tendency to insist on absolutes and true or false claims. Neither position takes the evidence seriously. As it turns out, historical information about Jesus can be found, but sifting through the data requires some work. An open and enquiring mind is also a necessary requisite.
Facts:
The Christ Myth idea is hardly a current “fashion”. It has been with us since the eighteenth century, and in some variant of its modern form since Bruno Bauer.
Advocates of the Christ Myth view, and others who are in some way neutral on the position, are no more “absolutist” in their claims than are most who argue for the historicity of Jesus. Given that a number of Christ Myth advocates do think that the Christ idea began with a belief in the appearance at some time of a human entity or a figure appearing as a human on earth, we have to acknowledge that there is as wide a range of discussion about the nature of the origins of the Jesus myth among “mythicists” as there is among “historicists” debating the nature of the historical Jesus and how much, if anything, can be known about him.
Witmer’s introduction unfortunately appears to be ignorant of the simple fact that the Christ Myth arguments are indeed arguments that address the scholarly literature and methodologies and are very conscious of the degrees of uncertainty that must necessarily exist on both sides of the debate.
Witmer is right to call for an open and enquiring mind, but if one wants to address an opposing argument one does need first to be open to enquiring what the opposing argument does argue. Witmer does not appear to have done that in the case of the Christ Myth theories; but the serious “mythicists” who appear to be concerning theologians today do know and understand and address the arguments of the historicists. Had she done so, she could not have written that the Christ Myth exponents are unaware of, or do not take seriously, the evidence that has been advanced in support of the historicity of Jesus.
As time passed and memories were formed, faith began to shape the way in which the early Christian community viewed and wrote about Jesus. As a result, the portrait of Jesus we find in the gospels is nuanced, containing a mixture of biography, historical information, memory, faith and myth. . . . It is now generally accepted that the gospels can be fitted broadly into the genre of ancient Greco-Roman biography.
This post follows on from my earlier one on Chapter 8 where Brodie is beginning to appreciate the nature of the literary artistry of the biblical books.
Chapter 9
The Third Revolution Deepens: 1992-1995
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Reminder: This series is skipping over many of the personal details related to Thomas Brodie’s intellectual odyssey. It also needs to be kept in mind that generally, this book does not present Brodie’s detailed arguments but rather traces how his understanding of the nature and origins of the Biblical literature emerged.
If a Jesus narrative were based on the Elijah-Elisha story (see “That Is An Important Thesis“) one had to ask why. Would not the story of Moses or David have been more appropriate as a model? This question perplexed Brodie until his further studies on Genesis opened up a new awareness of the nature of the biblical literature. But let’s digress a moment to consider an objection that has on some theologian’s blogsites recently been flung at Brodie’s arguments since he has claimed they lead to a “mythicist” conclusion.
Parallelomania: the facts
“Parallelomania” has once again been flung as a dismissive epithet by a number of theologians and religion scholars at Christ myth arguments in general and Thomas Brodie’s arguments in particular, so it is worth taking a moment to revisit the article that introduced the notorious notion of “Parallelomania”. It can be read on this Vridar.org page; I have taken excerpts from it in the following discussion.
Samuel Sandmel
I don’t think James McGrath has ever had the time to read that article that he invites others to read. If he had, he would know that its author (Samuel Sandmel) points out that by “parallelomania” he means plucking passages from the vast array of, say, rabbinical literature or from a work of Philo’s out of their broader contexts and using them (thus decontextualized) to claim they have some direct relevance to similar-sounding passages in the New Testament. That is notwhat Brodie is doing. Sandmel even explains that the sort of detailed analysis done by Brodie to explore questions of literary indebtedness is indeed justified and is not to be confused with something else that he is addressing.
The key word in my essay is extravagance. I am not denying that literary parallels and literary influence, in the form of source and derivation, exist. I am not seeking to discourage the study of these parallels, but, especially in the case of the Qumran documents, to encourage them. . . . .
An important consideration is the difference between an abstract position on the one hand and the specific application on the other. . . . . it is in the detailed study rather than in the abstract statement that there can emerge persuasive bases for judgment. . . . . The issue for the student is not the abstraction but the specific. Detailed study is the criterion, and the detailed study ought to respect the context and not be limited to juxtaposing mere excerpts. Two passages may sound the same in splendid isolation from their context, but when seen in context reflect difference rather than similarity.
Note the problem with taking excerpts from a corpus of literature and using them as parallels with something else. This results in
confusing a scrutiny of excerpts with a genuine comprehension of the tone, texture, and import of a literature.
In Brodie’s analyses, on the other hand, it is as much the tone, texture, and import of the respective documents that are being analysed as the individual words and phrases.
One of the greatest sins of “parallelomania” is
the excessive piling up of . . . passages. Nowhere else in scholarly literature is quantity so confused for quality . . . . The mere abundance of so-called parallels is its own distortion . . . .
I recently posted chapter 7 of Brodie’s book to demonstrate that Brodie does not make his case by a mere piling up of matching words or ideas. The structure, the theme, the context, the motivation — these are all part of Brodie’s argument.
Finally, the crowning sin of parallelomania is one that I not too long ago identified in the work of historian Michael Grant about Jesus. I’ll first quote Sandmel:
On the one hand, they quote the rabbinic literature endlessly to clarify the NT. Yet even where Jesus and the rabbis seem to say identically the same thing, Strack-Billerbeck manage to demonstrate that what Jesus said was finer and better. . . . . Why, I must ask, pile up the alleged parallels, if the end result is to show a forced, artificial, and untenable distinction even within the admitted parallels?
Grant followed many theologians who insist that though the golden rule was known in some form among the rabbis (and in other civilizations), Jesus expressed it better than anyone else.
Sandmel’s article on “parallelomania” is actually an endorsement of the sort of work being done by scholars who work seriously on literary analysis of texts and a warning against the sins found too often among the mainstream scholars. Unfortunately some theologians, McGrath included in his Burial of Jesus, are on record as saying that literary analysis has no place in the work of historical inquiry. On the contrary, without literary analysis the historian has no way of knowing how to interpret literary documents.
It is that very detailed study that Sandmel said is necessary, and the study of the context, both immediate context and the wider cultural context of literary practices of the day, that Brodie is undertaking. He is not plucking passages out of context from disparate sources and making an abstract claim that they can be read as a “parallel” to, and by implication source of, what we read in the gospels. (Such “extravagance” is the characteristic fault of “astrotheology”, but not of the scholarly work of Brodie and MacDonald.)
This is not the same as saying that MacDonald’s and Brodie’s arguments are necessarily correct. They still need to be studied and engaged with. There may be alternative explanations for some of the data they have addressed and believe points to literary borrowing. But it is not particularly scholarly to simply reject an argument one does not like by dismissing it with a pejorative label.
I have been posting a chapter by chapter series on Thomas L. Brodie’s book, Beyond the Quest for the Historical Jesus. Chapter 7, however, is where Brodie draws the reader in to the nitty gritty of a case-study that demonstrates the way an author of a Gospel drew upon Old Testament literature in order to create his narrative.
I did address in very broad outline the main points of this chapter in Brodie’s Mythicist Case: The Facts, but at the same time I knew that anyone seriously interested in engaging with Brodie’s argument would need to read the detail. Phoenix, the publisher of Brodie’s book, has very kindly given me permission to post the chapter (see permissions) in which Brodie spells out all of this detail.
Rikki Watts presents a very thorough argument in Isaiah’s New Exodus in Mark (1997) that the major themes, structure, and narrative details in the Gospel of Mark were drawn directly from the Book of Isaiah, and in particular from the last chapters of Isaiah that speak of a New Exodus for Israel from captivity to various nations and back to Jerusalem.
Watts would surely disapprove of my saying so, but I do believe his argument so cogently explains the life and teachings of Jesus in this gospel that one must surely question whether introducing hypothetical sources pointing to an historical Jesus would only create difficulties and add nothing to the gospel. But that is a secondary question. Let’s stick with the outline of Watt’s argument. (It is too detailed to consider anything other than a broad outline in a single post.)
Isaiah Part 2
The second half of Isaiah opens with “the voice of one crying in the wilderness” calling upon God’s people to prepare the way for their coming Lord, God himself. The coming of the Lord will be through a tearing apart of the heavens; he will come as an overpowering warrior to destroy the rulers and idols of the nation; and he will also come as a Shepherd who heals his people, cares for them, and leads them back to a land of rest and true worship. Within these chapters, we also read of a mysterious “Suffering Servant” whose suffering is somehow related to the salvation of all Israel. Many Jews have interpreted this figure as an ideal Israel.
When God comes he overthrows the nations who held his people in captivity. This is the beginning of Israel’s second Exodus. He then leads his people — even though they are blind — into the place where he will rule them from Jerusalem. Continue reading “The Gospel of Mark As a Fulfilment of Isaiah’s New Exodus”
Crucifixion with a Dominican friar c. 1400 (Photo credit: Wikipedia)
A shock to the system
33 But when they came to Jesus and saw that he was already dead, they did not break his legs.
34 Instead, one of the soldiers pierced his side with a spear, and at once blood and water came out.
John 19:33-34, NRSV
Today in this short post I return to a recurring theme here on Vridar. The anxiety of historicity (or authenticity) has played such a dominant role in both mainstream and apologetic Jesus studies (if it’s possible to separate them), that we often lose sight of original intent. In other words, scholars and clergymen over the past two centuries have spilled gallons of ink explaining how certain events are plausible, while giving short shrift to the questions concerning the evangelist’s purpose for a story or how that story functioned in the setting of the early church.
The events surrounding the crucifixion are no exception. In fact, a curious blend of wannabe medical experts and earnest confessional scholars have contributed to a vast library of works “explaining” the plausibility of every last detail of the Passion narrative. In the case of the spear piercing Jesus’ side, for example, these experts — who seem to have more interest in forensic science and human anatomy than in the religious meaning of the text — have dominated the conversation.
Above all else, they must impress upon us that “this really did happen,” not in some mythological story, but in the real, material world. Consider the following paragraph:
Prior to death, the sustained rapid heartbeat caused by hypovolemic shock also causes fluid to gather in the sack around the heart and around the lungs. This gathering of fluid in the membrane around the heart is called pericardial effusion, and the fluid gathering around the lungs is called pleural effusion. This explains why, after Jesus died and a Roman soldier thrust a spear through Jesus’ side (probably His right side, piercing both the lungs and the heart), blood and water came from His side just as John recorded in his Gospel (John 19:34).
(Note: I was going to credit a certain apologetic web site (gotquestions.org) with the above paragraph, but I’ve found that if you Google the first sentence, you’ll get so many copypasta hits that it’s difficult to tell exactly where the hell it originated.)
Sciencey, ergo plausible, ergo true
Naturally, I don’t expect apologists really understand hypovolemic shock any more than they do the Second Law of Thermodynamics. And that, of course, is why they copy the text word for word. But the point is it sounds sciencey and very sophisticated. It sounds true.
I can remember listening to visiting lecturers in the church I grew up in who would explain “what Jesus actually endured” during the scourging and the crucifixion. I would suppose that Mel Gibson’s Texas Chainsaw Jesus movie spawned even more such discussions. Suffice it to say that at the time, in my early teens, I thought I had a pretty good understanding of why blood and water flowed from Jesus’ wound.
Recently, however, while reading David Friedrich Strauss’s The Life of Jesus Critically Examined, I was struck by his unusual perspective. Why did John tell the story of the spear and the flowing blood and water?
This event is ordinarily regarded as the chief voucher for the reality of the death of Jesus, and in relation to it the proof to be drawn from the synoptists is held inadequate. (p. 697)
With this work everything from Genesis to Joshua was rendered suspect. Even Joshua was thus more validly classified with the “former Prophets” than with “history”. But the Book of Judges was said to be historical to the extent that its “jumbled-looking sequence and style” appeared to indicate that it was a collation of oral traditions.
What are we going to do with St John?
Meanwhile, back in St Louis, Missouri, Thomas Brodie was not getting very far in his search for the Gospel of John’s sources. Recall in our previous post that Brodie was struggling with this question since 1982, particularly through the window John 9 (the healing of the man born blind) and its apparent view out to Mark’s accounts of healings of the blind (Mark 8.11-9.8). Brodie was becoming increasingly aware that discerning John’s sources was a question that was inseparable from John’s meaning, and the meaning of John 9 could not be separated from the rest of the Gospel. The meaning of the Gospel of John was also bound up in the narrative spanning Jesus’ ministry out over three years (as opposed to Matthew, Mark and Luke’s one-year ministry). The explanations to all of these questions could not be summed up in a single article.
Then one day I woke up and realized I was being drawn into writing a commentary! (Beyond, p. 80)
Brodie did not clearly recognize it at the time, but what at this point he was entering a new, the third, revolution of his understanding. Others were also beginning to develop these new ideas to some extent. One landmark example was Alan Culpepper’s Anatomy of the Fourth Gospel (1983). Effectively for the first time the Gospel was being studied for its qualities as a finished literary product. This departed from earlier studies that sought to discern its various parts that had presumably been stitched together over time and to understand their respective histories.
If I were to deal responsibly with John’s Gospel, I would have to take account of both aspects — the sources that underlie it, insofar as they can be identified, and also the completed body, all the features of ancient rhetorical art, especially its basic form (is it . . . history or story?). (Beyond, p. 81)
To step outside Beyond the Quest for a moment, I might point out that later when Brodie finally published The Quest for the Origins of John’s Gospel in 1993 he devoted a chapter to comparing John 9 with the Markan section on healings of blind, pointing out that as the centre episode in John’s gospel it was indeed the window into the meaning of the entire Gospel
Thomas Brodie argues that the Gospel accounts of Jesus, both his deeds and teachings, are like other literature of the era insofar as they are creative re-writings of earlier literary sources. The best-known example of such creative imitation in the classical world is Virgil’s use of Homer’s epics to create the Aeneid. What is less well known is how pervasive this sort of literary imitation (and creative emulation) was in the Hellenistic and Roman worlds. Many scholars have pinpointed isolated passage in the Gospels that appear to be derived from other literature (e.g. Jesus raising the daughter of Jairus is very like similar miracles by Elijah and Elisha) but Brodie goes well beyond these arguments and into a quite different dimension of literary analysis, as I will explain below. He also argues that the hypothesis that the Gospels are derived from oral traditions is flawed for many reasons.
No-one who has read Thomas Brodie’s Beyond the Quest for the Historical Jesus: Memoir of a Discovery can ever legitimately accuse Brodie of resorting to “extreme parallelomania” in order to argue his case. Indeed, scholars as reputable as Charles H. Talbert and Wilfrid Cantrell Smith found Brodie’s thesis to be worthy of wider serious consideration. Anyone who dismisses his arguments as even at times stooping to superficial dot-point comparisons of prepositions was never paying attention to what they claim they read. (I have suppressed the name of the prime culprit in order to protect the guilty.)
In Chapter 7 of Beyond the Quest Brodie gives a 26-page detailed explanation of what is involved in identifying the source of Luke 9:57-62 in 1 Kings 19. Six of those 26 pages set out in small font the relevant Greek texts and translations side by side. This is the sort of detail that Brodie explains he did not have space to include in his 2004 tome (680+ pages) identifying the sources of New Testament writings, The Birthing of the New Testament. But of those 680+ pages Brodie only gave a 6-page explanation of how those six verses are derived from 1 Kings 19. In Beyond the Quest we are treated to the full course banquet.
Getting Inside What Is Happening
Studies of how ancient writers adapted or transformed older texts, especially of how the New Testament used the Old Testament, are now becoming commonplace, but it is useful to look at an example closely because the transforming process can seem strange. (Beyond, p. 51)
The theme of Act 2 is how Brodie learned that the biblical writers found much of their material in literary sources.
In 1980 Brodie met Joseph Fitzmyer in Washington, DC, and asked him to comment on an article he (Brodie) had had published in the Journal for the Study of the New Testament the previous year. It was on Luke’s use of Chronicles. After considering the argument Fitzmyer set Brodie on a new journey with one question:
‘Is the process you are invoking found elsewhere in the ancient world?’
Joseph Fitzmyer
Brodie had no answer.
So this is what followed:
As never before I started wading through libraries, and eventually hit on the obvious — the pervasive practice of Greco-Roman literary imitation (mimēsis) and its sundry ancient cousins, many of them Jewish. Jewish practices included rewriting and transforming older texts; and Jewish terms included rewritten Bible, inner-biblical exegesis, and the processes known rather loosely as midrash, Hebrew for searching — in this case searching for meaning.
What I had noticed within the Bible was the tip of the iceberg. Here was a whole world of diverse ways of deliberately reshaping diverse sources.
The process I was invoking was not just present in the ancient word — it was at the very centre of ancient compositions. And the New Testament use of the Old, pivotal though it is, is just part of the larger pattern whereby the Bible as a whole distils the larger world of ancient writing. (Beyond, p. 44 – my bolding and formatting)
Biblical studies, Brodie reflects, “had developed in a world where the very concept of any form of imitation was fading, and aversion to the notion of imitation had affected even classical studies.” Though he had studied both Virgil and Homer in high school there was no teaching that one had imitated the other. The Oxford Classical Dictionary had no entry for imitation until its 1996 (third) edition.
Brodie is discovering where the New Testament writers found their source material. This is the pattern of literary dependence that he was beginning to see (elaborated with details from Birthing of the New Testament):
A series of sayings in the Gospel of Matthew (Matt. 5and 11 — beatitudes, antitheses, revelatory cry . . .)
were a distillation of Deuteronomy
and to a lesser extent, Sirach
Early epistles, following the tone of Matthew’s “sayings/logia”,
also drew upon the Septuagint (e.g. 1 Corinthians’ use of the Pentateuch, esp Deuteronomy)
An early form of Luke-Acts, Proto-Luke,
modelled on the Elijah-Elisha narrative,
also drawing upon Deuteronomy (other scholars first discerned this),
and 1 Corinthians
The Gospel of Mark,
drawing upon Proto-Luke,
some epistles (e.g. 1 Peter)
and Septuagint (also the Elijah-Elisha narrative)
Gospel of Matthew is completed in its current form, using
the earlier kernel of sayings (see above)
the Gospel of Mark,
and with further input from Deuteronomy,
and probably Tobit,
and Romans.
The Gospel of John,
using Matthew,
Mark
and Proto-Luke
Canonical Luke-Acts,
making use of Matthew,
Mark,
Proto-Luke,
John,
Deuteronomy,
and epics such as the Aeneid
and Josephus.
I like the idea of a pre- or proto-Matthean collection of sayings. The earliest “Fathers” seem to make a lot of use of such a compilation with apparently little or no knowledge of a fuller Gospel of Matthew. (But of course I also like to date the Gospels to the second century, with Mark’s imagery linked more pointedly to the Second Jewish War — Bar Kochba and Hadrian — than the first.)
I’d also like to study Brodie’s idea of Proto-Luke to see if it is compatible with Joseph Tyson’s understanding of an Original Luke.
And I’m especially happy to see Brodie also places canonical Luke-Acts AFTER John! That really does have so much going for it — ever since another “mythicist”, Paul-Louis Couchoud, broached the idea. But also see Shellard, Matson, Lawrence Wills, and others.
Such a sequence pointed to a complex literary and historical process, provided a framework for approaching the NT writings, outlined a solution for the Synoptic Problem, and a context for discussing John.
But was it correct?
After 48 hours in an overcrowded Beirut prison on suspicion of being a spy for Israel (in the wake of an Israeli raid on Lebanon) Brodie returned to Normandy.
There, for what eventually became two and a half years, I scrutinized the primary texts more closely, elaborating all the time, trying to some degree to articulate the criteria for establishing literary dependence, and constantly testing, testing, testing. (Beyond, p. 34) Continue reading “Making of a Mythicist, Act 2, Scene 2 (The Verdict Falls)”
The earlier posts, “Act 1” covered Brodie’s Part One of Beyond the Quest. That covered the period of Brodie’s intellectual discoveries from his late teen years till June 1972 (when he was about 30 years of age). Much of the setting was Trinidad. Brodie titled that Part of his book, his first four chapters, “The First Revolution: Historical Investigations” and explained its theme:
Becoming aware that biblical narratives are not necessarily reliable accounts of history.
Becoming aware of where biblical writers found much of their material
Chapter 5
The setting is Europe, Normandy. 1972. Brodie is studying for exams in Rome.
While in Trinidad he had taught the Gospel so Matthew knew it well. Now he was studying Deuteronomy when the abductive moment flashed:
Now I was focused on Deuteronomy when I suddenly said ‘That is like Matthew, that is so like Matthew’ — something about the sense of community, the discourses, the blessings and curses, the mountain setting. (p. 31)
Other similarities suggested themselves in the following days:
aspects of the Elijah-Elisha narrative “showed startling similarities to Luke-Acts”
the book of Wisdom’s confrontation between Wisdom and the kings of the earth was in some ways suggestive of the meeting between Jesus and Pilate in the Gospel of John
While in Jerusalem, at the École Biblique, a center of biblical historical and archaeological studies, Brodie continued his study of the Septuagint (Greek Old Testament) with Matthew in mind. Only flimsy and tenuous connections with Matthew could be noticed, however, until he reached Deuteronomy 15.
Since beginning this series I have discovered James McGrath’s distortion of Brodie’s book so where appropriate I should make clear what Brodie really says. McGrath speaks of Brodie’s “extreme parellelomania”. It is one thing to question and debate specific claims that certain passages were borrowed from others, but quite another to dismiss any such argument out of hand because we don’t like its implications. I emphasize the passages that clearly escaped McGrath’s notice.
Connections with Matthew seemed few and flimsy. Then suddenly, in Deuteronomy 15, the search came to life. The repeated emphasis on remission resonated with Matthew’s emphasis on forgiveness (Mt. 18). Both use similar Greek terminology. Obviously such similarity proved nothing. But further comparison revealed more links. And the Deuteronomic word for debt, daneion, is unknown elsewhere in the Bible — except in Matthew 18. Gradually the pieces of the puzzle began to fall into place. Matthew 18 had used first-century materials, including Mark, but it had also absorbed Deuteronomy 15. (p. 32)
How was Brodie’s method of arguing that the Gospel narrative of Jesus is indebted to the OT narrative of Elijah and Elisha received by his scholarly peers before he published his conviction that there never was an historical Jesus? Was it laughed out of the academy as an unfortunate attack of “parallelomania” (as McGrath would seem to think it should be now that he classifies Brodie as an intellectual leper for denying the historical existence of Jesus)?
Thomas Brodie argues that the Old Testament double narrative of Elijah and Elisha lies behind the narratives of Jesus in the synoptic gospels. My previous post included references to this in extracts from reviews of The Birthing the New Testament. Brodie had earlier published a smaller volume outlining this particular case, The Crucial Bridge, and this post shares some details of scholarly reviews of that volume.
Anyone who has used the online Historical Commentary on the Gospel of Mark knows that its author, Michael Turton, has made numerous references to The Crucial Bridge. Jacob Aliet in his review of this commentary notes:
Backed by the works of scholar like Tomas L. Brodie, Turton advances the argument that the author of Mark modeled the events surrounding Jesus on the Elija-Elisha cycle and other Old Testament characters and prophecies. Though he performs a literary analysis on the gospel, Turton’s main objective is using the analysis to help in arriving at a judgement on the historicity of the events and characters in the Markan narrative.
Turton recognized the implications of Brodie’s analysis and did not shy away expressing it.
What needs to be understood is that The Crucial Bridge is only secondarily, even incidentally, an argument that the Gospels of Luke and Mark in particular were influenced by the Elijah-Elisha narrative. It is confined to the concluding 20-page chapter. The main argument (80 pages) examines the literary structure of the Elijah-Elisha section and its relationships with the Primary History (Genesis to 2 Kings).
Moreover, Brodie’s final chapter arguing for a link between the Gospels and the Elijah-Elisha section is actually introduced as an attempt
to corroborate [Raymond] Brown’s proposal …that the Gospels were partly modeled on the prophetic biographies, particularly the account of Elisha and his miracles … in particular to make it more precise: the foundational model for the development of the Gospels was not just the account of Elisha’s miracles. It was the entire Elijah-Elisha narrative. (p. 80)
This proposal by Raymond Brown was published in Perspectives 12 (1971) 98-99 as “Jesus and Elisha”. Brodie notes that other scholars have since agreed with this basic idea:
Charles Talbert, What Is a Gospel?
Martin Hengel, Acts and the History of Earliest Christianity (1980), 30-32
David Barr and Judith Wentling, “The Conventions of Classical Biography and the Genre of Luke-Acts: A Preliminary Study,” paper presented at SBL/CBA regional meeting, 1980
Yarbro Collins, The Beginning of the Gospel, 27-36
I was sitting with Everard Johnston, Lecturer in scriptures and dogma, at his house in Picton Street, Port of Spain, discussing the manuscript. By then his young wife, June, had gone to bed, and amid the sounds of the tropical night we sipped rum and coke as I tried to explain the basic idea of rewriting.
I handed him page 128 on connections between 1 Corinthians and the Old Testament.
He took his time perusing it, then he put it down, muttering, ‘In the same order . . . the same order apart from minor modifications’.
We turned to the gospels, discussing the extent to which they too are a product of the rewriting. Suddenly he said, ‘So we’re back to Bultmann. We know nothing about Jesus.’
I paused a moment.
‘It’s worse than that’.
There was a silence.
Then he said, ‘He never existed’.
I nodded.
There was another silence, a long one, and then he nodded gently, ‘It makes sense’.
Brodie does not make an explicit connection in any of his earlier publications on the relationship between the literary origins of the New Testament writings and the question of the historicity of Jesus. Most of his earlier books explored the literary structures of the Gospels and some of the epistles. Brodie was especially struck by the way the Gospel authors not only seemed to borrow so heavily from the Old Testament but also appeared to be re-writing of so much of those Jewish scriptures. In 1980 an exchange with Joseph Fitzmyer led Brodie to broaden his scope by investigating the wider literary practices of the early Christian era and to see if such borrowing and re-writing was a known feature of the literary customs of the day. (Didn’t someone recently write a review claiming that Brodie never listened to advice?) Continue reading “Brodie’s Argument that Jesus Never Existed”
Reza Aslan’s book about Jesus, Zealot: The Life and Times of Jesus of Nazareth, opens its prologue like an historical novel:
