Category: New Testament

Mostly straightforward but still some questions arise. Where does New Testament end and Church history and question of Christian origins, also certain roles of Marcion, begin? (Marcion’s argued influence on NT should be included here; also evidence of early readings found in Fathers like Tertullian.) Relevant manuscript discoveries and analysis belong here, including histories of their later copying.

2013-05-05

The Genre of the Gospels: How the Consensus Changed (Part 7)

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by Tim Widowfield

Filed under: Biblical Studies, New Testament
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Part 7: The Uniqueness of the Gospels

What Schmidt said

Joseph B. Tyson
Joseph B. Tyson

While researching this topic, I found an unexpected great source (for this and for other topics) in New Synoptic Studies: The Cambridge Gospel Conference and Beyond, edited by William R. Farmer. Inside, an essay by Joseph B. Tyson entitled “Conflict as a Literary Theme in the Gospel of Luke” provides one of the clearest, most succinct, and correct summaries of Karl Ludwig Schmidt’s view of the gospels I have seen in print. He writes:

The conception of the gospels as distinct from literary texts was made in the early part of this century, perhaps most convincingly by K. L. Schmidt in 1923. Schmidt’s fundamental contribution was his distinction between Hochliteratur and Kleinliteratur. Hochliteratur is literature that displays some authorial consciousness and some attention to aesthetic style and organization. (p. 305, emphasis mine)

I couldn’t have said it better myself. Where so many scholars stumble over misconceptions about what they think Schmidt said or what they want him to have said, Tyson pretty much hit the nail on the head.

For Schmidt, not even Philostratus’s Life of Apollonius of Tyana may be compared with the gospels. In it, the author speaks directly to the readers and does so throughout the book; he sets forth the complete plan of the work at the beginning, and he refers to the oral and written sources he used. That is to say, Philostratus’s book belongs in the classification, Hochliteratur, because it displays authorial consciousness. It is a literary biography, which genre has a strict form, one that emphasizes literary merit often at the expense of historical accuracy. (p. 305, emphasis mine)

Tyson has read Schmidt’s work and understood it. I could almost weep.

By contrast, Kleinliteratur is basically folk literature, a form of literature made up of material that had initially circulated orally. A writing of this type is largely a compilation of unconnected traditions. In Kleinliteratur there is little sense of structure, and the chronology is vague, consisting only of such phrases as “after that,” “later,” “on another occasion,” etc. (p. 305, emphasis mine)

Exactly so. Schmidt identified a combination of key attributes — lack of authorial presence, the disjointed narrative, etc. — which demonstrate that the gospels are “folkbooks,” not biographies. Tyson continues:
Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 7)”

2013-04-29

Jesus and Dionysus: The Gospel of John and Euripides’ Bacchae

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by Neil Godfrey

Filed under: Ancient Literature, Ancient Religious Cultures, Biblical Studies, New Testament
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No, I am not going to argue that Christianity grew out of the worship of Dionysus or that the original idea of Jesus was based upon Dionysus. Rather, I am exploring the possibility that the portrayal of Jesus that we find in the Gospel of John is in significant measure a variant of the Greek Dionysus myth.

This possibility arises, I suspect, when we bring together the following:

  1. the insights of theologian Mark Stibbe into the way the Jesus story is told in the Gospel of John
  2. an understanding of the techniques used by ancient authors to imitate earlier literary masters (this goes well beyond Stibbe’s own contributions)
  3. the various ancient versions of the myth of Dionysus (this is preparatory to the fourth point . . . . )
  4. an anthropologist’s structural analysis of myths, in particular the methods of Claude Lévi-Strauss (this brings together key themes and information from the above three areas in a manner that strongly indicates the Jesus we read about in the Gospel of John is a Christian variant of the Dionysus myth.) — And yes, I will take into account the several works of Jonathan Z. Smith supposedly overturning the possibility of such connections.

This should hardly be a particularly controversial suggestion. Most theologians agree that the Christ we read of in the Gospels is a myth. These posts are merely attempting to identify one source of one of those mythical portrayals.

Let’s look first at what Mark Stibbe (John as Storyteller: Narrative Criticism and the Fourth Gospel) tells us about the literary affinities between the Gospel of John and the Bacchae, a tragedy by Euripides. Though the Greek play was composed five centuries before the Gospel it nonetheless remained known and respected as a classic right through to the early centuries of the Roman imperial era. Moreover, we have evidence that as early as Origen (early third century) the Gospel was compared with the play. See Book 2, chapter 34 of Origen’s Against Celsus.

But Stibbe does not argue that the evangelist directly borrowed from the play. Despite the many resonances between the two he writes:

It is important to repeat at this stage that I have nowhere put forward the argument for a direct literary dependence of John upon Euripides. That, in fact, would be the simplest but the least likely solution. (p. 139)

It certainly would be the simplest solution. The reason Stibbe thinks it is the “least likely” option, however, is the fact of there being significant differences between the gospel and the play. What Stibbe has failed to understand, however, is that literary imitation in the era the Gospel was characterized by similarities and significant differences that generally served to set the new work apart on a new thematic level. The classic illustration of this is the way Virgil imitated Homer’s epics to create the Aeneid. The differences that are just as important as the similarities and that even establish the very reason for the imitation. But all of this is jumping ahead to the next post.

Let’s look for now at the similarities, similarities that according to Stibbe may well be explained simply by the evangelist’s general awareness of the “idea of tragedy” in his culture.

Water into Wine

It is often noted that Jesus’ miracle of turning water into wine at the wedding at Cana reminds us of the myth of Dionysus turning water into wine. Stibbe writes that such a miracle is entirely possible Continue reading “Jesus and Dionysus: The Gospel of John and Euripides’ Bacchae”

Building a Hedge around the Historical Jesus

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by Tim Widowfield

Filed under: Biblical Scholars, Biblical Studies, Historical Methods and Historiography, New Testament
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Please don’t eat the Bible

I was glancing over at the Exploding Cakemix recently, keeping abreast of the latest mythicist-bashing, and I happened to notice a story about a guy who said:

[I]f anyone can find a full professor of Classics, Ancient History or New Testament in any accredited university in the world who thinks Jesus never lived, I will eat a page of my Bible, probably Matthew chapter 1. (Dr. John Dickson, PhD, Ancient History)

Now I’ve heard of people using the Bible for rolling papers in a pinch (not recommended), but it never occurred to me to eat it. I know that if you’re stuck on a disabled bus in the wilderness you should eat your boots and the seats before you eat your fellow passengers. But the Bible? I’d need loads of ketchup.

Dr. John Dixon
Dr. John Dickson: Founding Director of the Centre for Public Christianity and Honorary Fellow of the Department of Ancient History, Macquarie University

Anyhow, it turns out this John Dickson guy is a real professor with a doctorate and everything. He teaches real students at a real college university for real cash money. So we should sit up and take notice.

The historical Tiberius versus the historical Jesus

Dickson’s post is the usual litany of supposedly solid evidence that we’ve all seen before. Most of it is of the “throw-it-on-the-wall-and-see-what-sticks” variety. But there was something new there, at least for me. He writes:

The [sic] Tiberius provides a good example (he was the emperor when Jesus was crucified). Our best sources for Tiberius are Tacitus and Suetonius, both composed eighty or so years after the emperor’s death in AD 37. The New Testament writings were composed much closer in time to their central figure. Several of its sources – Mark, Paul, Q, L and James – date to within 25 years of Jesus, and one crucial passage is dated to within a few years of the crucifixion, ruling out the suggestion that even the basic details of Jesus were part of a process of legendary accumulation.

My interest is piqued. I like Roman history. But what’s this claim from our expert about the “best sources” for Tiberius? Emperors, even mediocre or bad ones, leave big footprints. But sometimes it’s the smallest bits of evidence that persist. Like this one:

Roman Coin: Tiberius Caesar
Tiberius Caesar Augustus, son of the Divine Augustus
Pontifex Maximus

Moving the goalposts

If you take a few minutes to read the comments, you’ll see that someone mentions the fact that the Romans minted coins during Tiberius’s reign, and that we actually have some that we can pick up and hold in our hands. In the ancient history trade they call that “primary evidence.” He or she goes on to explain why it’s important to corroborate claims in texts with primary evidence.

And certainly the coin is persuasive physical evidence, but, as some guy who goes by the initials RMW explains, it’s like totally unfair. He responds:

 

Continue reading “Building a Hedge around the Historical Jesus”

2013-04-28

The Genre of the Gospels: How the Consensus Changed (Part 6)

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by Tim Widowfield

Filed under: Biblical Studies, New Testament
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Part 6: Criticisms of Schmidt’s Literary Designations

In this post, we’ll cover some of the more recent negative assessments of Karl Ludwig Schmidt’s designation of gospel texts as Kleinliteratur versus Hochliteratur.

A cultural insult?

As you recall, the reason Schmidt categorized the gospels as Kleinliteratur had to do with their structure and their core characteristics. It also made sense, given his theory that the gospels arose over time from a religious group. However, here’s what The Westminster Dictionary of New Testament and Early Christian Literature and Rhetoric (edited by David E. Aune) has to say on the matter.

New Testament texts were categorized as Kleinliteratur, in contrast to the Hochliteratur produced by and for the educated upper classes of the Greco-Roman world. The social correlative of this typology was that Christians were thought to have been drawn almost exclusively from the lower classes, a view now widely regarded as inaccurate. The dichotomy between Hochliteratur and Kleinliteratur derived linguistic support from the widespread opinion current earlier in this [the 20th] century that the Greek language of the first century C.E. could conveniently be divided into two major types, literary and nonliterary Koine. (p. 278, emphasis mine)

But that wasn’t Schmidt’s argument. The gospels, he argued, arose gradually within the community, beginning with individual stories (pericopae) in the oral tradition. Their place in Kleinliteratur had very little to do with social or economic status and everything to do with process and origins.

Richard Burridge, unsurprisingly, takes up the cause and waves the banner as well. In What Are the Gospels? he writes:

Any attempt to ask literary questions about the gospels, and in particular, their genre, is automatically precluded in advance . . . The form critics’ distinction merely has the effect of removing the gospels from any discussion of their context within the first century on the grounds that they do not share some predetermined literary aspirations. However, as Suggs has pointed out: ‘The alleged lack of literary expertise on the part of the evangelists is not a valid objection . . . books of any genre may be poorly written.‘ [He’s quoting M. J. Suggs from The Interpreter’s Dictionary of the Bible, Supplementary Volume, 1976 ed.] Much more detailed and accurate study of the various genres, types and levels of first-century, and especially Graeco-Roman, literature is needed. (p. 11, emphasis mine)

It isn’t the quality of the finished product that defines the category. Rather, it’s the author’s intent, his process, and his raw materials.
English: Diogenes the Cynic, from Diogenes Lae...
Diogenes the Cynic, from Diogenes Laertius’ “Lives,” 1761 (Photo credit: Wikipedia)

Burridge’s text reads like a scorching indictment, and it certainly would be . . . if it had any contact with reality. Schmidt himself elaborates upon a case of poorly written Hochliteratur. He writes:

Diogenes Laertius was an incompetent biographer, for he haphazardly produced a great number [of] biographies (they were more like rapidly dictated, uneven leaflets!), whereas the gospel tradition was a natural process — not a belabored product but a lush growth. The same standard of judgment cannot possibly be applied to both the gospels and Diogenes Laertius, since he tries to pass himself off as an author, writing a long foreword and naming his sources, and still manages to produce an incoherent work. (The Place of the Gospels, p. 5, emphasis added.)

Diogenes Laertius’s work is still Hochliteratur; it’s just bad Hochliteratur. It isn’t the quality of the finished product that defines the category. Rather, it’s the author’s intent, his process, and his raw materials. The evangelists’ supposed lack of literary expertise is indeed “not a valid objection,” so it’s a good thing the form critics didn’t base their conclusions on the gospel-writers’ abilities.

Reassessing Luke

Schmidt, of course, did point out the inadequacies of the evangelists. In particular, he disagreed with the current prevailing favorable view of Luke as an author, concluding that “his abilities were strangely unequal to his intentions, that the material imposed restrictions on him.” He quotes Franz Overbeck (Historische Zeitschrift, 1882), who had a slightly higher opinion of Luke as an author: Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 6)”

2013-04-23

We Are All Mythicists Now

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by Tim Widowfield

Filed under: Biblical Scholars, Biblical Studies, New Testament
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English: Portrait of Milton Friedman
Portrait of Milton Friedman (Photo credit: Wikipedia)

We are all fill-in-the-blank now

You probably recognize the title of this post as a play on the quotation by Milton Friedman, “We are all Keynesians now.” I hadn’t known until recently that Friedman’s (or Nixon’s) quote is itself a play on the earlier “We are all socialists now,” coined by William Vernon Harcourt back in 1887. The phrase has a tasty ironic ring to it, which is why I suppose it reappears every few years with a new predicate nominative.

And I suppose that’s the same reason it occurred to me while reading Larry Hurtado’s recent post “‘Revelatory’ Experiences and Religious Innovation.” Not that Hurtado is a Jesus mythicist, not at all. However, in a sense, everyone acknowledges that some parts of the Jesus “corpus” are mythical. For example, an inerrantist Christian would identify the Jesus as portrayed in the gnostic gospels as mostly mythic or legendary. A liberal Christian might point to examples closer to home in the canonical books of the New Testament.

Where did the myths come from?

The standard model for the development of Christianity posits a human Jesus who ran afoul of the Roman authorities (perhaps accidentally, possibly on purpose) and was crucified. His followers were stunned and the experience somehow caused them to start seeing visions and interpreting scripture in a radically new way.

The way in which this “post-Easter” sequence of events played out remains a bit murky. You can expect to see lots of hand-waving and hear lots of fuzzy talk. But it’s worth serious discussion in the attempt to come up with a plausible story. The first step, I think, toward plausibility is to describe what kinds of processes must have been at work to create new, mythical representations of Jesus. How, for example, did the view of the risen Christ in heaven come to be thought of as true and real — so real and so immediate, that for someone like Paul it essentially eclipsed the human Jesus?

In discussing the question of how Jesus became a “co-recipient of devotion along with God,” Hurtado points to two processes: (1) revelatory experiences and (2) charismatic exegesis. The first has to do with visions of Christ, the second, with interpreting the Bible in new ways.

While I’m more interested in how the mythical, exalted, resurrected Christ emerged, Hurtado is focused on how the model of worship in which God and Jesus are both venerated could have arisen out of Judaism. We recall a similar question from Hurtado: namely, How on Earth Did Jesus Become a God? In the current blog post he writes:

Continue reading “We Are All Mythicists Now”

2013-04-19

The Genre of the Gospels: How the Consensus Changed (Part 5)

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by Tim Widowfield

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Part 5: More on Karl Ludwig Schmidt’s ideal types

At the close of the previous post in this series I promised we’d talk about the modern critique of Hochlitertur (high literature) and Kleinliteratur (low literature), but first I want to explain better why these categories are important to understanding the genre of the gospels. Philip Jordan’s comment on the previous post has convinced me I need to try to take one more crack at it.

Stephen Jay Gould
A photo of Stephen Jay Gould and his opposable thumbs

The Panda’s Thumb

Many of you have probably read Stephen Jay Gould’s great essay “The Panda’s Thumb” (warning: PDF), as well as his book by the same name. In it, he explains that the Panda’s sixth digit (but not really a digit at all) is an evolutionary contrivance.

I invoke Gould’s name and cite his work not to argue the merits of natural selection, but to ask a simple question:

“When is a thumb not a thumb?”

Functionally, this little appendage behaves like a thumb. The panda uses it to grip bamboo shoots and strip off the leaves. But what exactly is it? From a strict anatomical perspective, a true thumb is a digit with internal phalanx bones. By that definition, the panda’s sixth digit can’t be a thumb, because its internal skeletal structure is composed of a modified radial sesamoid.

But why would it matter, one way or the other? Well, in ordinary speech, it doesn’t matter. It’s a thumb. But if you wanted to learn anything “scientific” about the panda’s thumb, and you started from the analogy of a primate thumb, you’d be way off track. As we said earlier, the true thumb is a modified digit that opposes the other four fingers. The panda’s thumb is physiologically different. It arose through an evolutionary process quite distinct from our own.

Here we see plainly illustrated the important difference between a functional description of an object and a thorough analysis of that same object. We can categorize objects according to visible characteristics as well as their usage in the real world. Such categorizations are valid, but only in a superficial way.
Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 5)”

2013-04-16

The Genre of the Gospels: How the Consensus Changed (Part 4)

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by Tim Widowfield

Filed under: Biblical Studies, New Testament
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Part 4: Hochliteratur (high literature) and Kleinliteratur (low literature)

Translations

To understand Karl Ludwig Schmidt’s argument concerning the genre of the canonical gospels, we need first to understand his usage of the terms Hochliteratur and Kleinliteratur. These terms are difficult to translate into English, because we lose the nuance of the German words, while picking up unwanted baggage from their English equivalents.

Literally, they mean “high literature” and “low literature,” and that’s exactly how they’re rendered in The Place of the Gospels in the General History of Literature. However, in some translations of form critics’ works, you’ll see them left untranslated. Sometimes you’ll see Kleinliteratur translated as “folk literature” or “popular literature.” The translator of our text, Byron R. McCane, chose to translate the terms literally, since for him to leave terms untranslated is an admission of defeat. I’m not sure I agree with that position, but at least he has his reasons. There’s no right or wrong approach, I suppose.

No new thing under the sun

McCane is certainly wrong, however, about the origins of the terms.  He writes:

Many scholars who discuss Die Stellung [i.e., The Place (of the Gospels)] choose not to translate these German terms. They are, after all, neologisms created by Schmidt to designate specialized literary categories. (p. xxxii, emphasis added)

Martin Dibelius
Martin Dibelius

The terms are not neologisms; they predate Schmidt. As far back as 1919, Martin Dibelius used Kleinliteratur in From Tradition to Gospel. In the first edition (Tübingen, 1919) he wrote:

In erhöhtem Maße wird dies alles von der sogenannten Kleinliteratur gelten. (p. 1, emphasis added)

In the English translation this sentence reads:

What we have said is true also in humbler forms of literature. (p. 1, emphasis added)

You can find the terms in discussions of literary works dating as far back as the late 19th century. A quick survey of Google Books reveals that Hochliteratur and Volksliteratur were in use at least as far back as 1891. Conceptually, then, the terms and the concepts behind them had been current in German academia (viz., history of literature, literary criticism, etc.) for a couple of decades before Schmidt’s The Place of the Gospels was published.

McCane is hardly alone. I can only guess that most people who have read (or claim to have read) Dibelius are familiar only with the second edition of From Tradition to Gospel (1933), and are unaware of the first edition (1919). It’s also a bit hard to trace the usage of these terms, because when translators convert them into English, you never know what you’ll get — Low literature? Folk literature? Folk tales? Popular literature? Humbler forms of literature?

Ideal Types

The ideal type is a fiction: a tool that we use to help us better comprehend the issues at hand. It’s a subjective model of the problem domain, not an objective definition of reality.

Before we continue, let’s review the concept of ideal types. If we were to envision the ideal parliamentary democracy, we would list the defining characteristics — some integral, others peripheral — generally held in common. We would not expect any particular, real-world parliamentary democracy to have every one of these characteristics. That does not mean they are something else. Nor does it mean that our ideal type is invalid. On the other hand, if a nation-state coincidentally shares a few peripheral characteristics or partially shares one of the core characteristics, that doesn’t mean it has magically become a parliamentary democracy.

Likewise, if we created a list of all the defining characteristics of Hochliteratur or Kleinliteratur and compared that list against extant works of literature from the ancient Greco-Roman world they won’t all correspond perfectly against the ideal types. That’s because, as we all should know, the ideal type is a fiction: a tool that we use to help us better comprehend the issues at hand. It’s a subjective model of the problem domain, not an objective definition of reality. Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 4)”

2013-04-08

The Genre of the Gospels: How the Consensus Changed (Part 3)

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by Tim Widowfield

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Part 3: K. L. Schmidt: Placing the Gospels

When it comes to the form critics, NT scholars don’t know Schmidt. But to be fair, for a long time — all of the twentieth century in fact — they had a reasonable excuse. None of Karl Ludwig Schmidt’s works had been translated into English, and unless you could grapple with his dense, rambling, arcane German prose, you had to rely on reviews and summaries from bilingual scholars.

The Place of the Gospels in the General History of Literature
The Place of the Gospels
in the General History of Literature
Karl Ludwig Schmidt

An act of parricide

In 2002, however, one of Schmidt’s major works became available to the English-speaking public. Anyone with an interest in the gospel genre debate now has easy access to The Place of the Gospels in the General History of Literature at popular prices. I’m assuming it didn’t sell well, because right now it’s going for $2.45 (US) at Amazon, and when my copy arrived back in February, it had a black mark across the top. It has landed in the book equivalent of the cut-out bin.

If you have any interest at all in form criticism or NT German scholarship, John Riches’ introduction alone is worth the price of the book. Riches notes that it took an unconscionable amount of time for The Place of the Gospels to be translated into English.

The appearance in English, nearly eighty years after its first publication, of one of the major works of early-twentieth-century German gospel criticism, represents yet another triumph of the persistence of the few over the indifference and hostility of the many. In this way, Schmidt’s article in the Eucharisterion Festschrift joins William Wrede’s Messianic Secret (1901: 1971) and Rudolf Bultmann’s History of the Synoptic Tradition (1921: 1961) as works that have waited too long before they were made available to those without easy access to German. This leaves Der Rahmen der Geschichte Jesu [The Framework of the History of Jesus] as the last of the major works of the form critics still to be translated. Is this too little too late, or is there still an opportunity for a serious appraisal of the form critics? (p. vii, bold emphasis added)

We’ll save Riches’ strong criticism of current scholarship for a later post.  For now, let me pique your curiosity with some choice words about how the work of the form critics has been twisted to serve antithetical purposes. Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 3)”

2013-04-04

What Luke’s witnesses saw — according to Luke

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by Neil Godfrey

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Witnesses of the Resurrection
Witnesses of the Resurrection (Photo credit: Lawrence OP)

The most solid argument I have read about what the word in Luke 1:2 translated as “eyewitnesses” actually means is by John N. Collins: see the post What Did Luke’s Eyewitnesses See? Collins presents a cogent argument that the word really means officials who have the responsibility for the writings/library of the community: it is their job to assess and preserve the authenticity of the documents entrusted to them — they are “specially authorized guarantors of the traditions.”

But in this post I am backtracking and working from the assumption that the word does convey the idea of one who sees firsthand some event. What I am saying here is this: What if the word really did express the idea of a witness? What does such a witness mean for Luke?

Norman Perrin answered this question nearly forty years ago in Rediscovering the Teaching of Jesus.

Firstly, Perrin begins by reminding modern readers that they must leave behind their modern conceptions and make an effort to enter the world of the biblical authors. Get out of your heads any modern notion of what the word “eyewitness” means to us today who are familiar with the concept from our newspaper reports and court proceedings:

If we resolutely ban from our minds . . . what a modern writer would mean by an ‘eyewitness’ and ask ourselves what Luke meant by the expression . . . . (p. 27)

Perrin’s conclusion?

Luke considers Paul an eyewitness!

Perrin explains: Continue reading “What Luke’s witnesses saw — according to Luke”

2013-03-31

The Evolution of the Resurrection Appearances

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by Neil Godfrey

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Here’s an Easter post. Never let it be said I ignore the season.

I can’t recall where I first was introduced to the fact that the Gospel resurrection scenes show a distinct development of details according to the relative dates of the Gospels. Look at how each one appears to build on or surpass what had been written before.

Take One: Off-stage

Not Jesus’ tomb, but a tomb none the less. (Photo credit: callmetim)

The Gospel of Mark, the earliest Gospel, actually has no resurrection scene at all. The women come to the tomb, see a young man in the tomb, then run off in fear. (Bibles that continue the story past verse 8 are incorporating what most scholars acknowledge is a passage that was not original to the Gospel. Someone much later attempted to cobble details from both Matthew and Luke to create what they presumably thought was a more satisfying conclusion.) The young man does tell the women that Jesus can be seen again in Galilee if they go there. And that’s it. There is no actual appearance of a resurrected Jesus in this Gospel.

[5] And entering into the sepulchre, they saw a young man sitting on the right side, clothed in a long white garment; and they were affrighted.

[6] And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him.

[7] But go your way, tell his disciples and Peter that he goeth before you into Galilee: there shall ye see him, as he said unto you.

[8] And they went out quickly, and fled from the sepulchre; for they trembled and were amazed: neither said they any thing to any man; for they were afraid.

Take Two: On-stage Continue reading “The Evolution of the Resurrection Appearances”

2013-03-29

The Mysterious John of Revelation

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by Neil Godfrey

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Curiously only one of the five books in the New Testament attributed to John bears the name of John. Many believers and conservative scholars maintain that the Gospel of John, the first, second and third letters of John, were authored by the apostle John despite the author’s name nowhere appearing in those texts.

It is of course the nature of religious history that people will believe it without necessarily having the kind of source-based authentication that generally historians are looking for. And so there is always a tension between what a religious tradition may say about the past and what the historian may say about the past. (Tom Holland, in John Cleary in conversation with Tom Holland, about 26 mins)

And so it goes. Tradition has assigned the name of John to the Gospel and three letters of the New Testament. Perversely, it may seem, the book that does claim to be written by John is one that critical scholars doubt came from the same pen as anything else attributed to John.

A study of the authorship of the Book of Revelation opens up a number of interesting methodological curiosities of New Testament scholarship. But for most part here I will set out the reasons why critical scholars widely believe the book of Revelation is not from the same author, or even “theological school”, responsible for the Gospel of John.

Saint John on Patmos
Saint John on Patmos (Photo credit: Wikipedia)

The Book of Revelation makes unambiguous claims about the identity of its author. It came from God via Jesus Christ who commanded John to write it all down:

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John . . . .

I John, who also am your brother, and companion in tribulation, and in the kingdom and patience of Jesus Christ, was in the isle that is called Patmos, for the word of God, and for the testimony of Jesus Christ.

I was in the Spirit on the Lord’s day, and heard behind me a great voice, as of a trumpet,

Saying, I am Alpha and Omega, the first and the last: and, What thou seest, write in a book, and send it unto the seven churches which are in Asia; unto Ephesus, and unto Smyrna, and unto Pergamos, and unto Thyatira, and unto Sardis, and unto Philadelphia, and unto Laodicea.

And I turned to see the voice that spake with me. And being turned, I saw seven golden candlesticks;

And in the midst of the seven candlesticks one like unto the Son of man, clothed with a garment down to the foot, and girt about the paps with a golden girdle.

His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire;

And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters.

And he had in his right hand seven stars: and out of his mouth went a sharp two edged sword: and his countenance was as the sun shineth in his strength.

And when I saw him, I fell at his feet as dead. And he laid his right hand upon me, saying unto me, Fear not; I am the first and the last:

I am he that liveth, and was dead; and, behold, I am alive for evermore, Amen; and have the keys of hell and of death.

Write the things which thou hast seen, and the things which are, and the things which shall be hereafter . . . .

The setting on the isle of Patmos and the identity of an author (or scribe) as a persecuted exile appropriately sets an atmosphere of fear and dread, relieved by a moment of seclusion to be with God alone and to receive his messages uninterrupted. He identifies himself as one of the saints who is being trodden under foot — another motif common to this genre of literature. This is all part of the literary conceit of another Daniel (or any persecuted visionary prophet) being pulled aside by God and struck down to humbly soak up the glories and mysteries of the heavenly realms that would leave lesser mortals dead. The setting is as much atmospherics as are the eyes like fire and the seven headed beast. Yet New Testament scholars will so often be found referring to the author being a persecuted exile on Patmos as if this were a veritable fact of history.

A face-value reading guided by the light of church tradition leads many readers concur with the following: Continue reading “The Mysterious John of Revelation”

The Genre of the Gospels: How the Consensus Changed (Part 2)

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by Tim Widowfield

Filed under: Biblical Studies, New Testament
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Part 2: Two Parables

Before we discuss Karl Ludwig Schmidt’s views on the genre of the canonical gospels, I want to present two parables that I hope will drive home some basic concepts. A review of the recent scholarship on the subject reveals a distressing amount of misunderstanding here. I hope the following illustrations will help clarify two of Schmidt’s fundamental ideas.

The Platypus

Imagine for the moment that Richard Burridge has a younger brother, Bucky Burridge, who is an up-and-coming zoologist. One day while visiting an Australian museum of natural history, he comes face to face with a stuffed and mounted platypus. He has never seen a platypus before, and he is struck by its features. In many ways, it is like nothing he has ever seen, but after careful consideration, he believes he knows the proper classification of this so-called “mammal.”

John Gould print image of Ornithorhynchus anat...
John Gould print image of Ornithorhynchus anatinus (platypus) (Photo credit: Wikipedia)

Bucky hunts down the curator of the museum and asks for a few minutes of his time. “Did you know,” he asks the curator, “that you have classified a duck as a mammal?” The curator is confused, so Bucky drags him back to the exhibit of the platypus.

He points at the display case, tapping the glass. “The placard identifies this duck as a mammal!” says Bucky with a frown.

The curator pauses to make sure Bucky is serious, then tactfully asks, “Why do you think it’s a duck?” Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 2)”

2013-03-27

The Genre of the Gospels: How the Consensus Changed (Part 1)

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by Tim Widowfield

Filed under: Biblical Studies, New Testament
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Part 1: A Sea Change

Ultimately, the problem with identifying the genre of the synoptic gospels as Hellenistic biographies or Graeco-Roman histories is that these terms are insufficient to describe their form, genesis, and purpose.

Published in 1989 by SCM Press, Studying the Synoptic Gospels remains one of the best resources for learning about the first three books of the New Testament. Not a week goes by that I don’t take it off the shelf and refer to it. Sanders and Davies cover most of the important subjects related to synoptic studies, and they do it in an engaging and evenhanded manner. Each subject receives appropriate coverage, with suggested “further readings” that can take you even deeper.

Studying the Synoptic Gospels
Studying the Synoptic Gospels

Studying the Synoptic Gospels treats the question of genre quite seriously, devoting one chapter for each gospel. The chapter on Matthew for example, continues for 14 pages, touching on its various features — how it resembles different forms of known, contemporaneous literature, how it uses the traditional material, etc. In the end, the authors conclude:

The most satisfactory definition of the genre is ‘a theodicy about the creation and recreation (see palingenesia, ‘new world’, 19.28) which is centered in the life, death and resurrection of Jesus.’ (p. 264, italics original)

The authors contend that although in some ways Matthew’s gospel resembles a βίος (bios), it also has some striking differences, and in the end, it is a wholly inadequate description. Mark has even less in common with ancient literary biographies. They write:

The form of the Second Gospel is, however, even less like a Hellenistic biography than that of Matthew. It does not begin with birth stories, and, if 16.8 is the original ending, it is quite without parallel. (p. 267, bold original)

The authors grant that Luke has even more in common with Hellenistic biographies than the first two gospels.

It is fair to say that Luke-Acts could not have existed in its present form without knowledge of Graeco-Roman texts. . . . But, to return to the preface, the truth for which the work offers Theophilus assurance is not just the accurate reporting of past events, nor the discernment of patterns of history, nor the exact depiction of a holy community worthy of imitation or admiration, but the story of the creator God who repeatedly offers people salvation, through prophets, through Jesus and through his apostles, and whose sovereignty is about to be finally established by replacing the kingdom of Satan on earth with that of God. Historical motifs are swallowed up by eschatological, and history is understood from the perspective of creation and recreation. (p. 297, emphasis added)

Ultimately, the problem with identifying the genre of the synoptic gospels as Hellenistic biographies or Graeco-Roman histories is that these terms are insufficient to describe their form, genesis, and purpose.

Fortress Introduction The New Testament
Fortress Introduction The New Testament

Now compare Sanders’ and Davies’ careful, detailed, and sober conclusions to this quote from the Fortress Introduction to the New Testament by Gerd Theissen:

The gospel is a variant of the ancient ‘life’, which was widespread in the non-Jewish world: the gospel is an ancient bios (a better term to use than ‘biography’), though a bios of an unusual kind. (p. 16, Nook edition, 2004, bold and color emphasis added)

Theissen notes that writings centered on a single person were quite unknown in the Old Testament. How did a sect that started within Judaism come to employ a genre that was so unlike anything known in Jewish religious writings up to that point? He says: Continue reading “The Genre of the Gospels: How the Consensus Changed (Part 1)”

2013-03-20

Why did Paul need to write letters?

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by Neil Godfrey

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Another provocative (and thought-provoking) Carr-ism, this one recently posted as a comment on Questioning Paul’s Letters. . . .

‘ But I have been looking at scholarly arguments that maintain Paul’s letters were, indeed, carefully crafted works of theological instructions that were composed in the form of occasional correspondence. ‘

Why did Paul need to write letters? We already know that oral tradition was enough to answer questions by Christians about whether Jesus had turned the water into wine in Galilee or in Jerusalem, and to answer Christian questions about who exactly the 12 disciples were and to answer Christian questions about what Jesus had preached about divorce.

But strangely, as soon as it comes to answering Christian questions about practice in churches or all the other problems that Paul had to deal with, these oral channels suddenly become unavailable, and Paul has to write letters answering these questions. Those problems could not be dealt with by oral transmission.

And as soon as Christians stop asking questions about practice in churches or other stuff Paul deals with, and start to ask questions about what Jesus had told people to pray and whether or not Jesus had preached about giving tithes, these oral channels open up again, and Paul has no longer a need to write letters. Those problems could be dealt with by oral transmission.

Remarkable, isn’t it?

Comment by Steven Carr — 2013/03/20 @ 7:53 am