Continuing from Luke-Acts Explained as a form of “Ideal Jewish History” (Part 1)
The reasons Luke-Acts has been considered a form of ancient history writing:
- Like other ancient historiography the work begins with a prologue announcing its superiority over what has gone before;
- Steve Mason notes that unlike the preceding gospels Luke-Acts, as a two volume work, narrates a changing or developing historical movement (see p. 9 of the article for details; I think of the way the author has restructured the events in the gospels in order to )
- Like Xenophon, Plutarch, Tacitus and others the author of Luke-Acts fuses “biography with a quasi-biographical history”;
- Like other historical writing of the day Luke-Acts constant changes of scene, notes on geographical and political details, episodes of high drama such as storms at sea and encounters with murderous enemies, and speeches.
Mason addresses works of Richard Pervo (Profit with Delight) and Loveday Alexander (The Preface to Luke’s Gospel) — there are posts on Pervo and Alexander here and here — that dispute the ‘historical’ character of Luke-Acts. In response Mason observes that the line between ancient historiography and ancient novels may not be so easy to discern given, in addition to the nature of ancient historiography, the difficulty in “defining” the ancient novel. Perhaps, but I think that’s another question for another chapter or article. In short, to Mason nothing can be gained by assigning Luke-Acts to another genre since writers were simply too willing to innovate and mix elements that we think of as belonging to separate genres.
The reasons against considering Luke-Acts as a form of historiography:
- The prologue of Luke-Acts does not identify the author and anonymity defeated the whole point of ancient prologues to historiography. The point was establish “the author’s character and unique moral assessment of the past.” (I have set out my view that the historian used his identity in order to establish confidence among readers of his work that he was in a position to know and to give his work authoritative status.)
- Josephus did not identify himself in the prefaces to his later works but he certainly did “introduce himself magnificently” in his first work (and again in his closing section). The author of Luke-Acts does nothing like that.
- The next point has long been decisive for me: “The effect of the missing author-identification in Luke-Acts is greatly compounded by the complete absence of historia-language, or Thucydides’ preferred συγγράφω and cognates, along with any suggestion of knowledge from open-ended inquiry—if we leave aside the prologue’s covering reference to the author’s careful observation—or the political analysis that was history’s reason for being. Even though the author shows himself well aware of political conditions in the eastern Mediterranean, and is happy to use them as furniture, this is simply not a work of political or historical analysis comparable to other histories. By comparison with any other histories, Luke-Acts is far removed from historiography in both its characteristic language and its prevailing ethos: the stories of Peter and Paul proclaiming Christ’s resurrection.” It is rare to read an article acknowledging this start difference between Luke-Acts and other histories.
- I quote in full (p. 11, my bolding as always):
- In place of normal historical analysis, the author boldly announces his subject matter as ‘the deeds that have been fulfilled among us’ and the observation and reception of truth by those who were ‘eyewitnesses and servants of the word/teaching’ (1.2-3). Historians were not supposed to be anyone’s servants or emissaries, a posture antithetical to history’s purpose of truth-seeking inquiry. The anonymous author does briefly stress his efforts to get the story straight, in the prologue, but the story itself comes from revelation. The work’s many episodes of heavenly and angelic visitation as revelatory of the most important truths undercut any notion of a historian’s authority, which derives from rigorous inquiry and his own moral character. Of this there is no trace in the anonymous Luke-Acts.
- That the most important truth comes via revelation is reinforced throughout the two-volume work at all crucial junctures: infancy narrative, explanatory angelic appearances at Jesus’ resurrection and ascension, and the decisive revelations to Peter, Paul, and the early community. Equally, the account is driven by wondrous deeds beyond the ken of historical inquiry, from Jesus’ divine birth through his many miracles and resurrection to the signs and wonders performed by his emissaries.
It is at this point that Steve Mason parts company with the critical studies that have sought to understand Luke-Acts as a form of history writing by focusing on details in common with works of Greco-Roman historians. Yes, the comparisons are significant, but at the same time we ought not to lose sight of “the highly distinctive atmosphere and content of Luke-Acts.”
Reconciling the historiographical and non-historical features of Luke-Acts
It is here that Steve Mason finds Josephus useful for understanding Luke-Acts and its mix of historical and even “anti”-historical features. Continue reading “Luke-Acts as form of history-writing (Luke-Acts Explained . . . Part 2)”