Unlike so many other writers in the field of religion (on both ends of the spectrum), Marcus was humble. Once one of my parishioners asked him during Q&A, “But how do you know that you’re right?” He paused, looked at her thoughtfully, and said, “I don’t know. I don’t know that I’m right.”
Most of us are familiar with the confessional reflections that so many biblical scholars drop in at the close of their scholarly works on Jesus. Sometimes this confessional is found in the prologue or preface as well. It is like a little prayer uttered by the devout believer thanking and praising the Lord for the academic study he has produced. It is particularly obnoxious when found in the dedication of a formal higher degree thesis. “Obnoxious” because it betrays an interest and motivation that is not entirely scholarly: it is scholarship motivated by confessional interests.
Examples (my bold emphasis throughout):
“Indeed, for Christians, the unending conversation about Jesus is the most important conversation there is. He is for us the decisive revelation of God. . . .” (last paragraph of Borg’s Jesus)
“And yet, despite everything, for those who have ears to hear, Jesus, the millenarian herald of judgment and salvation, says the only things worth saying, for his dream is the only one worth dreaming. . . .” (Allison, last paragraph of Jesus of Nazareth)
“Jesus will always be for me the way to God. . . .” (Spong, last paragraph of Liberating the Gospels)
“For a believing Christian both the life of the Word of God and the text of the Word of God are alike a graded process of historical reconstruction. . . . If you cannot believe in something produced by reconstruction, you may have nothing left to believe in.” (Crossan, final words in The Historical Jesus)
And so on.
Confessional statements and astrotheology
So it occurred to me that if I am correct in coming to realize that D.M. Murdock (Acharya S) is just as devoted to a religious view of Christian origins and writes with a view to sharing her belief system in the same way, then in her more neutral and “academically” minded books I should find the same confessional statements, most probably in the epilogue.
I have read sections of Christ in Egypt before but this time I turned to conclusion and here is what I found:
Niels Peter Lemche is the author of the fourth chapter of ‘Is This Not the Carpenter?’, “The Grand Inquisitor and Christ: Why the Church Does Not Want Jesus”. He frames his case around the parable in Dostoyevsky’s novel, The Brothers Karamazov, that tells of Christ being arrested on his return to earth in the time of the Spanish Inquisition. The Grand Inquisitor informs the imprisoned Christ that he will have to be burned at the stake because he is a danger to the Church. But there is a subtle twist in the parable which is the key to understanding the paradoxical argument that follows.
But before starting, let me point out that this post is different from earlier ones discussing chapters of this book. Rather than sequentially paraphrasing the argument I take some core arguments in Lemche’s chapter as a springboard for discussion of my own observations. (So I omit all reference to the origins of historical-critical scholarship, liberation theology and third world exegesis, Philipp Gabler‘s famous lecture on the conflict between historical theology and ecclesiastical dogmatics, the various ways both Catholics and Protestants have historically controlled the reading of the Bible, Marcion’s and von Harnack’s complaints about the inclusion of the Jewish scriptures in the Christian Bible . . . . , that Lemche covers in this chapter.) Now back to the parable. . . .
The parable is told by Ivan Karamazov who appears to side with the Inquisitor in objecting to the Jesus Christ who walks straight out of the pages of the Gospels and begins performing miracles etc just as he did there. (There is much more to the original story, but let’s roll with the details Lemche selects for his analogy.) The irony for Lemche is that this same Ivan also represents those who in other ways question the Church. The Grand Inquisitor thus turns out to be something of a double-edged sword. “Perhaps there are more layers represented in this novel than appear at first sight.”
For Lemche, the Grand Inquisitor represents “the position of the well-educated clergy of the Church“. The threats it faces come from two opposing sides, and one of these sides finds itself in an ambiguous position:
Threat #1 — the pious laity with their Bible
Yes, there is the threat from “the pious laity having read too much of the Bible”:
The difference between the Christ of the Church and the Jesus of the Gospels becomes dangerous when explained to the laity. (p. 77)
Elsewhere Lemche has argued that pious people should not be allowed within a hundred metres of the Bible. “Reading the Bible has not done them much good.” Some who would follow in Christ’s footsteps have been rendered harmless by being incorporated into the constraints of the Church itself (e.g. the Franciscans). Others have gone down in history as suicide cults. I and many others would add a vast array of dysfunctional mental, physical, financial and social legacies among too many of the faithful. Continue reading “Why the Church Does Not Want Jesus — ‘Is This Not the Carpenter?’ chapter 4”
Mainstream scholars struggle trying to explain why the Gospel authors included clearly symbolic — nonhistorical — tales about Jesus in their gospel narratives.
Marcus J. Borg, Mark Allan Powell, Dale C. Allison, Roger David Aus, John Dominic Crossan, John Shelby Spong and Robert Gundry are some of the scholars who acknowledge tales such as the virgin birth, Jesus walking on water, the transfiguration, the miracles of the loaves, the resurrection appearances are fabrications, metaphors.
(So much for that argument that there were enough surviving eyewitnesses or people who knew eyewitnesses to keep the evangelists honest!)
Marcus J. Borg writes of stories like Jesus and Peter walking on water, the turning the water into wine at the Cana wedding, and the virgin birth:
Dale Allison concludes his book Constructing Jesus with a discussion of the intent of the gospel authors. Did the gospel authors themselves think that they were writing real history or did they think they were writing metaphorical narratives, parables or allegories?
Allison refers to Marcus Borg and others (e.g. Robert Gundry, John Dominic Crossan, Robert J. Miller, Jerome Murphy O’Connor, John Shelby Spong, Roger David Aus) who have gone beyond their scholarly predecessors for whom the question was, “They thought they wrote history but can we believe them?”, to “Did they think they were writing something other than history and have we misunderstood them?”
They are not claiming that we must, because of modern knowledge, reinterpret the old texts in new ways, against their authors’ original intentions. They are instead contending that the texts were not intended to be understood literally in the first place. (p. 438)
I would love to read the books Allison cites but till then will have to rely here on his brief remarks.