2011-09-22

[10] THE LETTERS SUPPOSEDLY WRITTEN BY IGNATIUS OF ANTIOCH: 10th and final post in the series

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by Roger Parvus

10th and final post in the series by Roger Parvus. The complete series is archived here.

In posts one through five I showed why Peregrinus should be regarded as the author of the so-called Ignatian letters. In posts six through nine I argued that he was an Apellean Christian. In this post I will tie up some loose ends, adding some thoughts regarding the date of his letters, and taking a somewhat speculative last look at his community, the Apelleans.

WHEN WERE THE ORIGINAL LETTERS WRITTEN?

Using the chronological indications that Lucian provides in his sketch of Peregrinus, the year of the would-be martyr’s arrest can only be very roughly pegged to have occurred sometime between 130 and 150 CE. Peregrinus was a Cynic by the time of the Olympic games held in 153 (see note 22 of Harmon’s translation of “The Death of Peregrinus’). And at least a few years must be allowed for his dismissal by the Christians and his trips to Egypt and to Rome (“The Death of Peregrinus,” 16-18). That would yield a terminus ante quem of 150 CE for his arrest and the composition of the letters. The terminus post quem is more difficult to pin down. G.A. Harrar, in his “Studies in the Roman Province of Syria,” would tentatively date the arrest to no earlier than 135 CE (p. 28). But since Lucian provides little guidance on that point, I would add a few years cushion to what Harrar proposed and thus arrive at a comfortable 130 to 150 CE window.

If the year of Marcion’s break with Rome were known with certainty, the date that Peregrinus composed his letters could be further narrowed down, for the schism mentioned in IgnPhil. 3:3 appears to be related to that break. Continue reading “[10] THE LETTERS SUPPOSEDLY WRITTEN BY IGNATIUS OF ANTIOCH: 10th and final post in the series”


2011-09-21

15 ways of recovering reliable information about Jesus

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by Neil Godfrey

What serious enquirer after the historical Jesus can bypass a title like The Historical Jesus: An Essential Guide by James H. Charlesworth?

Chapter 2 addresses ways of “obtaining reliable information” about Jesus and about two-thirds of this chapter discusses a number of “methodologies” that include our familiar criteria:

  1. Embarrassment
    • deeds and sayings embarrassing to the evangelists would not have been fabricated by them
  2. Dissimilarity
    • teachings unlike environmental Jewish thought and unlike those of his followers probably originated with Jesus
  3. Multiple attestation
    • a saying or deed of Jesus found in two or more independent sources is more probably original to Jesus than something found in just one source
  4. Coherence
    • when a deed or saying of Jesus is virtually identical to one that is shown to be very likely (on the grounds of the other three criteria above) then we may think of it as probably reliable
  5. Historical plausibility (Palestinian Jewish setting)
    • a tradition may be authentic if it reflects the culture and time of Palestine in the early first century.

We know the arguments for these and their logical flaws. But happily Charlesworth is offering readers more than the commonplace and familiar. He adds “ten additional supporting methods” to provide “supporting insight and information” about Jesus: Continue reading “15 ways of recovering reliable information about Jesus”


2011-09-19

What Mark’s Episodes Do For Readers (and the real historiographical question to ask)

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by Neil Godfrey

As with any magic the spell works best when the audience does not know how it is done. On the other hand, understanding the way literary and rhetorical devices play with how we respond to what we read does help remind us that we are reading a creation of the human mind. Even if the words we read are telling a “true story” the words used to convey that information have been chosen to convey a certain meaning or feeling in relation to what we read.

One characteristic of the gospels, particularly the Gospel of Mark, that we sometimes hear is a mark of unsophistication and primitive literary skills, is the episodic nature of the first half of the Gospel — up to the Passion narrative.

Well, this post is an attempt to rescue something of the reputation of that part of the Gospel by pointing out what that episodic structure manages to achieve from a literary perspective. I am not going to argue that episodic writing is a sign of genius. But it did have an honourable history in ancient literature, at least from the time of Homer’s Odyssey (or even the Epic of Gilgamesh), so it must have been doing something right for many readers.

Whitney Shiner has a chapter titled “Creating Plot in Episodic Narratives: The Life of Aesop and the Gospel of Mark” in Ancient Fiction and Early Christian Narrative. The comparison is helpful but I will confine this post to the comments on Mark. Continue reading “What Mark’s Episodes Do For Readers (and the real historiographical question to ask)”


2011-09-17

Acts, the Areopagus and the Introduction of New Gods

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by Neil Godfrey

The south side of Areopagus in the ancient ago...
Areopagus: Image via Wikipedia

Literary allusions and influences are generally not about one-to-one correspondences of plot or character details. Authors are for most part motivated to write something new, something that interests them and their audiences, and that means drawing upon familiar written and oral words and weaving them into new creations. Perhaps a good comparison could be drawn from those music programs that trace the history of certain genres of music through the decades. One soon learns that even “the new and different” is really a re-mix of the old from here, there and somewhere else that has been repackaged and presented in a very new way.

Nor does the fact of literary allusion of itself suggest that the topic being written about is fiction. One is quite entitled to write a history of a modern event and draw on allusions from Shakespeare or Homer in the process. Where the line is crossed is where the entire narrative can be most simply explained in terms of literary allusions and ideological interests. Whether that line is crossed is the case with Paul before the Areopagus I do not know. I have not taken the time to give it proper consideration. But surely Lynn Kauppi’s discussion is one part of the discussion that cannot be ignored. (Nor am I suggesting that Kauppi himself rejects the historicity of Acts 17. I have no idea if he does or not and his thesis I am addressing here does not allow me to know his thoughts on the question of historicity.) And in the process of preparing these posts I have had opportunities to catch up with what others have had to say about this Areopagus episode — e.g. Talbert, Kirsopp Lake, Haenchen — and have uncovered a range of ideas that are too broad to include in these posts here. The question of historicity is another one I may take up in another post when I have time to collate the contributions of these and Lynn Kauppi among others.

But in the meantime let’s continue with what I intended to be just one quick post but that has turned itself into some sort of mini-series now. I am discussing the thesis of Lynn Kauppi that the author of Acts 17 (let’s call him Luke) was writing with conscious allusions to (among other literary sources to be discussed another time perhaps) the fifth century BCE play Eumenides by Aeschylus. This post follows on from the previous two posts. Continue reading “Acts, the Areopagus and the Introduction of New Gods”


2011-09-16

Paul and Orestes before the Areopagus: the resurrection

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by Neil Godfrey

Continuing from my previous post . . . .

.

Resurrection ἀνάστασιςin both Acts and Eumenides

A number of scholars have remarked upon the reference to the resurrection in Eumenides by Aeschylus when commenting on the reference to the resurrection in connection with Paul’s appearance in the Areopagus before the Athenians.

F. F. Bruce, in The Book of Acts, p. 343, when commenting on the scoffing Paul received after mentioning the resurrection, recalled the scene in Aeschylus’ play that likewise mentioned the resurrection in connection with a hero appearing before the Areopagus. Most Athenians, Bruce said, would, on hearing of Paul’s mention of the resurrection, have agreed with the sentiments expressed in the play by

the god Apollo, . . . on the occasion when that very court of the Areopagus was founded by the city’s patron goddess Athene: “Once a man dies and the earth drinks up his blood, there is no resurrection.” Some of them, therefore, ridiculed a statement which seemed so absurd.

The footnote supplied points to Aeschylus, Eumenides, lines 647-8, where the same Greek word, ἀνάστασις, is used in both the play and Acts 17:18, 32.

Similarly Charles H. Talbert in Reading Acts, p. 157, makes note of the same observation:

Scoffing is a typical response to speeches by fringe figures . . . Given the assumptions of Paul’s auditors, scoffing is an entirely appropriate response. Aeschylus, Eumenides 647-48, relates how, on the occasion of the inauguration of the court of the Areopagus, the god Apollo says, “When the dust hath drained the blood of man, once he is slain, there is no return to life.”

Lynn Kauppi sees more in the link between Aeschylus and Acts than a background pointer to a common belief among Athenians of the day. He suggests that the way “Luke” weaves the allusions into the scene of Acts 17:16-34 gives reason to think that his audience “may have observed an allusion to the Athenian literary tradition.” (The Greek text is from Perseus and the English translation from Kauppi’s manuscript.) Continue reading “Paul and Orestes before the Areopagus: the resurrection”


2011-09-14

Paul’s sermon on the Areopagus inspired by the Muses

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by Neil Godfrey

Some years ago I somehow stumbled into an email exchange with a doctoral student on the other side of the world who kindly let me preview a chapter of the thesis he had been working on. Since I recently noticed his thesis has since 2006 been commercially published as Foreign but Familiar Gods: Graeco-Romans Read Religion in Acts I feel free to share the contents of that chapter now.

Lynn Kauppi argues that the scene in Acts where Paul is brought before the Areopagus to explain himself partly on the impression that he is introducing new gods to Athens was inspired by a scene in a play well-known to Greek speakers of the day.

The play is Eumenides, the third in a trilogy of plays composed by Aeschylus around the 450’s bce. The name Eumenides refers to devotees of the Furies (Erinyes). These Furies pursued and tormented one who had murdered his own mother.

In the first play of the series King Agamemnon returned home victorious from the Trojan war but was murdered by his wife, Clytemnestra. In the second play their son Orestes was moved by his sister and the god Apollo to avenge his father’s death by killing his mother.

The third play, the one said to contain the influences on the author of Acts, contains the resolution of the moral conflicts built up in the first two plays. On Apollo’s advice Orestes flees to Athens seeking escape from the torment of the Furies. Meanwhile the ghost of Clytemnestra rises up from the dead to rebuke the Furies for not completing their just vengeance on her son.

In Athens Orestes is met by the goddess Athena who listens to his case and also hears the counter-claims of the Furies. Unable to determine the rights and wrongs of the matter alone she founds the court of the Areopagus to help her decide the case. Orestes appears at this court, the Areopagus, along with his prosecutors, the Furies, and his defender, the god Apollo. The court is divided so the goddess Athena casts the deciding vote in favour of Orestes, thus cleansing him from the stain or pollution of blood-guilt and setting a precedent for mercy over justice. When the Furies threaten to destroy Athens in retaliation a shrine is established for them and a procession is held in their honour by the Athenians.

The outline of the play does not encourage the modern reader to suspect it may contain an influence on the author of Acts.

But Kauppi argues that the play was well-known in the early Christian era and did influence other writings of the time; and that a Graeco-Roman reader of Acts would likely recognize allusions in the play to “the resurrection” from the dead, the role of the Areopagus in examining the central character and the theme of the introduction of new gods into Athens. Continue reading “Paul’s sermon on the Areopagus inspired by the Muses”


2011-09-13

How did early Christians [not] convince others Jesus was the Messiah?

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by Neil Godfrey

Icon of the Pentecost
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I’ve been going through Geza Vermes’ The Changing Faces of Jesus and here I’ll focus on just one more detail: the way the scholar learns how the early “Jewish church tried to prove that Jesus was the Messiah”.

Vermes points us toward the journey he is to lead for his readers:

The best way to grasp the primitive Christians’ picture of Jesus is by reconstructing the content and style of their preaching. How did they present their gospel, and how did they endeavour to convince their first listeners . . . . The approach they adopted seems to have been substantially the same, whether the message was delivered in Jerusalem or in the very different setting of the Gentile mission of Paul . . . . (p. 121)

The one exception Vermes singles out was Paul’s address to the Athenians from the Areopagus in Acts 17:16-32. I will discuss this in a future post but not from Vermes’ viewpoint. Rather, I will look at the possible inspiration for this scene in a classical Greek tragedy by Aeschylus.

But this post is a case-study in how New Testament scholars mistakenly think they are doing genuine history.

Geza Vermes’ approach in his own mind is genuinely “historical”:

This view . . . . is that of a scholar, of a detached historian, in search of information embedded in the surviving sources. (p. 7)

So, according to the surviving sources, how did the early Jewish Christians try to convince others that Jesus was the Messiah? Continue reading “How did early Christians [not] convince others Jesus was the Messiah?”


2011-09-11

Paul’s “Mystical-Mythical” Christ the real — or rival? — foundation of Christianity

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by Neil Godfrey

Géza Vermes is not a mythicist. He believes in the historical reality of Jesus to be found beneath the Gospels. But in the context of any mythicist debate what he writes in The Changing Faces of Jesus about the “myth” of Christ Jesus in Paul’s writings is noteworthy. It shouldn’t be. What he writes is noncontroversial. What makes his remarks noteworthy in the context of a mythicist debate is that he is not addressing mythicism at all and so his comments are not tainted with anti-mythicist polemic.

Consequently readers interested in an honest debate are free to see where traditional mainstream scholarly views and mythicist arguments do in fact coincide. One also encounters a reminder that certain stock responses to mythicist arguments are akin to tendentious “proof-texting”.

There are more things in the mainstream scholarly literature, Horatio,
Than are dreamt of in your stock anti-mythicist proof-texts.

Firstly, why are Paul’s views so significant? Vermes writes:

Paul can be seen as the father of the Jesus figure which was to dominate as the true founder of Christian religion and its institutions, and even such a sound and solid publication as The Oxford Dictionary of the Christian Church describes Paul as ‘the creator of the whole doctrinal and ecclesiastical system presupposed in his Epistles’. (p. 59) Continue reading “Paul’s “Mystical-Mythical” Christ the real — or rival? — foundation of Christianity”


2011-09-08

How easily do historical Jesus scholars drop in that “interpolation card” when it suits

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by Neil Godfrey

Catching up with Géza Vermes’ The Changing Faces of Jesus I was surprised to find Vermes suggesting that the entire Philippian Hymn (2:6-11) is an interpolation inserted probably around the early second century!

I guess anti-mythicist crusaders have been on my back so much that I had begun to lose sight of what is acceptable and respectable fare in the works of mainstream biblical scholars.

For those not in the know Géza Vermes, according to the Wikipedia article (and I don’t apologize for using Wikipedia since, for all its many faults, it has been recognized by a study published in Nature as no less authoritative than the Encyclopedia Britannica in science articles, so we may reasonably feel entitled to some confidence in the rest) is described as:

a noted authority on the Dead Sea Scrolls and other ancient works in Aramaic, and on the life and religion of Jesus. He is one of the most important voices in contemporary Jesus research,[1] and he has been described as the greatest Jesus scholar of his time.[2] (I retain the linked footnotes)

In the prologue Vermes reinforces his well-groundedness within the scholarly mainstream:

I have read a great deal over the years and learned much, positively and negatively, from other scholars. I have assimilated their learning and understanding and stored everything up in my heart. (p. 4) Continue reading “How easily do historical Jesus scholars drop in that “interpolation card” when it suits”


Peer review and [you know what]

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by Neil Godfrey

Part of my job as a coordinator of the management of research data at an Australian university is to be familiar with the Australian Code for the Responsible Conduct of Research. The section in this document on Peer Review (chapter 6) is interesting when considered against the controversial remarks that sometimes erupt over mythicist publications. The code lays out the responsibilities of peer reviewers and researchers in Australian universities and other publicly funded research institutions. The mere fact that a code sets out responsibilities is itself testimony to the potential for the process to go awry. Its success relies upon the professionalism of enough of those involved to keep everyone in line and avoid lapses. The code is a valuable reminder of its potential limitations.

Here are some excerpts. Bold type has been added by me. Continue reading “Peer review and [you know what]”


[9] THE LETTERS SUPPOSEDLY WRITTEN BY IGNATIUS OF ANTIOCH: 9th post in the series

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by Roger Parvus

9th post in the series by Roger Parvus. The complete series is archived here.

In the letters of Peregrinus there are some passages that concern his gospel. If, as I have proposed, he was an Apellean Christian, we can expect to find here too some rough-edged and clumsy corrections by his proto-Catholic editor/interpolator.

TO THE PHILADELPHIANS 8:2 – 9:2

8:2. “But I exhort you to do nothing in a spirit of faction—instead, in accordance with the teachings of Christ. For I heard some saying, ‘If I do not find [in] the archives in the gospel I do not believe.’ And when I said to them, ‘It is written,’ they responded, ‘That is what is in question.’ But my archives are Jesus Christ; the inviolable archives are his cross, his death, his resurrection, and the faith which is through him. It is by these that I desire to be justified, with the help of your prayers. [9:1. The priests are good, but better is the high priest who has been entrusted with the holy of holies; he alone has been entrusted with the secrets of God. He is himself the door of the Father, through which enter in Abraham and Isaac and Jacob, and the prophets and the apostles and the church. All these combine in the unity of God. 9:2. Nevertheless] The gospel has a distinction all its own, namely the appearing of the Savior, our Lord Jesus Christ, his suffering and his resurrection. [For the beloved prophets announced him, but the Gospel is the completion of imperishability. All these things are good, if you believe with love.”]

The above passage begins by relating part of an exchange the prisoner had with his Judaizing opponents. There is almost universal agreement that the “archives” in the second sentence refers to the Old Testament. And most scholars are in agreement as to the general sense of the verse: the Judaizers were Christians but insisted that the gospel meet some Old Testament-related requirement of theirs. But beyond that, there has been much debate about the punctuation and precise interpretation of the verse. The biggest problem is that at face value it seems to say that if the Judaizers’ requirement is not met they do not believe in the gospel. It seems incredible that Christians would not believe in the gospel. So, to avoid such a radical interpretation, a number of alterations have been proposed. Continue reading “[9] THE LETTERS SUPPOSEDLY WRITTEN BY IGNATIUS OF ANTIOCH: 9th post in the series”


2011-09-06

Turning the Philippian Hymn into a Precambrian Rabbit

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by Neil Godfrey

Precambrian rabbit “© Glendon Mellow” See the Glendon Mellow : Art in Awe of Science for more.

This post attempts to build on my two recent posts about classicist John Moles’ discussion of the meaning and power of the name “Jesus” in the earliest Christian literature through reflections on a Hymn in Paul’s letters that seems impossible for most scholars to accept at face value.

I’ve made positive use of two of Alan F. Segal‘s major publications (Two Powers in Heaven and Paul the Convert) so when I saw his chapter on the resurrection in The Resurrection of Jesus (compiled/edited by Robert B. Stewart) I was not expecting what I in fact found there in his discussion of the Philippian Hymn — Phil. 2:5-11. Segal begins admirably but within a few lines he suddenly does a complete flip flop and it is difficult to understand how certain explications he offers have anything to do with the Hymn at all.

Being able to read the Hymn for what it is takes on a special significance if one goes along with widespread scholarly opinion that it had an independent and liturgical life before Paul added it to his letter, and that Paul’s own writings well preceded the Gospels. In other words, it is possibly one of the earliest clearly Christian writings that we know about.

I suspect that the Hymn (read without Gospel presuppositions) is exactly the sort of fossil that the rest of the evidence tells us to expect at this earliest strata of evidence. But the way it is interpreted by many biblical scholars actually makes it look like a precambrian rabbit.

What one observes across the New Testament epistles, Gospels and Acts is a general trajectory from a very high Christology to an increasingly humanized Jesus. The epistles (written before the Gospels) speak of a divine Christ figure worshipped alongside God. The Gospel of Mark gives us a Jesus who is the Holy One of God with power over all demonic forces and the forces of nature and by the time we read Luke and Acts we are reading about a Jesus who weeps and whose death has no greater significance than that of another human martyr. Given this trajectory from divine to increasingly human, with its implication that Christianity from its earliest days worked to steadily develop a more humanized Jesus, one would expect to find anything preceding the epistles will contain a Jesus with precious little humanity about him.

When Segal begins his discussion of the Philippian Hymn he sounds like he is about to demonstrate just this: Continue reading “Turning the Philippian Hymn into a Precambrian Rabbit”


The Wandering Who?

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by Neil Godfrey

Gilad-Atzmon-The-Wandering-WHOFollowing is a review of Gilad Atzmon’s book. One part of what interests me about this sort of discussion is the inevitable comparison with any other similar experiences of losing one’s old identity and finding a new one. My own experience was in losing my identity as a Christian and becoming what many would call a secular humanist. I went through more than one iteration of Christianity (fundamentalist, liberal) but failed to appreciate the extent to which one’s identity can be entombed in such a belief at any level, until I left the “other-world” idea behind entirely. (One is constantly reminded that even “liberal Christians”, for example, can sometimes be just as arrogant in their humility, just as intolerant and hostile of other views, as the fundamentalist variety. The only difference for so many is that they change their targets or their levels of self-deception. But we are all where we are at and each of us has our own journey to follow.)

The original is at Gilad Atzmon’s blog here or on the VT site here.

Gilad struggled with the conflict between his early experiences as an Israeli Zionist and his awakening as a humanist

The Wandering WHO? navigates between thought-provoking personal experiences, historical and philosophical issues

by Paul J Balles

Gilad Atzmon, scholar, prolific writer and leading jazz saxophonist has authored the book The Wandering WHO? In it he astutely explores the identity crisis he himself experienced and one faced by many Jews.

Gilad struggled with the conflict between his early experiences as an Israeli Zionist and his awakening as a humanist.

His book reveals an innate ability to switch between the qualities of a down-to-earth artist (the successful sax player and word-smith) and the knowledgeable philosopher.

Without doubt, The Wandering WHO? will awaken many readers– pleasing some and disturbing others.

The pleased will include those who have experienced similar awakenings or resolved identity crises by continuously asking questions.

The book will also find welcome readers among those who have sought honest answers to the many contentious issues involving Jewish identity, Jewish politics and Israel.

The disturbed will include those Gilad might refer to as “separatist Jews…kind of a bizarre mixture of an SS commander and a Biblical Moses.”

Gilad will also face threats and complaints from those he calls “pro-war Zionist Islamophobes.”

He will undoubtedly find rejection from those who want “to stop proud, self-hating Jews (like Atzmon) from blowing the whistle.”

The Wandering WHO? navigates between thought-provoking personal experiences, historical and philosophical issues.

In the forward, Gilad tells the most remarkable story of his Jewish upbringing and the challenging questions raised by his early experiences as an Israeli Zionist.

In the chapters that follow, Gilad remarks that “Israel is the Jewish state and Jewishness is an ethno-centric ideology driven by exclusiveness, exceptionalism, racial supremacy and a deep inherent inclination toward segregation.”

Atzmon draws a distinction between Jews as: Continue reading “The Wandering Who?”


2011-09-05

Creativity with the Name of Jesus the Healer in the Gospel of Mark

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by Neil Godfrey

(Church converted to night club and named The Healer)

Classicist John Moles presents a case for the Gospels making creative use of the name of Jesus in order to drive home its unique status as the power that tends, cleanses, heals and saves. In the Gospel of Mark — the portion of his Histos article I am addressing in this post — this creative play on the name of Jesus culminates in the final crucifixion and resurrection scenes where the name emerges as a saving healing power of cosmic proportions.

John Moles is examining the common classical use of literary puns as found in early Christian literature. He draws our attention to the meaning of the name of Jesus itself (the name itself, not the person) and how this is played with for theological purposes by literary composers.

I have given my reasons for thinking of the Gospels as something akin to parabolic or metaphorical narratives. Jesus and the disciples, especially in the Gospel of Mark, can be read very easily as two-dimensional ciphers to dramatize theological lessons. (I am aware that much secular ancient literature was not strong on building three-dimensional characters but the Gospels, I believe, go beyond this.) So this article by John Moles has my mind racing across those earlier thoughts. What was in the minds of the evangelists? Was “Mark” imagining he was writing about a real person or was he creating a character to represent a theological name of powerful import to the faithful? Now this is not of itself a mythicist argument. (And John Moles himself is definitely not a mythicist.) The same question could well be raised of an author who was writing in response to a faith that in other ways was derived directly from a historical person, but for whom that historical person was lost and replaced by a “Christ of faith” idea. If any conclusions are to be drawn either way then they must be led by other evidence in addition to, or that otherwise embraces any argument in relation to, the literary one. So let’s just focus on the nature of the literary qualities in relation to the name of Jesus in the Gospel of Mark as presented in his fascinating article.

In the following I will add my own comments in italics to my notes from Moles’ article. My own notes will probably often veer from the single theme Moles adheres to in his article. Continue reading “Creativity with the Name of Jesus the Healer in the Gospel of Mark”