2018-11-23

Genesis to Kings, the work of a single authorship?

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by Neil Godfrey

I am copying here a comment that Philippe Wajdenbaum made in relation to another post. (I have reformatted the original.)

Many thanks for this post, and for the quality of your blog. Russell Gmirkin’s “Plato and the Creation of the Hebrew Bible” is a most important book that will elicit a paradigm shift in biblical studies, as seen in its current positive reception.

Here are some of my arguments for Genesis-Kings’ unity:

In “Argonauts of the Desert”, as well as in several articles, I have proposed that Genesis-Kings (also called the Primary History) is the work of a single author, or at least the same team of scholars, who took inspiration from Greek classical texts such as Homer’s Iliad and Odyssey. See also:

The demonstration of Genesis-Kings’ literary unity relies first on its consistency as a continuous narrative, as shown by Spinoza (“Theological and Political Treatise”, chapter 8), and second on the distribution of its Greek-borrowed material, shown by Wesselius regarding the use of Herodotus. Whereas both placed this redaction during the Persian period, Russell Gmirkin has convincingly shown in “Berossus and Genesis, Manetho and Exodus” (2006), that the Hellenistic era offers the most plausible period for Judean and Samaritan scholars to have had access to and emulated Greek sources, most probably in the Library of Alexandria.

In my article “From Plato to Moses: Genesis-Kings as a Platonic Epic” (in “Biblical Interpretation Beyond Historicity: Changing Perspectives 7”, edited by I. Hjelm and Thomas L. Thompson, 2016, also available on the Bible and Interpretation website), I have pointed out that

  • the Pentateuch seems to borrow significantly from the Odyssey (the wanderings of the Patriarchs and Israel, Joseph’s story as a rewrite of Odysseus’ return to Ithaca),
  • whereas Joshua, Judges, Samuel and Kings seem to borrow predominantly from the Iliad (the many battle scenes, especially in 1-2 Samuel).

Yet, there are motifs from the Iliad in the Pentateuch and from the Odyssey in Joshua-Kings. This distribution of Homeric motifs interestingly corresponds to how Virgil modelled the first six books of the Aeneid on the Odyssey, and the six next books on the Iliad. In my opinion, this logic in the distribution of themes can be observed regarding most of the Greek sources used by the author of Genesis-Kings (such as the Greek mythical cycles of the Argonauts, Heracles, Thebes and the Trojan War), and tends to show its literary unity.

Regarding the use of Plato, I have tried to show that a “Platonic framework” encompasses Genesis-Kings. Genesis uses several myths from Plato about

  • the creation of the world (Timaeus / Gen. 1),
  • the split of a primordial androgynous human (Symposium / Gen. 2)
  • and the Golden Age (Statesman / Gen. 3; combined with Hesiod’s story of Prometheus and Pandora).

The Exodus narrative,

the liberation of slaves by a reluctant leader who had been freed beforehand, seems an adaptation of Plato’s famous Cave Allegory in Republic 7 (combined with the story of Battus, the founder of Cyrene).

After receiving some of their divine laws, some of which are borrowed from Plato’s Laws, Moses and the Israelites perform a ritual for accepting these laws (Exod. 24) that seems borrowed from a similar ceremony in Plato’s Critias.

The confection of the Tabernacle’s furniture by a craftsman based on a divine model echoes Plato’s theory of imitation of divine types in Republic 10.

The book of Joshua narrates the foundation of the Ideal twelve-tribe state, with the division of the land by lot into twelve tribes and its subdivision into paternal plots of land, according to the model found in Numbers, which is itself based on Plato’s Laws.

Judges, Samuel and Kings depict the gradual downfall of this state, due to the increasing faults of Israel and Judah’s kings. This demise of a state that should have been ideal and eternal seems borrowed from Plato’s tale of Atlantis in Critias. Solomon’s riches and grandiose temple in Kings resemble that of Atlantis, and God’s decision to destroy Israel and Judah at the hands of its enemies echoes the fate of Atlantis, punished by Zeus because its kings neglected the divine laws with the passing of generations.

The final catastrophe of Jerusalem’s destruction by the Babylonians and the beginning of the Exile is reflected in Genesis’ narrative of the expulsion of Adam and Eve from Eden for disobeying the divine commandment, which seems the trace of a ring composition.

Best regards,
Philippe Wajdenbaum


2012-10-19

Old Testament based on Herodotus? Acts on the myth we read in Virgil?

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by Neil Godfrey

Before continuing with the scholarship that questions the traditional view that many of the Old Testament books were stitched together from much older texts, let’s lay out on the table a very broad overview of the thesis of a Dutch scholar, Jan-Wim Wesselius (I love his homepage photo and caption), as published in The Origin of the History of Israel: Herodotus’ Histories as Blueprint for the First Books of the Bible. (This was the most expensive book I had ever purchased in my entire life, so I continue to guard it well.)

In this post I select just one detail that is not meant to persuade the sceptical (and scepticism is a virtue) but only to stimulate thoughts anew among anyone who has not traveled this road before. There is much more to be said along with the snippet of data I present here, and I have posted one of those snippets on vridar.info comparing Moses with Herodotus’ portrayal of the Persian king Xerxes (and the Plagues of Egypt with the catastrophes inflicting the army of Xerxes). A serious treatment comparing Herodotus’ Histories would need to start with a 1993 publication, The Relationship Between Herodotus’ History and Primary History by Mandell and Freedman. One of the more fascinating insights is that the Greek history is in many ways a “theological” history like the Bible’s historical books. The same lessons of the the role of the divine in and over human affairs are found like a unifying thread in both works. But such details are for another time.

To appreciate what is to follow it would help to have some knowledge of both Homer’s epics, the Iliad and Odyssey, and Virgil’s epic poem of the founding of the Roman race, the Aeneid. G. N. Knauer sums up the way Virgil did not merely serendipitously draw upon recollections of what he had read in Homer’s epics, but he clearly studied the structures of Homer’s epics and built his own epic upon a reassembling of that structure, perhaps in an effort to surpass the artistry of the original.

. . . Vergil clearly realized how Homer conceived the structure of the Odyssey and . . . therefore did not simply imitate sporadic Homeric verses or scenes. On the contrary he first analysed the plan of the Odyssey, then transformed it and made it the base of his own poem.

What is especially significant is that this is one case-study of how ancient literature very often worked. Reworkings of earlier masters was a highly respected skill.

I don’t think I’m alone in also thinking Virgil reworked a single epic out of Homer’s dual effort. The Aeneid is an epic poem of the travels of Aeneas, founder of the Roman race, from the time he fled the conquered and burning Troy until the time he found a secure place in Italy after many battles with the local Latin tribes. The Roman epic begins with the adventures of a long voyage of Aeneas to his destined homeland — just as the second Homeric epic, the Odyssey, narrates the adventurous travels of the Greek hero. The second half of the Roman epic recounts many battles reminiscent of Homer’s first epic, the Iliad. Both conclude with the climactic death in battle of a warrior protagonist — Hector and Turnus. (Of course, the Odyssey likewise ends in much bloodshed, but this action is actually a small part in a larger narrative of deception, plotting and homecoming.) So a very broad comparison of the larger structures of these epics looks like this:

But there’s more. Much more. Knauf also writes (my formatting and emphasis): Continue reading “Old Testament based on Herodotus? Acts on the myth we read in Virgil?”


2012-02-10

Explaining (?) the Contradictory Genesis Accounts of the Creation of Adam and Eve

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by Neil Godfrey

The Genesis
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What does one make of the two opposing accounts of the creation of humans in Genesis 1 and Genesis 2?

In Genesis 1 God manages to fit in the making of the first man and woman — “in his own image”! — just at the close of the last day of creation. Gary Greenberg suggests that this concept of a male and female being made in the image of a single God is borrowed from Egypt’s hermaphroditic deities.

But the very next chapter (i.e. 2!) presents a quite different view of the creation of our species. Dr McGrath has posted a quite nice chart highlighting both the similarities and the contrasts of the two creations. But let me draw attention to a point that is not so immediately clear in this quite nice chart. In Genesis 1 all the animals are created before the man and the man (and woman) is created as an afterthought at the end of the day. In Genesis 2 Adam is created before all other animals.

What is going on here? I would like to go on beyond Dr McGrath’s interests in these conflicting accounts, however, and ask how we might account for them appearing as they do as the first two chapters of our Bible. (Dr McGrath in his blog post only addresses grist for his anti-creationist mill. But creationists can come and go and it is nothing notable to expose the flaws of one who has never learned to question his or her faith. I am more interested in explaining what we do have as our religious and cultural heritage.)

I’ll introduce my post by pasting here the comment I left on Dr McGrath’s blog (slightly edited).

Jan-Wim Wesselius’s “The Origin of the History of Israel: Herodotus’s Histories as Blueprint for the First Books of the Bible” discusses such adjacent accounts that give variant explanations for events from the perspective of comparison with “Histories” by Herodotus. The most obvious difference between the two works (Histories and Primary History –  i.e. Genesis to 2 Kings) is that the Greek work is structured around an intrusive narrator (who is himself a character in the work, and not the real author — I have discussed some of the scholarship about this on my own blog over the years) while the Primary History of the Hebrews is an exercise in studied anonymity. Bernard Levinson in “Deuteronomy and the Hermeneutics of Legal Innovation” offers us a plausible explanation for this contrasting anonymity.

But the point is that two contrasting accounts are often found side by side in the Primary History and that this is consistent with Hellenistic historiographical practices — with the only difference being the intrusion/absence of a narrator’s voice.

In this case, given the parallelisms, we are also faced with the strong likelihood that we are not looking at independent traditions that somehow were forced together, but at a single authorial creator behind them both. This is consistent with more recent studies (albeit admittedly minority ones at this point) that do argue that Primary History is, after all and just as Spinoza himself originally opined, the work of a single author. That it is also the product of Hellenistic times is the solutions Mr Ockham would like best, too.

Let’s look at Dr Wesselius’s treatment of the conflicting creation-of-humans accounts: Continue reading “Explaining (?) the Contradictory Genesis Accounts of the Creation of Adam and Eve”


2010-05-29

The Fall of Jericho — inspired by an old Canaanite tale?

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by Neil Godfrey

The Fall of Jericho, as in Joshua 6:8-20, illu...
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Marieke den Braber and Jan-Wim Wesselius published an article that argued the story of Joshua’s besieging of Jericho drew on literary precedents centuries old.

Gosh, maybe even the story of the fall of Jericho after 7 days of silence and loud blasts of trumpets on the 7th day was made up too.

These are notes from “The Unity of Joshua 1-8, its Relation to the Story of King Keret, and the Literary Background to the Exodus and Conquest Stories.” — Scandinavian Journal of the Old Testament, Vol. 22, No. 2, 253-274, 2008.

The original article covers a much more complex discussion than the following table suggests. I’ve just picked out these bits for general interest here. Braber and Wesselius don’t suggest that the Joshua story necessarily directly copied or transvalued the Keret story we have, but that the evidence suggests that such a story, such tropes as 7 days besieging and 7 days noise bringing about the fall of the city, was known in the literature before the biblical author penned the Jericho story.

My primary interest in stuff like this is to explore the links between biblical stories and other narratives and themes in the wider area. Anything that helps understanding possible literary backgrounds to the Bible is “A Good Thing” in my view.

The Epic of Keret is a Canaanite/Ugaritic epic poem from around 1500 to 1200 B.C.E. I admit I find it a little difficult to connect a king going crazy enough to surrender his city because of the noise of animals with walls falling flat at the noise of trumpets. So make of this what you will.

Continue reading “The Fall of Jericho — inspired by an old Canaanite tale?”


2006-12-19

Herodotus’ Histories and Israel’s History (notes from Wesselius)

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by Neil Godfrey

Continuing my notetaking here from earlier post:

(A work in progress obviously — an attempt to grasp overview of the arguments)

Chapter 1 (my observations – with my commentary – on Wesselius)

  1. The genre of historiography in its modern sense is generally held to have arisen relatively late in history. Hence Herodotus is called “The Father of History”. (Till Hellenistic era we have annals and chrono lists but not interpretative history as a literary genre.)

Sara Mandell and David Noel Freedman compare Herodotus and Primary History (Gen-2Kings) : both divided into 9 volumes; both separate the 8th and 9th books in the middle of an episode; …. and many other points of comparison (not all agree on their significance).

Was Herodotus aware of the work of Ezra?

Hey… just recalled I have Freedman and Mandell’s work somewhere…. better go back and check that one first….

More later…

Neil

(Oh groan! i have just uncovered by Mandell and Freedman, heavily marked throughout — recognizing some of “my ideas” that I have obviously taken from sections of it….. Time for a much needed catch-up revision!!!!)


Herodotus’ Histories and the Primary History of Israel

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by Neil Godfrey

Something I’ve been wanting to start for ages is a compilation of notes from Wesselius’ book as much for my own interest as others. I know it’s not the most popular hypothesis in biblical studies, but gosh it is interesting and at least thought provoking, i think. By the time I finish I may well decide it has not a leg to stand on. That’s no worries. Either way, I am sure I will have learned much more about the relevant literary and archaeological and other worlds by the time I reach that point. But an opportunity came up in iidb for me to find an excuse to make a start, and this is it– just a start only! Let’s go…. with a view to refinement, elaboration, embarrassing deletions, up ahead…..

Continue reading “Herodotus’ Histories and the Primary History of Israel”


2006-12-03

Moses’ Exodus and Xerxes’ Greek Campaign

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by Neil Godfrey

More occasional notes added here. This time a web page comparing the biblical story of the Exodus with Herodotus’s account of Xerxes‘ invasion of Greece. A table outlines dot points from the views of Dutch Head of Department of Semitic Studies in the Theological University of Kampen, Dr Jan-Wim Wesselius. Not everyone will have a chance to afford or borrow Jan-Wim Wesselius’ “The Origin of the History of Israel : Herodotus’s Histories as Blueprint for the First Books of the Bible” (Sheffield, 2002) so hopefully the link here will be of some interest to others. I make no comment myself here on the strength of Wesselius’s argument. Hopefully further discussion will come with time to do more reading on the various sides of the controversy.

Neil Godfrey


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