2011-03-07

When literary analysis trumps historical analysis

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by Neil Godfrey

The concluding paragraph of the first chapter of Mandell’s and Freedman’s The Relationship Between Herodotus’ History and Primary History is worth framing. The principle it addresses would, if applied to New Testament studies, relegate to the scrap heap a good deal of scholarship investigating oral sources behind this or that detail in the Gospels.

Since the entire work is a literary artifice, we cannot use any part of it to confirm the orality of the . . . author’s sources. Consequently, the theory that the errors in History prove that the . . . author’s sources were primarily oral is not verifiable. Other hypotheses based on statements within the narrative . . . such as the commonly accepted belief that the . . . author relied on rumor and report must also be discarded. . . . The real author is after all a literary artist, not an historian . .  . . (p. 80) Continue reading “When literary analysis trumps historical analysis”


2011-03-05

Credulity, insecurity and sophistry in the “Did Jesus Exist?” debate

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by Neil Godfrey

James McGrath links to a very straightforward article in The National Post that challenges head-on the inability of some people to even acknowledge the legitimacy of any serious case for the nonhistoricity of Jesus. It is Should Jesus Be Exempt From Historical Scrutiny?

The author, Jackson Doughart, indicates he is not a mythicist, since he writes that he believes there is not enough evidence to definitely determine if Jesus was a real person, and that the nature of the evidence that does exist at least suggests his existence is debatable.

He also points out why comparing the denial of the historicity of Jesus to denying the existence of Hannibal is “an illegitimate and absurd comparison”.

Doughart makes an interesting comparison of the evidence for Jesus with the evidence for Socrates. He notes, as I have also done, that the question of Socrates’ existence is immaterial to the bigger question of the rise of Greek philosophy, while the existence of Jesus is of paramount significance for believers.

A few excerpts Continue reading “Credulity, insecurity and sophistry in the “Did Jesus Exist?” debate”


2011-03-03

Visions that laid a foundation for Christianity?

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by Neil Godfrey

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Following the publication of Alan F. Segal’s recent book, it is clear that Jewish mysticism must occupy a more central place than has previously been the case in any construction of the matrices of Paul’s experience and thought. (Morray-Jones, C. R. A. 1993, “Paradise Revisited (2 Cor 12:1-12): The Jewish Mystical Background of Paul’s Apostolate. Part 1: The Jewish Sources”, The Harvard Theological Review, vol. 86, no. 2, p. 178.)

A number of scholars have suggested that mystical visionary experiences appear to have played a foundational role in the emergence of the Christian religion. (Recently I mentioned Larry Hurtado’s proposal that visionary experiences were at the heart of early Christians coming to exalt Jesus to a divine status.) If the visionary experiences initiated Paul’s missionary work, and we find indications that there were other early apostles basing their authority on similar visions, are we really very far from suggesting that Christianity itself originated in such experiences? Continue reading “Visions that laid a foundation for Christianity?”


2011-03-02

Jewish Mysticism and Heavenly Ascent Legends and the Context of Christian Origins

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by Neil Godfrey

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Some of the most interesting work I read to help expand my understanding of early Christianity comes not from traditional biblical scholarship but from classical literature and Jewish studies. Here are a few new questions about the religious world from which Christianity emerged I would like to investigate. They came to mind as I read an old article (1971) in the Jewish Quarterly Review by Dr Joseph P. Schultz, Angelic Opposition to the Ascension of Moses and the Revelation of the Law. I really do need to read a lot more from specialist Jewish studies that do not directly attempt to address New Testament literature. I feel such publications are giving me an unfiltered view of the broader context of religious thought contemporaneous with our earliest Christian records.

So what on earth led me to read a 1971 article in the JQR? Blame April DeConick for that. I was following up some footnoted articles, and footnoted articles in those articles, from her Voices of the Mystics (in which she discusses the relationship of the Gospel of John to mystic forms of Christianity), and one of those led me to the 1971 article. It is all interesting stuff when read alongside some of the New Testament epistles and the Ascension of Isaiah, too. But this post confines itself to general questions arising.

Ascension themes in Mesopotamian literature Continue reading “Jewish Mysticism and Heavenly Ascent Legends and the Context of Christian Origins”


2011-03-01

Marcion’s rules for “Mutilating” the Gospel of Luke

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by Neil Godfrey

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Marcion was one of the favourite heretics of the second century that “proto-orthodox” Church Fathers like Justin, Irenaeus and Tertullian loved to hate. His “heresy” posed a serious rival to other forms of Christianity, claiming followers from Syria and across Asia Minor (the main base) through to Italy and North Africa. The distinctive marks of his teachings were that he believed that the God of the Jewish Bible was not the highest or the one Good God, but was a lesser being who was responsible for the world and all its evils. He rejected Jewish Bible (Old Testament) on the grounds that it had no relevance for Christians.

One of his enduring claims to fame is that he is sometimes said to have been the first Christian to have come up with the idea of a canon of scripture. It was his canon, it is sometimes said, that was the prompt for what became the dominant catholic church to assemble its own canon that resulted in the New Testament we have today. Marcion’s “canon” consisted of the epistles of Paul. Paul, in Marcion’s view, was the only true apostle. All others were misguided and false apostles. There was one “gospel” in this canon, and it was said to be a mutilated form of the Gospel of Luke. Continue reading “Marcion’s rules for “Mutilating” the Gospel of Luke”


2011-02-26

Lighter Literary Intellections on the Gospels

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by Neil Godfrey

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Let’s keep it simple and consider the Gospel of Mark only. No heavy analysis this post; only a moment to look out the window and think over how the arguments of recent posts would affect our reading of Mark.

Firstly, we open with the prophetic announcement. What we are about to read is a fulfilment of prophecy as framed and announced in the opening of the book. The anonymous implied narrator is addressing an implied audience that reminds the real reader of the apparent audience of the prophets of Isaiah and Malachi. (Woops, that does not sound the least bit light. I will avoid repeating the “implied readers/narrators” and “real readers/authors” for the rest of this post, though I am certainly framing everything within those four points of view, and considering how it is all working out between them all.)

That is the way stories in novels and tragedies and epics are guided. Prophecies from the divinity announce what is to happen, and the audience then is held in suspense till they see how it all happens just as predicted.

These same genres use the same device to offer course corrections or details along the way in the middle of the plot. And that’s exactly what happens in Mark, too. Continue reading “Lighter Literary Intellections on the Gospels”


2011-02-25

How to Read the Gospels

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by Neil Godfrey

Sara Mandell and David Noel Freedman give us some valuable tips on how to read

  1. the pagan Greek work of “History” by Herodotus
  2. much of the biblical history of Israel (Genesis to 2 Kings)
  3. and the Gospels

in their 1993 volume The Relationship Between Herodotus’ History and Primary History (Genesis to 2 Kings).

Among several threads tying all these three pieces of literature together:

  1. all three are about human affairs being directed by divinities
  2. all three contain strong theological themes and messages
    • and this message is reinforced with somewhat nebulous endings that contain a mix of optimism and uncertainty as to the future (i.e. Herodotus, 2 Kings, Mark)
  3. all three ostensibly present themselves as “histories”
  4. all three contain a mix of mythical (including nonhuman) characters and historical persons
  5. all three relate miraculous and supernatural events as significant functions in their narratives
  6. all three contain a similar narrative structure in that there is a significant change in tone and types of events and course of action once the setting moves to a traditional homeland or theologically charged centre (e.g. the Greek mainland, the Promised Land, Jerusalem)
  7. all three are predominantly prose narratives, yet at the same time all three contain a mix of genre elements such as epic, tragedy, novella and poetry.

In my previous post (or the one before that) I cited two key points that are fundamental to understanding any literary work. I repeat them here and add one more: Continue reading “How to Read the Gospels”


2011-02-23

Is it necessary for “mythicists” to date the gospels late?

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by Neil Godfrey

No, not at all.

My own interest in dating the gospels late has nothing to do with arguing for a mythical Jesus. I am not interested in arguing for a mythical Jesus as I have said many times in the past. My interest is in explaining the literature and evidence for Christian origins using the same basic methods I learned as a student of ancient, medieval and modern history some years ago now, and as I still see in vogue in history books currently being published. They even apply the same fundamental rules of evidence and inquiry that I imagine crime detectives or court-room judges understand. Generally self-testimony means little unless you can back it up with supporting independent evidence. If the external supporting evidence all points to a late date for the gospels, then why knock it? (External evidence may not always mean an explicit identification or testimonial, and it can take a range of forms, including prevailing ideologies, debates, literary styles and language, etc.)

The results of my approaches to investigating the origins and nature of the gospels, and the evidence for dating the literature, lead me to believe that the best explanation for the narratives of the gospels is that they originated as creative theology. I don’t know when, but suspect from the time of the early second century.

But it would not make any difference if the gospels were all dated conclusively between 70 and 100, or even between 35 and 65. That would not change certain facts about the gospels themselves, such as their literary and theological borrowings from earlier Jewish (and non-Jewish) literature, and their genre when analyzed from the perspective of ideological messages and communications rather than externals such as style or topics and language used.

Such an early date would raise questions in other ways, such as how to explain their stress on persecution at such an early date. But the historicity of their narrative contents stands independent of when they are dated.

 

 


How Late Can a Gospel Be?

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by Neil Godfrey

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Would it not be wonderful if our Gospels were all signed and dated so there could be no debates about who wrote them or when?

The hermeneutic of charity would rule and only the hypersceptical and “minimalists” would entertain any doubts.

Well, there is one gospel that is signed, addressed and dated. It was written by James the step-brother of Jesus in the very year in which Herod died and Jesus was born. At the end of this gospel it is written:

And I James that wrote this history in Jerusalem, a commotion having arisen when Herod died, withdrew myself to the wilderness until the commotion in Jerusalem ceased, glorifying the Lord God, who had given me the gift and the wisdom to write this history. And grace shall be with them that fear our Lord Jesus Christ, to whom be glory to ages of ages. Amen.

What more could any student of the Bible want? Except maybe to have that sort of information tagged on to the Gospels in the Bible. This is from what is known as the Infancy Gospel of James (or the Protevangelium of James).

The problem appears to be that this identification is attached to a gospel that did not make it into the Bible. I am sure no biblical scholar and probably no serious Christian really believes what they read here. But there is more to it than simply not being in the Bible. This Gospel is about Mary and her own miraculous birth as well as her perpetual virginity. Jesus only appears at the very end as a little babe born in a cave. Probably most scholars would place this belief about Mary and her exaltation well into the second century. But Luke’s prologue itself points to much the same idea.

So why not place this Infancy gospel around the same time as Luke in the first century?

The basic ideas in what follows, and the title of this post itself, are all drawn from pages 340-1 of Dating Acts: Between the Evangelists and the Apologists by Richard I. Pervo. I have played a little with the way in which the ideas are presented but not much more. Just to be perverse, this post is not really about the Infancy Gospel of James at all despite the surface-discussion speaking of that Gospel most of the time, but about the dating of the Gospel of Luke. Continue reading “How Late Can a Gospel Be?”


2011-02-22

Historical Imitations and Reversals in Ancient Novels — and the Gospels?

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by Neil Godfrey

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If it looks like a duck, swims like a duck, but doesn’t quite quack like a duck, then maybe it is not a duck. Just because we see one or even a few features in the gospels that we recognize from historical or biographical writings, we cannot assume that the gospels are therefore history or biography. Formal features can be easily copied from one genre and applied to another.

Mere formalities of style — word-choice, content, syntax — that appear to be trademarks of one particular genre can and often are copied and re-used in other genres for special effects.

There can be no such thing as a completely new genre emerging on the scene. No-one would know how to understand any such beast. New genres emerge through borrowing one or two elements at a time from other genres and repackaging them into another genre so they convey new meanings.

To understand the gospels it is a good idea to have a reasonable grasp of the wider literary world of the gospels. How else can we evaluate a study that purports to argue that the gospels are “ancient biographies” by means of drawing attention to certain formal features in common? I suggest the reason Burridge’s Are the Gospels Really Biography has apparently won widespread acceptance among biblical scholars is that relatively few such scholars have given much time to studying ancient literature. What accord hath Christ with Belial?

This post looks at how ancient Greek novels — fictional narratives — borrowed some of the literary formalities of well-known works of history. It is worth keeping such examples in mind whenever one encounters arguments that the gospels themselves are some form of history on account of similar formal resonances with non-fiction literature of the day.

As in the preceding posts, much of the following draws upon Cueva’s The Myths of Fiction, although Cueva does not himself discuss biblical literature at all. Those comparisons here are mine alone. Continue reading “Historical Imitations and Reversals in Ancient Novels — and the Gospels?”


2011-02-21

Did Paul receive the gospel the same way the other apostles did?

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by Neil Godfrey

Not long ago I skimmed through an online discussion over whether or not Paul learned about the gospel of Jesus from other apostles like Peter and James, or whether he relied entirely on direct revelation from the spiritual Lord.

One side pointed to the letter to the Galatians where Paul said that he was not impressed with the status of “pillars” in the Jerusalem church like Peter, James and John, and insisted that all he knew about the gospel he knew because he was taught it by (the heavenly) Jesus Christ himself. So Galatians 1:11-12, 15-17

11 And I make known to you, brethren, the good news that were proclaimed by me, that it is not according to man,

12 for neither did I from man receive it, nor was I taught [it], but through a revelation of Jesus Christ, . . .

15 and when God was well pleased — having separated me from the womb of my mother, and having called [me] through His grace —

16 to reveal His Son in me, that I might proclaim him good news among the nations, immediately I conferred not with flesh and blood,

17 nor did I go up to Jerusalem unto those who were apostles before me, but I went away to Arabia

They also pointed to 1 Corinthians 11:23ff where Paul said that he learned about the Last Supper ritual from Jesus himself: Continue reading “Did Paul receive the gospel the same way the other apostles did?”


2011-02-20

Novels Like Gospels (3) : How a Hero Is Created from Myths and Meets Historical Persons

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by Neil Godfrey

The previous post covered some of the indications that the heroine of Greek novel Chaereas and Callirhoe was modelled on Ariadne of Theseus and the Minotaur fame. This post looks at the way the author Chariton has constructed his hero, Chaereas, from cuts of other mythical and legendary figures, in particular from Achilles.

Once again, of equal significance is that these fictional characters whose creation was inspired by mythical figures interact with real historical characters in the novel. This is similar to what we find in the Gospels: fictional characters and events modelled on Jewish and Greek stories interacting with historical persons such as Pilate, Caiaphas and Herod.

In the first post of this series we saw that the hero Chaereas was based on Achilles, Nireus, Hippolytus and Alcibiades. From Reardon’s translation we read in the opening paragraph of the novel:

There was a young man named Chaereas, surpassingly handsome, like Achilles and Nireus and Hippolytus and Alcibiades as sculptors portray them.

Cuevas comments:

These four men serve to illustrate the multifaceted persona of Chaereas. (p. 24 of Cueva’s Myths of Fiction)

Homer’s Iliad relates how both Achilles and Nireus fought with the Greeks in the Trojan War. Achilles was said to be the most handsome of the Greeks, while Nireus was the second-most handsome.

And Nireus brought three ships from Syme – Nireus, who was the handsomest man that came up under Ilius of all the Danaans after the son of Peleus [Achilles] – but he was a man of no substance, and had but a small following. (Iliad, 2)

So Nireus, while handsome, is flawed. He can only attract a small following. Continue reading “Novels Like Gospels (3) : How a Hero Is Created from Myths and Meets Historical Persons”


Ancient Novels Composed Like Gospels continued (2)

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by Neil Godfrey

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This continues the previous post that introduced Edmund Cueva’s study in the way our earliest surviving Greek novel was composed by combining historical persons, events and settings with fictional narrative details and characters that were inspired by popular myths.

Cueva is not comparing these novels with the gospels, but I do think it is important to compare them. There are quite a few studies that do argue that many of the details in the gospels narratives, even some of the characters, were copied from older stories found in both the Old Testament and in popular Greek literature. This would mean that the gospels are not unlike some popular Greek novels to the extent that they are stories that combine both historical and fictional characters and events in their story, with those fictional characters being conjured up by imaginative extrapolations of mythical characters.

In the previous post I focused mostly on the historical characters and events that are major players in Chariton’s novel Chaereas and Callirhoe.

In this post I outline some of the evidence that the heroine of the novel and her adventures were imaginatively inspired by popular Greek myths, especially those about Ariadne and Theseus. (I do so with apologies to Cueva, too, because what I include from his discussion is necessarily a savage simplification of his arguments for mimesis. Cueva includes in his discussion verbal echoes between Chariton’s novel and Plutarch’s Life of Theseus, and discusses more characters than just the heroine, Callirhoe.) Continue reading “Ancient Novels Composed Like Gospels continued (2)”


2011-02-19

Ancient Novels Like the Gospels: Mixing History and Myth

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by Neil Godfrey

Statue of Sleeping Ariadne in the Vatican Museums.
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The earliest ancient novel we have is a tale of two lovers, Chaereas and Callirhoe, by Chariton. A summary of its plot can be found here. It is dated to the early second century.

I have discussed or alluded to this novel in the various posts found on this page as a comparison to the Gospels, and this time I will show that its characters, plot and setting are drawn from a mix of historical and mythical sources.

Not a few scholars today who specialize in literary analysis of the Gospels have argued that this is how the Gospels were also constructed: from a mix of history and myth. Most recently along these lines I have posted a few times on Spong’s arguments that Gospel characters like Judas, even the “Twelve Disciples”, Jairus’s daughter who was raised from the dead, blind Bartimaeus, and Zechariah and Elizabeth (the parents of John the Baptist) are all cut from literary fictions. The character of Jesus himself is based on Moses in the Gospel of Matthew and on Elijah in the Gospel of Luke. At the same time, however, we have obviously real people — e.g. Herod and Pilate — appearing in the Gospel narratives.

Some criticisms of these posts have been along the lines of saying that ancient authors did not write stories with historical characters mixed up with fictional characters whose creation was inspired by mythical tales.

Well, that particular criticism is wrong. Chariton is evidence that ancient authors did indeed make up stories that included a mix of historical persons, events and settings along with character and plot details drafted from popular myths and older fictional literature.

This post draws its details from The Myths of Fiction: Studies in the Canonical Greek Novels by Edmund P. Cueva. Continue reading “Ancient Novels Like the Gospels: Mixing History and Myth”