I skip ahead to the fourth paper of the first day of the Memory and the Reception of Jesus in Early Christianity Conference (10th-11th June 2016, St Mary’s University):
“The Reception of Jesus in the Gospel of John” by Helen Bond
I will return in the next post to the third and the discussion following. Bond’s topic I find much more interesting.
We can see how the Gospels of Matthew and Luke used the Gospel of Mark: they copied much of it and only slightly revised other parts. But that was not the way authors of that time normally used other texts. Matthew and Luke are unusual. Ancient authors were taught to add material, to omit and to re-arrange their source texts, even if only to produce something distinctively fresh and new. The Gospel of John has much more in common with other literature of the day in the way it uses its source material (Mark) and it is Matthew and Luke that are the outliers.
The blame for scholars in recent decades having had a difficult time accepting the idea that John was indebted to the synoptic gospels, in particular Mark, can be laid at the feet of form criticism. Form critics approached the gospels as if they were fundamentally copy and compilation documents. Their authors were transcribing other source and artlessly sticking them together to look like some sort of narrative. This view has not always been the common one, and once again it is being challenged by scholars who specialize in narrative criticism. Form critics have believed John could not possibly have known of Mark because its story segments are so alien to anything found in Mark. Narrative critics have always seen things differently and read John as a most artful composition, with even its awkward scene changes being the consciously constructed as rhetorical devices. Not that the gospel as we have it now was written in one go since there are nonetheless indications that the author returned a number of times to revise and add to it. Recall the second ending tagged on apparently as an afterthought, for example.
So how could John be so different from Mark yet still be dependent upon Mark? Helen Bond’s answer makes a lot of sense to me. The author of the fourth gospel knew the Gospel of Mark intimately, possibly so well we can imagine he knew it by heart. He had long reflected on Mark; had assimilated it into his own thinking and thought deeply, long and often, about its many facets and themes and messages. He was thus in a position to re-write it inside out, bringing to the fore his own meditations arising from its scenes and sayings.
Thus we find . . . .
John had no need to copy Mark’s exorcism episodes, because he realized Mark’s Jesus was in fact the conqueror of the ruler of the world — all of Mark’s episodic defeats of demons were subsumed under the direct presentation of Jesus as the one who defeated all powers.
John had no need to present John the Baptist as the Elijah because he had arrived at a new eschatology rendering Mark’s obsolete.
John had no need for a transfiguration scene because his Jesus was shown to be the ruler of all throughout the gospel.
Specific stories and sayings in Mark are broadened out in John to large thematic discussions. Mark’s Jesus spoke of serving all to be the first of all; John has a whole scene demonstrating this — the foot washing. Similarly the eucharist and baptism and holy spirit narratives in Mark are replaced by lengthy discussions of the meaning of the eucharist, of baptism and of the holy spirit.
The crucifixion scene in John takes up and develops ideas that are only muted in Mark. Example, Mark has the titulus crucis declaring Jesus to be the King of the Jews while John takes this detail and makes it a controlling metaphor of Jesus’ trial before Pilate.
It is often said that John’s trial scene owes little to those found in the synoptics but Helen Bond disagrees. Rather, the argument is advanced that the “Synoptic Jewish Trial” is scattered throughout John:
- Mark’s Sanhedrin trial (prior to Jesus being sent to Pilate) is the source of John 11’s portrayal of the Sanhedrin condemning Jesus after the raising of Lazarus
- Mark’s witnesses accusing Jesus of threatening to destroy the temple is expanded in John 2 with Jesus declaring just that
- The question of Messiahship in Luke 22:67-70 is found in John 10.
- Jesus announcement that his judges would see the Son of Man in the heavenly realm is transferred in John to chapter 1.
Bond compares the viewpoint of the renowned Raymond Brown who argued that John’s trial scene was more historically accurate than those in the synoptics because the author of John had to have relied upon eyewitnesses, whereas in the synoptic versions we know that the disciples had fled the scene and could not have relayed the events that are written there. The synoptic authors instead cobbled together a more convoluted trial scene(s) by drawing upon recollections of disparate scenes throughout Jesus’ life. (Brown apparently was so steeped in form-critical assumptions and unable to seriously consider John as a creative author rewriting Markan themes that he argued that he only knew of the cleansing of the Temple story from an isolated account on a single leaf or sheet and not as part of a narrative — hence his placing it at the beginning of the gospel and not at the end as in Mark.)
Helen Bond believes that John could only have used and played with Mark these ways if he knew Mark intimately and had pondered it deeply.