Tag Archives: Sanders: From Adapa to Enoch

From Babylonia to Moses and Enoch to Paul: Questions

I conclude the series on From Adapa to Enoch with this post.

Ancient scribes were taught to see the world through the eyes of mythical heroes like Adapa and Enoch. They were taught to write in the voices of the likes of Adapa and Enoch. Through ritual mortals could even become the presence of those mythical figures. Even the early Christian writings declare the ability of human worshipers to bear the shining glory of God and sit with him in heavenly places. “Shining glory”, in that Mesopotamian-Persian-Hellenistic thought world was a corporeal entity that could be taken off and put on like clothing. We need to set aside our idea of dualism that posits an unbridgeable divide between the natural and supernatural realms. Dualism in the time we are discussing happened entirely within the realm of the single cosmos: the physical bore signs of the spiritual; a mortal could ascend into heaven and share in the divine glory and yet remain mortal. The entire universe was a system of signs. To be able to read the stars was to learn the language of the gods and to understand the secrets of the universe. A word had power to change the events in the physical world. The world was even created by words in the Judean myth.

Categories that are problematic for us to understand, like how a scribe could experience supernatural revelation or think that his words were of similar essence to preexisting revealed text, assume a radical distinction between the natural and the supernatural. But our Judean scribes, like Babylonian scribes, had no separate category for the merely material world as opposed to their culturally determined speech or God’s purely supernatural miracles. They had a semiotic ontology in which the universe was shaped by God in language-like ways. The … “reckoning, calculation” of speech can be implanted in the mind of the speaker of the [Thanksgiving Hymns], or God can cause him to perceive the [measurements] that govern the movement of sun and year. God organized essential pieces of human language in precisely the same way as he organized other mysteries and calculations of the universe.

(Sanders, 235. Highlighting and [] substitutions of technical expressions mine.)

If this kind of knowledge had its origins in Mesopotamia, according to the thesis argued by Seth Sanders in From Adapa to Enoch, it found its way throughout the Near East, including Judea, in the “Parchment Period”, when new writing media (script, language, container) superseded clay and cuneiform. (We are talking fifth century B.C.E.)

Judean scribes made consistent changes to the Babylonian forms of knowledge that came their way:

[I]n its adaption of Babylonian knowledge, Judea shows a pattern of narrativization. All known cases of Babylonian into Jewish literature involve a genre change into narratives of the ancient past. Whether ritual (the treaty-oaths of Esarhaddon), legal collection (the laws of Hammurapi), or astronomical and mathematical tables (Mul.Apin, Enüma Arm Enlil 14, the standard cuneiform fraction sequences), all were transformed into stories about ancestors, from Moses to Enoch to Levi. This reflects a dominant and widely recognized Judean literary value by which scribes conducted other major acts of text-building such as the Pentateuch (cf. Baden 2012, Sanders 2015, Schmid 2010).

(Sanders, 232 f. My highlighting)

To sidetrack for a moment into the Sanders 2015 citation above, Sanders sees the sources of the biblical narratives as being very the classical Mesopotamian literature. For example, the Genesis story of the Noah Flood appears to be based at least in part on a source like the Epic of Gilgamesh. Where the Genesis narrative differs from any Mesopotomanian narrative model is in its doublets (everything is narrated twice) and even in the fact that many of those doublets are inconsistent or contradictory. The possibility of a Greek influence never arises. A question in my mind relates to Greek historical narratives that do contain doublets with contradictions and other inconsistencies (see, e.g. Explaining (?) the Contradictory Genesis Accounts of the Creation of Adam and Eve). Other Greek literature even sets out a narrative structure that seems to foreshadow what we read in the larger story of the Flood and return to civilization through “Babel” (see, e.g. Plato and the Bible on the Origins of Civilization). Of course the narrator keeps himself in the background in the Primary History (Genesis to 2 Kings) so there is no personal intrusion to alert readers before introducing a second (and contradictory) version of events as we find in Herodotus. Questions remain.

Question 1: How does the above Mesopotamian/Near Eastern view of the conceptual unity of the material-cultural-supernatural worlds compare with Classical Greek and Hellenistic concepts? (Do we encounter evolution of ideas?)

Question 2: If the answer to Q1 points to differences then do we see these differences surface in the canonical and extra-canonical literature up through the Hellenistic and early Roman eras?

Question 3: Can we look more closely at the claimed extension of the above ideas to their early Christian analogs (e.g. Christians now sitting on thrones in heaven and reflecting more and more of the glory of God)?

 

Becoming Like God: A History

The title is “a” history because it is an interpretation built on detailed argument that is presented for consideration by Seth Sanders in From Adapa to Enoch, a book sent to me for blog discussion by the publisher Mohr Siebeck.

I’m drawing to a close my reading this book and now come to chapter 6 with “Who is Like Me Among the Angels?” as the first part of its heading. A primary concern of the chapter is that we set aside Western ideas of dualism and explore a quite different thought-world behind ancient texts, including those we know “too well” in both the Old and New Testaments.

The chapter title is taken from the Self-Glorification Hymn from Qumran and later in the post I will outline the arguments for interpreting that hymn as intended for recitation by mere mortals like us, though ones instructed thoroughly in divine wisdom.

Baal

But first, the history. We begin with the Ugaritic (Canaanite) myth of Baal dating centuries before Judean times. An opportune moment came for would-be usurpers when Baal left his throne to journey to the underworld. The first contender failed because he was too weak: he could not run as fast as Baal or wield Baal’s lance. The second contender did not “measure up” to Baal, literally: sitting on Baal’s throne his feet did not reach the footstool and his head did not reach the top of the throne. (Measurement was an important signifier: note the details of measurements set out in Ezekiel, Enoch, Revelation.) This is a myth narrated in the third person: Baal did this, Athtar did that, etc.

Thereupon Athtar the Terrible
ascends the heights of Zaphon,
sits on Mighty Baal’s seat.
(But) his feet do not reach the footstool,
his head does not reach the top (of the seat).
(To this) Athtar the Terrible responds:
“I will not reign on the heights of Zaphon!”
Athtar the Terrible descends,
he descends from the seat of Mighty Baal,
and reigns over the earth, god of it all.

(Adapted from Sanders, p. 215)

The Light-Bringer (Isaiah)

Next, compare Isaiah’s myth of Lucifer, a myth generally thought to have derived from the sort of myth we read of in the Baal epics.

How you have fallen from heaven,
morning star, son of the dawn!
You have been cast down to the earth,
you who once laid low the nations!
Y
ou said in your heart,

I will ascend to the heavens;
I will raise my throne
above the stars of God;
I will sit enthroned on the mount of assembly,
on the utmost heights of Mount Zaphon
I
will ascend above the tops of the clouds;

I will make myself like the Most High.”

(Isaiah 14:12-14)

The idea of becoming like the supreme god means ascending to the throne of god but results in being brought down to earth. (Here we have a myth narrated in the second person, addressing “you”.) In Isaiah the myth appears to express a wish for God to punish the arrogance of the power (presumably Babylon, some would argue Assyria) that would exalt itself in such a way.

The Light-Bringer (Ezekiel – a myth of wisdom)

Ezekiel sees an interesting development of this myth:

“‘Therefore this is what the Sovereign Lord says:

“‘Because you think you are wise, as wise as a god,
I am going to bring foreigners against you, the most ruthless of nations;
they will draw their swords against your beauty and wisdom
and pierce your shining splendor.
They will bring you down to the pit,
and you will die a violent death in the heart of the seas.
Will you then say, “I am a god,” in the presence of those who kill you?
You will be but a mortal, not a god, in the hands of those who slay you.

(Ezekiel 28:6-9)

Here again the “light-bringer”, Lucifer, exalts himself to the status of God and is once again mercilessly punished for his arrogance. But the significant development here is that it is not size or power that the light-bringer boasts is what makes him as god, but his wisdom, his learning.

Moses

Let’s backtrack now to Moses who in the story in Exodus did indeed become “like God” after time spent in the presence of God:

When Moses came down from Mount Sinai with the two tablets of the covenant law in his hands, he was not aware that the skin of his face was radiant (qaran) because he had spoken with the Lord.

(Exodus 34:29)

The word for radiant can also be understood as “horns” so it is interesting to note a Babylonian astronomy text with the same ambiguity:

If the sun’s hom (si) fades and the moon is dark, there will be deaths, (explanation:) in the evening watch, the moon is having an eclipse (and in this context,) si means “hom,” si means “shine.”

As was discussed in the earliest posts of this series such a shining or glory is something that can be added to, placed upon, taken or stolen from, a person like a garment, clothing, a crown, a sword. It was bestowed upon a Mesopotamian king when he ascended the throne.

* The Akkadian word is qarnu, cognate with the Hebrew qrn root we read in Exodus 34.

It explains that what he sees is an eclipse and that when he reads the Sumerian word si in the base text, “si means ‘horn,’* and si also means ‘shining.’” After reading the commentary, the person who sees the thin shining rim of the sun should interpret both visual and written signs as simultaneously horn and light. A second commentary adds that the lemma means “‘to daze,’ si means ‘to mask,’ si means ‘shining,’ si means ‘radiance,’ si means Tight.’”

And Mummu, the counsellor, was breathless with agitation.
He split (Apsû’s) sinews, ripped off his crown,
Carried away his aura and put it on himself.From Enuma Elish I:66-68

Here the range of associations with “horn” is extended to the affective – the word translated “be dazed” can also mean “be numb with terror” – and the physical: light can mask, cover over, and block things like a fog. The phenomenon unifies astronomy, myth, and politics. This spectrum of associations is embodied in the Mesopotamian mythological object called the melammu, a blinding mask of light. The melammu is the property of gods, monsters, and the sun, and one is conferred by the gods on the king at his coronation. This mask of light is thus cosmic, physical, and political at once, a somatic mark of divine rulership, and it is external to the body, even alienable, as the theft of Mummu’s melammu in Enūma Elish (I 68) shows. A melammu can be stolen, but it can also be newly conferred on someone.

This mythic pattern provides the most straightforward model for understanding what happened to Moses’ face: it is not the face itself but its surface, the skin, that radiated. Moses’ physical proximity to the source of revelation added a new layer to his appearance, a physical mark of inhumanity. The Israelites feared contact with him because of his divine persona.

(Sanders, 209-210)

Moses was deemed unique for acquiring some of the glory, the radiance, of God as a consequence of being in his presence for a prolonged period.

  • “You have made my face to shine” (1 QHa 11:4).
  • “You have made my face to shine by Your covenant” (1QHa 12:6).
  • “by me You have illumined the face of the Many ( רבים ) and have strengthened them uncountable times, for You have given me understanding of the mysteries” (1QHa 12:28).
  • “You have exalted my horn ( קרני ) on high. I shine forth in sevenfold light ( אור ), in l[ight which] You have [established for Your glory ( בבודכה ).” (1QHa 15 26-27)
  • “by your glory ( כבוז־כה ), my light (אורי) shone forth.” (1QHa 17:26)

But the concept was established. We find a strong interest in the light-transformation of those learned in God’s wisdom in the Qumran (Dead Sea Scrolls) literature. Could not others come to reflect the light that had shone from Moses? Certainly, Moses’ light was pale compared to God’s, and the scribe’s light would be less still, presumably, but still possible.

In Mesopotamian versions of this mythic pattern, the divinized being is not unique; he is merely the incumbent of a role.

Qumran liturgy manifests a fascination with adopting this illuminated role. Here sectarians who recited the standard set of Hodayot [Thanksgiving] prayers meditated regularly on the possibility of acquiring a shining face, and even of God raising the hom/radiance of the speaker. . . . .

If the language allows the speaker to invoke the transformed state of Moses, it also evokes more broadly a state of enlightenment characteristic of the ideal sage.

(Sanders, 210)

Daniel Transforms Isaiah’s Servant into a Role for All Enlightened Ones

read more »

Questions re the Mesopotamian Influence in the Hebrew Bible

Let’s look a little more closely at the parallels between the Judean literature (canonical and pseudepigraphical) and that of Mesopotamia to see what might have been going between them. It’s one thing to say that we can see signs of Mesopotamian written records in Judean writings but a critical question to ask is by what means, how, the one came in contact with and influenced the other. That is the particular question Seth Sanders explores in chapter 5 of From Adapa to Enoch. I will highlight a few of the points he raises.

Esarhaddon Inspires Yahweh

Here is an adaptation of the chart from pages 171-172:

Vassal Treaty of Esarhaddon

Deuteronomy 13

You shall not hear or conceal any, … word which is not seemly nor good to Ashurbanipal, the great crown prince designate, son of Esarhaddon, king of Assyria, your lord, either from the mouth of his enemy or from the mouth of his ally, or from the mouth of his brothers, his uncles, his cousins, his family, members of his father’s line,  
Prophets or diviners

(2) If there should arise in your midst a prophet or oneiromancer who provides a sign or portent, (3) and should the sign or portent – concerning which he had spoken to you, saying, “Let us go after other gods (whom you have not known) so that we may worship them” – come true: (4) Do not heed the oracles of that prophet or that oneiromancer … (6) And that prophet or that oneiromancer shall be put to death, for he fomented conspiracy against Yahweh …

Family members

or from the mouth of your brothers, your sons, your daughters,
Family members

(7) If your brother, the son of your mother, or your son, or your daughter, or the wife of your bosom, or your friend who is as your own self,
Prophets or diviners

or from the mouth of a prophet, an ecstatic, a diviner, or from the mouth of any human being who exists; you shall come and report (it) to Ashurbanipal, the great crown prince designate, son of Esarhaddon, king of Assyria … VTE § 10

Incitement to rebellion punished by instant death

If anyone speaks rebellion and insurrection to you, to kill … Ashurbanipal the [great prince] designate, son of Esarhaddon, …
If you are able to seize them and kill them, then you shall seize them and kill them! VTE § 12

Incitement to apostasy punished by instant death

entices you secretly, saying, “Let us go and worship other gods” – whom neither you nor your fathers have known … –
(9) Do not assent to him or give heed to him! Let your eye not pity him nor shall you show compassion nor condone him
(10) – but you shall surely kill him! (Deut 13:2-10)

Did the author of the Deuteronomy passage have a copy of the vassal treaty before him? It is unlikely. It does not appear so. Deuteronomy is evidently not a translation at any rate.

Were these simply ancient Near Eastern clichés? Furthermore, while the Hebrew-Assyrian parallels have long been assumed to derive from historical contact, questions remain about the social and physical locations of contact, especially if the thesis of literary translation is unsustainable. A convincing account requires a plausible, well-documented mode of transmission.

Examining whole parallel passages side by side in light of known patterns of textual transmission in the ancient Near East suggests that rather than cuneiform and papyrus, the relationship between the two texts can most plausibly be explained by memory transmission, based on the oral performance of the curses in a ceremony of the sort required in VTE. (p. 173)

From pages 174-175: read more »

More Thoughts on Origins of Biblical and Pseudepigraphical Literature

We have two models for the origin of the biblical and its ancillary literature.

According to Seth Sanders in From Adapa to Enoch we have a progression from the late Iron Age to the Seleucid era.

  • The early period (during the time of the kingdom of Judah before its exile) we have “public genres of power” that appear to draw upon the primarily cuneiform law codes and vassal treaties of Mesopotamia. In “Judea” these genres acquired a narrative framework.
  • Later, in the postexilic period, we find instead secret genres of knowledge that drew upon the scribal traditions of omens, astronomy, etc. The primary facilitator for this development was the spread of the Aramaic script as a common scholarly language.

 

Russell Gmirkin’s view is that the above texts of Deuteronomy and Exodus are rather products of the Hellenistic era. The elements of the political and legal documents of Mesopotamia are relatively few and subsumed within the sort of literature that Plato was promoting in Laws. The narrative framing of such laws was also enjoined by Plato.

Gmirkin’s Plato and the Creation of the Hebrew Bible does not cover the noncanonical literature so the following diagram is my own, not Gmirkin’s. Throw the stones at me for what follows. I have, however, drawn upon other scholars who also set out reasons for their suspicions that the canonical texts were the product of the Persian and/or Hellenistic eras. (Philip Davies whom I mentioned in the previous post looks largely at the Persian era.)

I imagine that with this latter scenario there are different schools, some of them possibly opposed to each other. The diagram below makes it appear that they are contemporaneous but I do not think that should not be seen as strictly the case.

The diagram also only mentions the same texts as above (law codes and public curses) but that is only for comparison purposes. In fact just about everything from Genesis to Daniel is included here. (Philippe Wajdenbaum in Argonauts of the Desert extends the Greek influence from the legal codes to details of the narrative framework of those laws.) The pseudepigraphical texts are another story.

 

I am only running through a mind-game here. If there were in fact opposing scribal schools, and if the Greek literature was an influential factor in the formation of what became the canonical texts, do we find a glimpse of the origin of that division in the following passage of Plato’s Laws, Book 7. We know the Pentateuch condemned the study of the stars, but why?

ATHENIAN: Next let us see whether we are or are not willing that the study of astronomy shall be proposed for our youth.

CLEINIAS: Proceed.

read more »

Who Influenced Biblical and Second Temple Jewish Literature?

I have been posting on points of interest in Seth Sanders’ From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylon and have reached a point where I cannot help but bring in certain contrary and additional perspectives from another work I posted on earlier, Russell Gmirkin’s Plato and the Creation of the Hebrew Bible.

In chapter 5 Sanders sets out the view that Judean scribes in the Late Iron Age (the era of the Assyrian and Chaldean empires) took from the Mesopotamian scribal heritage “public genres of power”. Specifically:

  1. The author(s) of Deuteronomy 13 and 28 imitated the appearance of Assyrian Treaty-Oaths such as the Vassal Treaty of Esarhaddon;
  2. The author(s) of Exodus 21-24 took the Laws of Hammurabi as their model.

In the Second Temple era the interest of Judean scribes turned to genres of secret, esoteric knowledge. Specifically:

  1. The Enoch Book of Astronomy and Qumran literature on the calendar and the “watches” embraced Babylonian astronomical knowledge;
  2. The Qumran Testament of Levi incorporated Babylonian metrology (sequences of fractions and proportions in the sexagesimal system), and apparently metrology was also a part of other texts, Visions of Aram, Testament of Qahat, pseudo-Daniel although these are primarily examples of the importance of secrecy and guarding the knowledge through proper lineages.

Seth Sanders is interested in explaining the transition from the Late Iron Age Judean scribal culture to that of the Second Temple period, from genres of public power to genres of secrecy and esoteric wisdom.

As we saw in the previous post one of the most significant innovations the Judean scribes brought to the Mesopotamian material was the addition of a narrative context for the revealed laws, rituals and knowledge of the cosmos.

One question that arises and that I have not found explored in Sanders’ book is why the Judean scribes applied a significant narrative frame to their Babylonian sources. (As far as I have been able to determine Sanders addresses the function of the narrative framing but not the source-inspiration or model for the narrative framing concept.)

For example, the Laws of Hammurabi are bluntly introduced as being given by the sun god to the king. Contrast the laws of Exodus 21-24. Yes, they are delivered by the chief god but what a build-up: the Red Sea crossing, the Mount Sinai quaking, the tension between rebellious and obedient chosen people, the struggles of Moses to lead them, and so on!

But there are a few other details worth keeping in mind, too.

One: the amount of material supposedly borrowed from the vassal treaties is in fact arguably quite limited. Certainly there are clear similarities between the curses in both Deuteronomy and the treaties. But not much else that points to clear indications of direct borrowing. (Sanders also addresses the vagueness of some of the associations but I’ll discuss his answer in more detail in a future post.) Ditto for the borrowing from Mesopotamian Law Codes. Yes, there are clear links to the law of the goring ox in Exodus. But again, we soon run dry of comparable examples.

What of the prophetic literature of the Second Temple era? Mesopotamian prophecies, like the book of Daniel, “foretold” the historical events of successive kings rising up and doing good or bad things, but again there are notable differences, especially once again with the colourful narrative context of the Judean work. Sanders refers to the explanation of Matthew Neujahr in Predicting the Past in the Ancient Near East to point to similar historical circumstances in very different time periods leading to a blending of mantic/omen literature with chronicles or “historical” records.

I think an excellent explanation for the application of narrative framing of laws and other revealed knowledge is offered by Russell Gmirkin in Plato and the Creation of the Hebrew Bible. The same thesis further explains why so little detail from Hammurabi’s code or the vassal treaties are actually found in the Pentateuch, and further yet, points out many similarities in Exodus and Deuteronomy to Plato’s discussion in Laws. Of particular importance, Plato wrote, was that law codes be presented with divine and antique authority and not as precepts newly hatched by a recent fallible generation. Myths or stories of origins were important for their presentation.

If we accept Gmirkin’s view then what we find is not a progression from “public genres of power” in the Late Iron Age to “secret and esoteric wisdom” in the Second Temple period, but rather we have different scribal schools — compare Philip R. Davies’  thesis in Scribes and Schools. To what extent these schools were contemporary I would not like to speculate, though it seems we would have to confine ourselves to the Hellenistic period unless there was more cultural overlap between Greeks and Persian dominated lands prior to Alexander’s conquests than I am aware of. At this point we are on the edge of too many questions and pathways to explore to be covered in a few short posts.

But with this interlude now done I feel I can resume posts on Sanders’ book.

-o-

See also

  1. How Does One Date the Old Testament Writings?
  2. Gmirkin: Plato and Creation of Hebrew Bible
  3. Sanders: From Adapa to Enoch

“Revealed Science” : Emergence of Jewish Science and Apocalyptic Genres

Continuing to share my reading of Seth Sanders’ From Adapa to Enoch, Scribal Culture and Religious Vision in Judea and Babylon. All posts are archived here.
“Science” will be used here as a system of exact knowledge of the physical world.
Sanders, From Adapa to Enoch

Recall from the previous post (How Science Began) that we are talking about a world that conceptualized no clear distinction between the natural and the supernatural, or between nature and culture.

Seth Sanders identifies three core areas of exact description of the physical world documented by the Priestly scholars as the earliest form of Judean “scientific knowledge” known to us:

  • Time and the Universe (Genesis 1:1 to 2:4a)
  • The Temple (Exodus 25-31)
  • The Human Body (Leviticus 12-15)

The Origins of the Universe

Genesis opens with a taxonomy of each major entity in the world and concludes with God’s word creating the sabbath day as part of the cosmos. Later in ritual texts we find that this creation has included the categories of clean and unclean animals (Leviticus 11, Deuteronomy 14), their different physical attributes being recognized since antediluvian times. (Notice that the sabbath and forbidden foods are not deemed to originate in culture but as an integral part or category of the created world itself. Creation was activated by God’s word.

The Temple

Here we are in the realm of ritual requirements. We therefore find a quite different account of the temple and its system. Here we read not the words of an anonymous narrator but the words of God himself. God is quoted as setting out the details of the materials, measurements, layout and rituals of the tabernacle. Moses is a passive visionary because God points out that He, God, caused Moses to see it all. God has to show or reveal the heavenly model that the earthly structure and rituals are to copy. But it needs to be set out in the words of God for the reader who is not privileged to see the heavenly structure.

The Human Body

Similarly we are in the realm of ritual. The rules for bodily discharges and blemishes are likewise made known by divine commands, revelation.

Astronomical data and new information about the body introduced into Judea (using Judea throughout though in pre-Roman times Jehud may be more strictly correct) survive in such intertestamental literature as the Astronomical Book of Enoch and certain of the Dead Sea Scrolls.

It is interesting to see how this new scientific information made its entrance into the Judean world, building on the genres of existing “scientific” knowledge that we have seen in the three priestly statements above. We start with the introduction of astronomical knowledge that originated in Babylonia.

Revelation and Science are the One Genre

The Astronomical Book of Enoch begins:

The book of the courses of the luminaries of the heaven, the relations of each, according to their classes, their dominion and their seasons, according to their names and places of origin, and according to their months, which Uriel, the holy angel, who was with me, who is their guide, showed me; and he showed me all their laws exactly as they are . . . .

read more »

How Science Began

I initially titled this post “Revealed Science”. In our world “revealed science” is an oxymoron. Science is a matter of active investigation, not passively receiving a revelation.

The Book of Enoch is an apocalypse (the word means “a revelation”) which contains a section describing the hero being taken up into the heavens by an angel to be shown the secrets of the universe. Bizarre as it first sounds, it is arguable that here we have a fascinating development in the history of science. But before we explain, let’s address what we mean by science. This post continues discussing From Adapa to Enoch by Seth Sanders, and on pages 136-37 he writes:

The new types of knowledge that emerged in Hellenistic Jewish culture . . . included

astronomical calculations of the movements of the heavenly bodies and length of the days,

sexagesimal (base-60) mathematics,

and physiognomic interpretation of the body.

https://www.slideserve.com/cassandra/religious-life-at-qumran

On the one hand, all of these modes of knowledge have at some point in modern European history been understood as natural science: astronomy and mathematics are of course still understood this way. But as late as the mid-nineteenth-century a form of physiognomy known as “phrenology” was still taken seriously by scholars across Europe. It seems intuitively correct to us to define mathematics and astronomy as exact science, but is it science to observe someone’s hair to predict their character and destiny, as the Qumran physiognomic text 4Q186 does? What is surprising is how clear the verdict of the history and philosophy of science is on this point: there is no objective, ahistorical way to define something as science or not.

The problem is not that no useful criteria for science are possible, but that historically, there have been so many of them. These criteria concern something immensely important to the people who proposed them — the nature of reliable knowledge of the world. . . . Rather than trying to place our texts into an anachronistic modem category, we must first find out how biblical and early Jewish writers themselves depicted systematic knowledge of this world. “Science,” then, will be used here as a system of exact knowledge of the physical world. This will let us investigate what counted as reliable knowledge of the physical world for the ancient Jewish writers of Enoch.

In Genesis it is written that God made the continents and the oceans, plant and animal life, and the sabbath day. He made them all the exact same way: by the power of his speech.

For the Jewish people immersed in such literature the weekly sabbath day was therefore as much a fact of the created universe as the sun and moon above and the grass and soil below. There was no fundamental distinction between the world of nature and the world of ritual. Similarly, there were two types of animals, clean and unclean, from creation, as was clear from the story of Noah. The distinction was not cultural; animals were created according to two kinds by “nature”; they were as innately, by creation, clean and unclean as plants were either healthy or poisonous, edible or inedible.

What caused it all to come into existence was the voice of God.

In such a world there could be no distinction between the natural and the supernatural.

The Rochberg reference is online but the Lloyd one is not; however, an earlier article by Lloyd on the same topic is available at http://www.jstor.org/stable/41649942

As in Mesopotamia, [in China] cosmos and state were intimately, even indissolubly, linked. Indeed in China, as Sivin has shown, state, cosmos and body all exhibit the same interacting processes. What we might take to be microcosm-macrocosm analogies were no mere analogies: heaven and earth, the state and the human body all exhibit the same reciprocal processes and form part of a single whole, where the ruler has a crucial role as responsible for mediating between heaven and earth and ensuring the harmony between them.

(Lloyd, 2008, p.84)

And if it is divine command that set an undivided ritual-material world in order, then “supernatural” may not be a coherent category for describing God in Priestly literature either. The notion of the physical world implied here is orderly yet without a discrete realm of nature separate from either culture or from the supernatural. This concept has been shown to exist in several ancient scientific cultures, from Mesopotamia (Rochberg 2014) to China (Lloyd 2012).

 When I originally titled this post “Revealed Science” I also subtitled it “When Enoch Introduced Babylonian Astronomy to Moses)”. That post will be next.

How to Become a Divine Messenger — continuing Sanders’ From Adapa to Enoch

Continuing to share my reading of Seth Sanders’ From Adapa to Enoch, Scribal Culture and Religious Vision in Judea and Babylon, last discussed at Scholars, Divinities and How the Cosmos was Understood “Scientifically” B.C.E.

–o–

Masks are powerful things. They can change your personality. Well, the word persona originally meant mask, a mask worn by an actor. I once attached a cut-out of a face of a leading political figure to a stick and held the face up in front of my own and walked through busy streets doing whatever as part of a political protest. Without the mask there is no way I could have acted the way I did. Acted. Actor. Mask. But we know it’s all pretence.When ancient Mesopotamian exorcists wore masks there was less sense of pretence. The mask brought one into the presence of gods.

We have seen the texts in which the exorcist claims, I am Adapa! Seth Sanders asks the obvious question:

But how seriously may we take these claims?

He gives a hint to the answer in his next sentence:

In fact there are deeply rooted semantic connections in Sumerian between essences, emblems, and masks.

me

The Essence of Things: me

Sanders reminds his readers of what “is well known”. Caution: he means “well known” to scholarly readers. This is not a book for the everyday lay reader. There is no clear introductory definition of apkallu, a key term throughout, and an outsider like myself only picks up his meaning from context and double checking via Google. Even abbreviations are not explained, it being evidently assumed readers will not need to be told that CAD refers to the Assyrian Dictionary of the Oriental Institute of the University of Chicago. To grasp the full flow of his argument I sometimes find myself having to renavigate earlier parts of a chapter from points that are explicitly identified as salient in its conclusion. But that’s one of the reasons I wanted to do this blog: to take such “hidden learning” from the ethereal halls of academia and give plebs like me an opportunity to know what “they are saying up there.”

As is well known, the Sumerian me represent the divine powers essential to the constitution and functioning of a host of institutions belonging to the spheres of culture and religious life. But in fact every element of the universe was understood as having its own distinctive me – its essence. As Cavigneaux as well as Oppenheim himself showed, the term reaches back into the earliest written texts. Already in the earliest connected Sumerian texts of the mid-third millennium we find the me nam-nun-kam, literally, “me of princeliness” and me nu-hal-hal and [me] nu-ha-lamme of that which cannot be destroyed.” Woods argues [unpublished paper] that the word is likely derived from the Sumerian verb “to be,” with which it shares the same phonological shape, leading to a relationship “that which is” > “essence.” (Sanders, 80)

So far so good. Essences are abstract. But there’s more. They are also very concrete.

The me, the essences, can be picked up, held up, stolen from someone and given to another, ridden, knocked over, hidden, “or stuck in a corner”. There is evidence that the term was also once synonymous with the idea of self or one’s person — and hence possessed by all entities.

Just an aside here. One thing that comes to mind is how the biblical god is able to have “his glory” occupy the temple or go before Israel as if, though it is obviously a part of the very self and being of the god, it can also somehow be separated and occupy its own space. Ditto for his “name”. This does not seem to be quite the same concept being discussed here but it certainly appears to be related in some way.

The term me is part of another word, melammu, a “burning or radiant me” = “radiance, supernatural awe-inspiring sheen (inherent in things divine and royal).” But it can be removed from those who possess it, too, and the language used is that of removing a cloak or a crown in which the awe-inspiring sheen and terror is housed. Concepts of self could be attached to objects such as a crown or a mask.

What is most distinctively Mesopotamian about this concept of the self, then, is that it is an alienable essence. Inextricably bound with identity, it is nonetheless material and mobile – it can be taken. The me-lam, burning or radiant me, . . . a numinous radiance or blinding mask of light, is similarly both a mark of inherent divinity or magnificence and an alienable object that can be snatched away or handed off (Oppenheim 1943, Cassin 1968).

The universe itself, or rather, “the me [translated in this context as “plans”] of heaven and earth”, is kept in order by the powers of the seven divine fish-like sages or apkallu. (Mere human descended apkallu do not have such powers but only “great understanding”.) (pp. 53-55) As per a protective ritual:

1-2 Incantation: Uanna, who completes the plan of heaven and earth,
3^1 Uanneduga, endowed with broad mind,
5 Enmeduga, ordained with a happy fate,
6 Enmegalamma, formed in a house,
7 Enmebulugga, who grew in a field,
8 Anenlilda, incantation-priest of Eridu,
9 Utuabzu, who ascended to heaven:
10-11 They are the seven brilliant Purâdu-fish, Puradu-i’ish of the sea;
12-13 Seven apkallü formed in the river, who keep the plans [= me] of heaven and earth in order.
14-15 Nungalpiriggal, apkallu of Enmerkar, who brought Ishtar down from heaven into the Eanna.
16-17 Piriggalnungal, formed in Kish, who angered Adad in heaven so that
18-19 he did not let there be rain or vegetation in the land for three years.
20-23 Piriggalabzu, formed in Adab, who hung his seal on a Seal-fish and thus angered Enki in the Abzu so that a fuller struck him with his own seal.
24-27 Fourth, Lu-Nanna, two-thirds apkallu, who drove a dragon out of the Eninkiag-nunna, the Istar temple of Shulgi.
28-29 Four apkallu of human descent, who Lord Enki endowed with broad understanding.
30 Ritual action: Before the seven Purâdu-apkallu who are striped with plaster and black paste,
31 which are drawn on the wall of the side of the sanctuary, you recite (the above).

But to return to the exorcist who wears a mask, another persona, that of a divine being . . . . read more »

Scholars, Divinities and How the Cosmos was Understood “Scientifically” B.C.E.

Continuing to share my reading of Seth Sanders’ From Adapa to Enoch, Scribal Culture and Religious Vision in Judea and Babylon, last discussed at Ascent of the Sage: “From Adapa to Enoch”, part 2 . . . .

We come now to chapter 2, “I Am Adapa!” The Divine Personae of Mesopotamian Scribes.

If we want to understand how ancient scholars related to their universe, their revealed texts and revealers, the best collections of sources we have, spanning two to three thousand years up to the first century CE, are the cuneiform records of Mesopotamia. In the next chapter Sanders begins to compare Judean texts.

In this chapter (2) Sanders examines the nature of the cosmos among these ancient scribes and how they went about understanding, studying and acting on it.

In addition to the texts, there is the visual imagery of divine beings, divine sages or apkallu, to help us with our inquiry.

We have images of a patient (sick, hence possessed or inflicted by a demon) surrounded by superhuman fish-apkallu standing where exorcists would be positioned.

We have royal inscriptions of the enthroned king framed by bird-apkallu maintaining cosmic order from the seat of royal power.

Scholarly participation in supernatural presence was not confined to exorcism: the economists and political scientists of their day, diviners summoned the gods to meet together in divine assembly so that the diviner could be present to hear and transmit their verdict for the country’s future. (Sanders, 72)

“Medical practice” and “political advisors” were thus the more practical pursuits of scholars. But what are the boundaries between science and what we would relegate to mumbo-jumbo in their world? And did the scholars or scribes really become, in their own minds, supernatural sages (apkallu)? Did they really believe they could journey to heaven and meet with the gods?

At this point we find an interesting connection with another book I have been posting about. It is interesting to compare the concepts of early Judean scribes to their Hebrew text — see the two posts on Nanine Charbonnel’s chapter 2, The Sacred and Creative Power of the Hebrew Text and A God Bound to the Mechanics of Language. Seth Sanders writes,

If cuneiform was the secret of Mesopotamian scribes, the ultimate decipherer of this secret was the semi-human sage Adapa, at once the symbol and the patron saint of the scribe. Probably the single most popular mythic hero in Mesopotamian literature, Adapa beat out even Gilgamesh. As Michalowski notes, “no other hero of a canonical text is so often encountered in other compositions.” This is not surprising, since he would have been so sympathetic to the scribes who produced those compositions. He is supposed to have authored omen collections, fathomed the deepest secrets of words and magic, and broken the wings of the South Wind by the sheer power of his speech. He was of paramount importance to the people who created cuneiform culture.

Adapa is crucial as a phenomenological starting point in our comparison of scribal heroes. As the best-documented ancient Near Eastern figure who ascends to heaven, negotiates with gods, transmits revelation, and fights demons to heal the sick he is simultaneously the closest thing Mesopotamia has to Moses, Enoch and the shaman of North Asian societies. Seen horizontally, from a view of cultures side by side, he represents a broad comparative type: the mediator, who moves between the worlds of gods and humans. (Sanders, 73. My bolding in all quotations)

Adapa is a figure of knowledge and power (see the previous post in this series). He is also worn as a ritual mask. And as we saw in the previous post, his function changes over time as political circumstances change.

In order to grasp something of the way the natural and divine worlds were conceptualized in Mesopotamian culture we need to set aside our dualistic notions of spirit powers and entities. To us, the spirit realm stands against the natural world, yet such a division between the two needs to be set aside, Sanders emphasizes at length. We think of God and spirit beings as not found literally in physical manifestations like idols of stone, or in natural phenomena like earthquakes and storms.

Mesopotamian texts and images portray the divine beings interacting with, present with, humans, both occupying the same space, and in some cases the human speaker actually claims to be the divine Adapa himself.

I am Adapa sage of Eridu [= location of watery source of secret knowledge]
I am the man [= servant] of Asalluhi [= the god of exorcism]
Enki [= creator and master of the demons causing the illness] the great lord has sent me to cure the man in his illness!

In what sense did the speaker understand himself to be Adapa?

Francesca Rochberg

Advances in understanding the Mesopotamian view of the supernatural vis a vis the natural world have come, Sanders explains, through exploring more deeply the nature of Mesopotamian science. And here I take a detour to have a closer look at some of the sources Sanders calls upon, work by the Assyriologist Francesca Rochberg.

Before the “World of Nature”

Imagine not having a concept of “the natural world” or “nature”. We take the concept for granted and that makes it difficult for us to appreciate that it has not always existed.

A key insight has come from the history of science. Exploring Mesopotamian scholars’ criteria for meaning and truth, Francesca Rochberg has shown that cuneiform scholarship tended to see the material world as composed of signs: reality itself is semiotic. Such an ontology does not presuppose a purely non-linguistic physical nature in opposition to culture, and in fact the history of science has shown that an explicit concept of nature is not necessary to all scientific inquiry, citing ancient China and Mesopotamia as cases where forms of science thrived without it (Lloyd 2012:64).  (Sanders, 77)

What were the “subjects” of interest to Mesopotamian scholars?

Various forms of divination: astronomy and astrology, examination of sheep’s entrails, lexical texts (lists of synonyms, grammatical forms, etc.), diagnostic and therapeutic medical texts, magical texts, incantations . . . read more »

Ascent of the Sage: “From Adapa to Enoch”, part 2

Continuing our discussion of From Adapa to Enoch (Seth Sanders), begun at Heavenly Journeys, from Babylon to Judea . . . .

In the previous post we saw the earliest account of a return journey to heaven was that of Etana. Etana ascended to heaven with the aid of an eagle he mercifully restored after it had treacherously broken a divinely sanctioned oath, secured a lasting dynasty on earth, and after his death became an immortal figure in the underworld and one to whom living persons could regularly appeal.

Etana was the “first king”, but his central role as a ritually significant figure was relatively shortlived. Another figure, a wise and learned scribe, replaced him as the mythical power behind the king and the source and power of the scribal elites.

(Sanders’ focus is on return journeys to heaven, not the one-way ones where someone (e.g. Damuzi) goes up to become a star or constellation. The significance of the return journeys is that the traveller brings acquires some special gift or message that puts them in a mediating position to benefit (or curse) other mortals.)

So we come to the story of Adapa.

Adapa in the Old Babylonian Period (ca 1800-1600 BCE)

The earliest known reference to Adapa is a ritual text relating to the exorcism of demons; most interesting is that this text is similar to the latest known reference to Adapa from, probably, the first century AD, another ritual text curing disease through exorcisms. The significance of that lies in the text being part of a “canon” that was long preserved and used for study and rituals by the scribal class.

I take liberties in copying Sanders’ text without the scholarly qualifications and omissions:

The Earth Lords, the Earth Ladies, Enkum and Ninkum!…
I am Adapa sage of Eridu, I am the man of Asalluhi.
To cure the man in his illness, Enki [=Ea] the great lord sent me.

Ea/Enki was the god of magic and secret knowledge, and Adapa was given the same occult gifts.

The ritual text informs us that Adapa was not merely a distant figure but that the exorcist, the one performing the exorcism, identified with Adapa. He spoke as Adapa the words of Adapa. Mesopotamian scribes or ritual specialists could, in their confrontation with the demon causing the disease, become the supernatural being Adapa and speak as Adapa.

The Myth of Adapa and the South Wind

The narrative myth syncs with the above ritualistic text. The earliest (Sumerian) form of the myth of Adapa in outline.

  1. Primordial time: after the Flood had destroyed the land
    • inventions of canals, agriculture, kingship
    • South Wind brought blessings
    • but a time of ignorance: no-one knew how to give or follow orders
  2. Adapa, a sage, was the devotee of the god Ea [=Enki], in Eridu.
  3. Adapa went fishing to supply his master’s temple
  4. He navigates without rudder or pole, until . . .
  5. Adapa’s boat was capsized by the South Wind
  6. Adapa cursed the South Wind breaking his wings with his word
  7. The supreme god Anu, on hearing Adapa had been responsible for violating the natural order, summoned him
  8. Fearing his son and priest would be punished by Anu, Ea, god of wisdom and cunning, gave Adapa two instructions to keep him safe:
    • he was to dress in mourning clothes and tell the gods at Anu’s door, Tammuz/Dumuzi and Gizzida/Ningishzida, that he was in mourning because they had disappeared from the earth — this would ensure the good favour and help from these two gods
    • he was to refuse the bread of death and the water of death that Anu would offer him, but he should accept the clothing and oil of anointing.
  9. At first all goes well and Adapa is given a throne, but then . . .
  10. Anu offers Adapa bread and water: Anu has been so impressed by Adapa that he offers him bread and water of immortal life, not death; but Adapa, recalling his instructions from Ea, fears the banquet of death and declines the offer.
  11. Anu orders Ea (presumably through Adapa) to restore the South Wind’s wings and sends down to earth the incantation that will keep the South Wind in its ordained place.
    (We have here the origin of Adapa’s power over demons and healing; and further, the origin on earth, through Adapa, of “the cosmic principles of culture and order”.)
  12. The narrative concludes with a ritual prayer against the South Wind responsible for bringing disease to a patient.

The very words of Adapa have power. Adapa brings to the world, on his return from heaven, the secret knowledge of the words that have power over the elements, over illness, and their demonic causes. Adapa is the epitome of wisdom and secret knowledge. Ritualist, exorcists, will call upon his name, identify with Adapa himself and claim to speak his very words, to restore health, and, as we will see, to master the elements more broadly.

Adapa and the Assyrian Kings

The first king to cite Adapa in a public monument was Sargon II, conqueror of Israel. Sargon compared himself directly not with the mighty Gilgamesh but with the supremely wise Adapa:

The king: open-minded, sharp-eyed, in all matters the equal of the Sage, who became great in counsel and wisdom and grew old in understanding.

Sennacherib’s Annals boasted

Ea gave me broad understanding, endowed me with vast knowledge equivalent to that of the Sage Adapa.

Esarhaddon inscribed his claim to be

Rival of the Sage Adapa, who Prince Ea endowed (with wisdom).

Assurbanipal in particular promoted himself as an epitome of scholarly knowledge and access to “hidden cosmic secrets”. He documented his presence in the temples and “among the council of scholars”:

I grasped the work of the Sage Adapa, the hidden treasure of the whole scribal art.

Assurbanipal exalted the scholarly feats of the king to an unprecedented level:

The intellectual image of Assurbanipal depicted in his inscriptions is tied to a new state-sponsored project that modified and expanded scribal culture. As Frahm notes (1997:280), this period witnessed an explosion of commentaries and ritual texts. While accidents o f preservation may explain the number of such texts, it does not explain the appearance of whole new discursive forms such as the “cultic commentary”; a significant feature of these new forms is their sheer difficulty. The difficulty of the materials may derive from their in-group nature. (p. 45)

Sanders writes

Adapa is the mythic figure to whom the king is most often compared. The king’s deeds are like those of Adapa, his wisdom rivals that of Adapa, even his mother’s health is like that of Adapa. (p. 66)

The great building projects of the Assyrian kings, his conquests, were all evidence of the god-given qualities of the king, the qualities of Adapa himself. Adapa represented the authority, the wisdom, the intellectual prowess of the king.

Assurbanipal’s boast to have mastered all written knowledge provides a propagandistic self-conception modeled on the ideal figure of the sage. The profile includes rivalry with a supernatural intermediary figure, schooling in cosmic secrets, the decipherment of encoded messages, and presence in the counsel of the learned. It may be compared to the more limited propagandistic description of Nebuchadnezzar I as descended from Enmeduranki, a Sumerian king described as performing extispicy and lecanomancy . . . . Nebuchadnezzar does not claim any divinatory ability for himself, but retrojects this ability into an invented past. It is significant, then, that Assurbanipal’s scholars also utilize this type of ancestral ideology, claiming that the king is descended from a sage and Adapa . . . . As the Neo-Assyrian kings adopted scribal features, they also thereby further politicized the figure of the scribe. (p. 46)

The Scribal / Adapa Revolution

After the Persian empire swept away the Babylonian kings the Mesopotamian scribal class that had existed to support those kings accordingly found a new role and status for itself. read more »

Heavenly Journeys, from Babylon to Judea

I am looking forward to sharing some of the research of Seth L. Sanders published in From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylon (2017). I sought out the book in expectations that it would open to my understanding the ancient thought-world that lies behind our own religious heritage. Sometimes we will hear that a biblical person or trope has a parallel of sorts in ancient Mesopotamia yet give little thought to the fact that the time gap between the two can be half a millennium or more. How can we meaningfully speak of an influence between A1 and A2 if they are separated by such a span? Besides, how credible is it to imagine different cultures, languages, races, being so frozen within a common umbrella culture that never changes so that a story of a hero’s heavenly journey in Babylonia can have the same meaning and function as another hero’s heavenly journey many centuries later and hundreds of miles distant?

Sanders hopes to find answers to those sorts of questions. How was it that a story of a heavenly journey by Enoch in Hellenistic era texts echoed similar stories in Mesopotamia 500 or even 1000 years earlier? And it didn’t just end with Enoch. Paul, we know, also spoke of experiencing a heavenly journey, and we will see in these posts that his letters spoke of other experiences for all those “in Christ” that have remarkable correspondences with the experiences of Enoch and his predecessors and with the scribal elites who read and used these texts.

I said I sought out the book. The book appeared in my mail box a few weeks after I had requested a review copy from Mohr Siebeck. I heard nothing back from them but I presume it was them who forwarded the book to me. So for that I’m thankful.

I have mentioned the literature of the heavenly journeys of sages. Hellenistic era Judea and Babylonian-Assyrian era Mesopotamia also shared literature of exegetical commentaries and astronomical science.

If these changes are part of a shared development in the intellectual life of the region, shifts in a common ancient Near Eastern scribal culture, why do they only appear in Judea so much later, under the new conditions of Hellenism? Ancient Near Eastern scribal culture spans more than 3,000 years, far-flung cities and empires, and many languages and writing systems. The risk of examining it as a whole is there may not be a whole – at least, we will be better able to tell once we have seen it intimately, at specific moments, in particular forms. (p. 1)

Before addressing some of Sanders’ criticisms of past approaches to similarities between Iron Age Mesopotamian and Hellenistic Judean literary cultures I choose to start with the earliest known story of a heavenly journey from Mesopotamia. read more »

A Hero’s Flight to Heaven on the Back of a Bird — Understanding the Parallels

Etana ascending on an eagle

I was completely sold on Seth Sanders’ From Adapa to Enoch after reading William Brown’s review of it back in 2017.

Brown, William. 2017. “Review of ‘From Adapa to Enoch’ by Seth Sanders.” Blog. The Biblical Review: Reviewing Publications, History, and Scripture (blog). September 24, 2017. https://thebiblicalreview.wordpress.com/2017/09/24/from-adapa-to-enoch-by-seth-sanders/.

After my first quick racing through the book I feel confident enough to say that Brown’s review is pretty much spot on. As I pore through the chapters more slowly and methodically, following up footnotes and other references, I am finding a growing number of points I would like to address in some depth here on this blog. They won’t be completed quickly, and the first post won’t even be about a central point of Sanders’ specific thesis per se; it will be a generic point of methodology — or of fundamental validity of argument in relation to parallel narratives.

The oldest known ascent to heaven in the ancient Near East is the story of Etana, a legendary early Sumerian king who rode to heaven on the back of an eagle in search of a magic herb that could help him produce an heir. (Sanders, p. 28)

The story begins with the eagle making a pact with a snake, a story that is set out in detail at The Myth of Etana (Ancient History Encyclopedia) by Joshua J. Mark. The eagle breaks his promise to the snake and is punished by having his wings damaged, disabling him from flight. Etana finds the eagle in distress and helps him back to strength while the eagle this time returns the kindness by helping Etana to find what he needs in the heavens, a plant that would guarantee his ability to produce a royal heir. So the eagle carries Etana up to the heavens on his back.

You’ve no doubt heard similar stories and here’s why:

The Etana story has strong connections with a widely diffused myth and needs to be seen in historical context if it is to reveal anything about Mesopotamian written culture. A hero’s flight to heaven on the back of a bird is a widespread motif that appears in classical, Persian, Islamic, and even twentieth-century Finnish sources.2 (Sanders, p. 29)

Finnish? Here is the reference cited by Jussi Aro of Helsinki. It is from #537 in Antti Aarne’s The Types of the Folktale:

537 The Marvelous Eagle Gives the Hero a Box which he must not open.

I. The Speaking Eagle. A man aims to shoot an eagle, when suddenly the bird begins to speak like a human being [B21I.3]. The man spares him.

II. The Grateful Eagle. The bird has a wing broken. The man cares for it for three years and wastes all his property by feeding the bird. Finally the eagle recovers and will repay the man for his kindness [B380, Q45].

III. The Journey by Air. The bird then carries the man on his back across the sea [3552] to his kingdom [B222], and intimidates him three times by nearly dropping him into the sea (the hunter has once aimed three times with his gun at the bird). . . . .

Aro comments:

Can we be sure that the fairy-tale motifs mentioned above really go back to ancient Mesopotamian sources and that they have been transmitted either orally or in a literary form for some four thousand years? I think we can. It is true that the fairy-tale versions of the Lugalbanda-Anzu story differ from the original: the hero does not feed or decorate the young but saves them fwm a dragon or a snake; the latter versions are of course more logical and expressive. But still the modern versions preserve many charactedstic features of the original: there is the lonely place, the tree, the bird’s nest with the young, the bird’s suspicions when returning to the nest, the role of the young in appeasing the bird, the help bestowed by the bird on the hero, etc. The most characteristic feature of the Etana-motif again is the speculation on space-travel and the successively diminished appearance of the earth that is described preferably by a dialogue between the bird and the hero between two persons in the primitive spaceship. In this episode there is a bit of old Mesopotamian “science-fiction that has subsequently been turned in Hellenistic and later literature into a warning against hybris and in the folk-tales to a mere embellishment of the story. (Aro, p. 28)

That’s one perspective. But consider Sanders’ comment:

These parallels emphasize a fact crucial for the comparison of ancient scribal products: narratives may resemble each other independently of historical and cultural context. The fact that the Finnish and Islamic versions can easily be described in terms close to the Mesopotamian story reminds us that literary resemblance has limited inherent significance by itself.3 It is impossible to understand a narrative historically on its own; we must understand what it meant to its audiences over time. (p. 29)

And footnote 3:

The similarity of such stories in distinctly separate cultures requires us to abandon the question of whether one form “should be traced back” to the other or is “just coincidence;” either way, absent any historical relationship or comparison of social contexts, the similarity is “just coincidence.” That is, the retention itself is so isolated that, without a concrete social or historical explanation of the similarity, it appears unintelligible and random. (my emphasis)


Aarne, Antti. 1973. The Types of the Folktale; A Classification and Bibliography. Translated by Stith Thompson. 2nd edition. Helsinki: Suomalainen Tiedeakatemia.

Aro, Jussi. 1976. “Anzu and Simurgh.” In Kramer Anniversary Volume: Cuneiform Studies in Honor of Samuel Noah Kramer, edited by Barry L Eichler, 25–28. Kevelaer : Butzon & Bercker.

Brown, William. 2017. “Review: ‘From Adapa to Enoch’ by Seth Sanders.” Blog. The Biblical Review (blog). September 24, 2017. https://thebiblicalreview.wordpress.com/2017/09/24/from-adapa-to-enoch-by-seth-sanders/.

Mark, Joshua J. 2011. “The Myth of Etana.” In Ancient History Encyclopedia. https://www.ancient.eu/article/224/the-myth-of-etana/.

Sanders, Seth L. 2017. From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylon. Tübingen, Germany: Mohr Siebeck.


 

From Adapa to Jesus

Adapa Sumerian deity of healing, with healthy catch of fish
Creative Commons Attribution

That the gospels recycled themes, motifs, sayings, can be found across the Middle East from Mesopotamia to Egypt and stretching back millennia to before the Neo Babylonian empire and even before the time of any Jewish Scriptures will be of no surprise to anyone who has read The Messiah Myth by Thomas L. Thompson.

Of the myth of Adapa and the South Wind “the earliest known version is a Sumerian text from Old Babylonian Tell Haddad”, made available by Cavigneaux in 2014. I have part translated, part paraphrased the opening section of Cavigneaux’s French translation of the often broken Sumerian text, and added a distinctive note on one comment that I found particularly interesting.

In those distant days …

After the Flood had swept over,

and brought about the destruction of the land …

The world is reborn

A seed of humanity had been preserved …

Four legged animals once again widely dispersed …

Fish and birds repopulated the ponds and reedbeds …

Herbs and aromatic plants flowered on the high steppe …

The state is born

An and Enlil organized the world …

The city of Kish became a pillar of the country …

Etana becomes king

Then the elected shepherd …

Founded a house …

The South Wind during his reign brought blessings …

Humanity without a guide

Humanity did not have a directive …

[Nobody knew how to give or follow orders]

The Story of Adapa begins

[A loyal devotee of Enki he goes fishing in the quay to supply his master’s temple in Eridu.]

In later exorcistic texts … the quay (Akk. kārum) is a trope for the liminal space between worlds.

At the New Moon he went up to go fishing

Without rudder he let the boat go with the flow

Without pole he went up the stream

On the vast lagoon …

[He is capsized by the South Wind]

He curses the South Wind …

And broke the wings of the South Wind …

Jesus stills storm. Interestingly the South Wind was said to be beneficial; it appears to me that Adapa’s technology, apparently directed by the power of his words, was being frustrated by the South Wind.

The narrative is thus a reference to the destruction of the old world and the restoration of the new, through a Flood or through water bringing about the end of one world and nourishing the emergence of the new. As Thompson observes in The Mythic Past new worlds emerge through parting waters (Creation, Noah, Exodus, Elijah-Elisha, Jesus’ Baptism/heavens divided).

Adapa has a special gift. Though mortal, he has power over words, or rather his words have power over the world. Adapa will become the great mythical sage of scribes, of all who can with the magic of words change the face of the earth and the organization of society: engineers, architects, legislators, ….

We are familiar with astronomy and astrology being all one branch of knowledge in these times; similarly magic and medicine were indistinguishable at this stage. The skills of the scribes, the amazing feats they accomplished with words, appear to have been supernatural gifts.

After Adapa by merely speaking causes the wind to cease the supreme god is astonished and invites him up to heaven. Adapa’s personal god, however, warns Adapa not to accept certain gifts [bread, drink, a coat] that will be offered to him there but to only accept an anointing. The chief god laughingly tells Adapa that he has just refused the gifts that would have given him eternal life.

And so forth.

We see here a story opening with the water, a flood, separating the old and the new. We see the wise hero wielding power over the elements, even stilling a “storm”, by his mere commands. Others are amazed at his ability. In this case, it is the gods who are amazed.

The plot of the story begins with the sage “going fishing”, a scene that is found to have mythical or metaphorical significance of life and death, entering a space between two worlds.

I find such literary comparisons interesting. I’m not saying the evangelists were adapting the myth of Adapa, of course. I am thinking about the way certain mythical tropes have been recycled and refashioned through changing human circumstances and experiences.


Cavigneaux, Antoine. 2014. “Une Version Sumérienne de La Légende d’Adapa (Textes de Tell Haddad X).” Zeitschrift Für Assyriologie Und Vorderasiatische Archäologie 104 (1): 1–41. https://www.academia.edu/26276183/Une_version_sum%C3%A9rienne_de_la_l%C3%A9gende_d_Adapa_Textes_de_Tell_Haddad_X_

Sanders, Seth L. 2017. From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylon. Tübingen, Germany: Mohr Siebeck. 42