Daily Archives: 2019-08-26 10:47:07 GMT+0000

James McGrath’s “particular” difficulty with “mythicism”

Where to begin?!

One of the things that makes mythicism seem particularly implausible to me is precisely the claim that Christians just think there was a historical Jesus because they are biased in favor of his existence. The historical Jesus, a figure who (among other things) was mistaken about the imminent arrival of the kingdom of God that he predicted, who fostered hopes that he would restore the dynasty of David to the throne but was executed by the Romans, is not much of a comfort to the majority of Christians. Mythicists imagine Christians saying “Well, he was mistaken and a first-century figure that we can scarcely relate to, but I take great comfort in the fact that he existed.” That just doesn’t strike me as plausible.

McGrath, Religion Prof: The Blog of James F. 2019. “When Jesus and Mythicists Are Wrong.” Religion Prof: The Blog of James F. McGrath (blog). August 26, 2019. https://www.patheos.com/blogs/religionprof/2019/08/journal-of-gospel-and-acts-research.html.

It’s Trumpian.

Propaganda – the early Roger Ailes

From The Loudest Voice in the Room by Gabriel Sherman:

Roger Ailes (from Wikimedia Commons)

“By this point, Ailes (founder of Fox News) was soaking up multiple influences. Kenny Johnson recalled one conversation in Ailes’s office about the power of propaganda. Like Ailes, Johnson loved the theater. He had performed in high school plays and studied directing at Carnegie Tech, where he had become fascinated by the Nazi propaganda films of Leni Riefenstahl, especially Triumph of the Will and Olympia. “I was blown away,” Johnson remembered. “I had an enormous hatred of Hitler, but when I saw Triumph of the Will, you find yourself thinking, ‘Wow, he’s pretty cool—no, wait, I hate these guys.’ ” Ailes told Johnson that he too was a big fan of Riefenstahl. “He thought her work was brilliant,” Johnson said. They talked about “how she made different versions of the films for different countries not only to aggrandize the Nazis but to throw a bone to the other folks.” Ailes was especially taken by Riefenstahl’s use of camera angles. “There’s so many subtle things you see in propaganda,” Johnson said. “If you put the camera below a subject’s eye height, it’s the ‘hero shot.’ It gives him dominance. We talked about the psychological impact of the placement of the camera.”

(Sherman, p. 31, of situation in 1967)


Sherman, Gabriel. 2014. The Loudest Voice in the Room: How the Brilliant, Bombastic Roger Ailes Built Fox News– and Divided a Country. New York: Random House.