2007-11-27

The literary genre of Acts. 4: Historian’s Models – comparing Josephus

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by Neil Godfrey

(revised 1.15 pm)

Continuing notes from Pervo re the genre of Acts.

Pervo compares the genre of Acts with the genre of the works of other ancient historians. Below I’ve summarized Pervo’s comments but have added much more by way of illustration from Price and Feldman. I have also just received a copy of Revealed Histories by Robert Hall which I want to read before concluding this discussion. Till then, hope to discuss comparisons with historians other than Josephus in follow-up posts.

Imitation of the Masters

The Jewish historian Josephus attempted to imitate the “classical” historians, especially Thucydides. Imitation of the masters, even attempting to emulate or surpass them, was a mark of literary skill and good taste among ancient writers of the Hellenistic and early Roman imperial era, historians included. As Pervo writes (p.5), “Style was essential, not peripheral.” To be taken seriously historians would demonstrate in their works that they knew and were attempting to imitate the best in the ancients such as Herodotus, Thucydides and Xenophon. Thucydides was particularly in fashion in the time of the early Empire.

To illustrate this literary custom in particular among historians, — a few examples from Josephus: Continue reading “The literary genre of Acts. 4: Historian’s Models – comparing Josephus”


2007-11-18

The literary genre of Acts. 3: Speeches

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by Neil Godfrey

“We cannot name any historian whom . . . Luke has taken as a model” (Dibelius, 1956, 183-185)

Pervo cites Dibelius as one scholar unimpressed with claims that the speeches in Acts are necessarily attributable to historiographical intent. Certainly ancient historians crafted lengthy speeches for historical characters, and certainly the speeches in Acts are not like those in the gospel of Luke. But it does not follow, as is sometimes argued, that therefore the speeches in Acts demonstrate the author’s intent to write real history. Anyone who has read ancient novellas would immediately recognize the speeches in Acts as just one of the many features found in fiction. Lengthy speeches were tools of historians and fiction writers alike. They were used to convey information about characters and situations, both historical and fictional.

Examples are too numerous to mention, so I would simply suggest to anyone who doubts this claim to find a collection of ancient novels (such as Reardon‘s collection) in a library or on the net (some are linked in my Prologue post) and read a couple. They are not very long and quite entertaining as insights into ancient cultures, interests and humour.

For this post I opened my copy of Reardon’s collection at random and the first page opened was 206 in the middle of the story of Leucippe and Clitophon by Achilles Tatius. There at paragraph 37 begins a lengthy speech on the beauty of women. I flip over to pages 340-1 to fine Longus’s Daphnis and Chloe and on each page are speeches equal to the length of anything in Acts.

But one need only recall the emphasis on rhetoric in ancient education and the popularity of tragic drama to quickly guess the need of scepticism over claims of the relationship between speeches and historicity.

I will in time give more specific discussions here on the different types of speeches in Acts, the legal defences, the exhortations, and their structures and comparisons with their counterparts in other forms of literature.

I often felt some resonance in the fictional literature somewhere when reading the long speech of James at the Jerusalem conference in Acts 15. I seemed to hear echoes from somewhere each time I read its stylized account of preliminary short speeches followed by Jame’s lengthy decision-pronouncing finale. I don’t know why it took me so long to notice how similar the structure and pattern of the speeches and speech situation was to the speeches delivered in the grand royal assemblies in Homer’s Iliad. I suppose what we have been trained to associate from very early years with religious truth and fact is not easily recognized when we view it through the perspective of literature with which its author would certainly have been familiar, if only from his education in learning how to write Greek.

A crisis in the war needs to be dealt with. An assembly of the notables is called. Names of renown stand up to express their views while the king listens in silence. After the to and fro debating has finished the king rises to deliver his decision and the course that all must follow. The pattern is a regular one, and the assembly in Acts 15 is only one of its many echoes.


Next: Use of historical models

 



2007-11-13

The literary genre of Acts. 2: Chronology

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by Neil Godfrey

There is not a lot to say about the use of chronological markers in Acts. There aren’t many.

Continue reading “The literary genre of Acts. 2: Chronology”


Ancient prologues: Conventions and an oddity of the Acts preface

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by Neil Godfrey

Since my previous post on looking at the preface to Acts in the context of contemporary prefaces, I have added a new section in that same post on the conventions of those prefaces. I have included it separately again here below.

I have also added the most obvious omission in my previous post, the preface of Acts itself. It is interesting to compare it with other prefaces to histories, and note not only Cadbury’s comments on where it fails to meet expected conventional standards, but also to observe the remarkable failure of the author to declare the purpose or contents of the work it is introducing. (Cadbury raises the possibility that the original preface may have been tampered with in order to account for this failure to match expected convention.) Continue reading “Ancient prologues: Conventions and an oddity of the Acts preface”


2007-11-12

The literary genre of Acts. 1: Ancient Prologues

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by Neil Godfrey

Richard Pervo (Profit with Delight) compares Acts with ancient novels and finds striking resemblances. We tend to resist finding the thrill of novelistic adventure and humour in the books of the Bible. Holy books are supposed to be read with much gravitas, after all. But Pervo’s comparison with ancient novels has persuaded him that Acts shared their particular qualities that excited and entertained his audiences. I have read many ancient novels over recent years — and many ancient historians over a longer period of time — and fully agree with him.

Continue reading “The literary genre of Acts. 1: Ancient Prologues”


2007-10-09

Comparing the myths of Adapa and Adam, prototypes of priest and humankind

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by Neil Godfrey

I found Liverani’s comparative analysis of the Babylonian and Hebrew myths interesting enough to share here. He dismisses earlier attempts to force relationships between the former with the Genesis account as failures because they attempt to impute themes and meanings where they do not really exist.

Liverani does see a structural relationship between the two myths, however, and when that structure is understood then not only points of comparison stand out, but also an explanation for their differences becomes apparent. Continue reading “Comparing the myths of Adapa and Adam, prototypes of priest and humankind”


2007-10-07

Lazy historians and their ancient sources

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by Neil Godfrey

Though I refer to “lazy historians” here, this piece is really written for “lazy readers” of “biblical history” — not that many are really lazy. But not all are aware that modern critical techniques applied to the Bible are not a reflection of anti-religious bias but are rather an application of modern critical historical tools to biblical texts. It is the biblical apologist who is often the one wanting specialist treatment of his texts, not the secular critic.

“Laziness is common among historians. When they find a continuous account of events for a certain period in an ‘ancient’ source, one that is not necessarily contemporaneous with the events, they readily adopt it. They limit their work to paraphrasing the source, or, if needed, to rationalisation.” — Liverani, Myth and politics in ancient Near Eastern historiography, p.28.

Continue reading “Lazy historians and their ancient sources”


2007-10-06

The wrong questions to ask about myths — and the gospels

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by Neil Godfrey

Ancient myths and the gospels are not modern novels but it’s tempting to ask questions about their characters and plots as if they were. Questions like, Why did such and such a person do this and not that? Are there not too many unlikely coincidences in this story to make it plausible? Ancient myths are not concerned with the psychological motivations and development of characters the way modern novels are. Nor do their parts have to hang together in the same unifying way.

Characters can be introduced without any explained motivation for their arrival or the actions they perform. What matters is the consequences they effect.

It is the same with reading the gospel of Mark. But before discussing that, a look at Mario Liverani’s chapter on the myth of Adapa (I know, Adapa is eons removed from the gospel, but the tools required for interpreting it are more applicable to the gospels than are the tools required for modern literary criticism): Continue reading “The wrong questions to ask about myths — and the gospels”


2007-09-22

Odysseus, Moses and Jesus in Gethsemane

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by Neil Godfrey

The Jesus in Gethsemane story has always been one of the most moving episodes in religious movies. It is also a literary motif that has a long pedigree and would have been well known to any author who had learned to read and write Greek and who knew Jewish writings.

The basic structure and thematic units of the story are prominent in both “classical” Greek and Hebrew literature. It is quite likely one of those stories that may have fallen easily into place in an author’s mind without necessarily consciously imitating another — like a modern superhero drama can be unconsciously built on the motif of a Jesus-like saviour figure.

There are approx ten or more significant sequential parts that make up this motif: Continue reading “Odysseus, Moses and Jesus in Gethsemane”


2007-09-20

3 criteria lists for literary borrowing

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by Neil Godfrey

Following are the different criteria lists used by three authors who have studied literary borrowings within the gospels and Acts: Allison, Clark and MacDonald.

Included are two extracts that discuss the ancient literary expectations and customs of authors borrowing from past masters.

Names and titles are hyperlinked: Continue reading “3 criteria lists for literary borrowing”


2007-09-06

Ancient forgeries — by lawful decree

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by Neil Godfrey

Emperor Justinian needed historical precedents for his new codification of law to command the respect of both his citizenry at large and the legal profession in particular.

Sometimes controversy rages over the question of whether biblical works have been rewritten, interpolated, redacted, forged . . . In this context it is interesting to observe what happened — and why — in a well known case “by law”. Understanding the culture of ancient minds can often add enlightenment in many directions. Continue reading “Ancient forgeries — by lawful decree”


2007-08-05

Novelistic plot and motifs in the Gospel of John

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by Neil Godfrey

“The narrative of the Fourth Gospel is a synthesis of two distinct stories — the cosmological tale and the life and death of Jesus of Nazareth — into one coherent narrative.” (Jo-Ann A. Brant, Divine Birth and Apparent Parents: The Plot of the Fourth Gospel, in Ancient Fiction and Early Christian Narrative.)

The following notes, based principally on Jo-Ann Brant’s articles (the one above and Husband Hunting: Characterization and Narrative Art in the Gospel of John, in Biblical Interpretation, 1996, 205-223), looks at some ways the Gospel of John appears to draw on novelistic motifs and plots to construct it theological narrative. How the author mixes honey with his medicine. Continue reading “Novelistic plot and motifs in the Gospel of John”


2007-07-16

Dennis MacDonald’s ‘Turn’ to reply to critics of his Mark-Homer work

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by Neil Godfrey

I have been absent from web discussions for some time now and may be the last one to notice Dennis MacDonald’s reply to critics of “mimesis criticism” — his work arguing that the Gospel of Mark is as much an imitation and transvaluation of Homeric characters as it is of those from the Jewish scriptures.

It is well worth reading. Not least his concluding pages suggesting a more subtle reason for many of the objections raised against his work.

If anyone else apart from me is also late to this reply, check it out at DRM’s website — look for the article there titled My Turn.

(I’ve discussed aspects of MacDonald’s work elsewhere on this blog some time back.)


2007-05-08

Ancient historians at work: Polybius, Herodotus (cf Gospels, Acts)

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by Neil Godfrey

For what it’s worth, I’m posting a few excerpts from a couple of nonbiblical historians, mainly for benefit of those following some of the posts and discussion re my Bauckham and Acts 27 (Paul’s sea voyage/shipwreck) reviews. The point is to compare nonbiblical historical methods, approach, critical analysis, with what we read in the Gospels and Acts. For those familiar with the Gospels and Acts I invite where possible any comparisons with the following methods we find among two prominent ancient historians: Continue reading “Ancient historians at work: Polybius, Herodotus (cf Gospels, Acts)”