2019-09-03

More Thoughts on Origins of Biblical and Pseudepigraphical Literature

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

We have two models for the origin of the biblical and its ancillary literature.

According to Seth Sanders in From Adapa to Enoch we have a progression from the late Iron Age to the Seleucid era.

  • The early period (during the time of the kingdom of Judah before its exile) we have “public genres of power” that appear to draw upon the primarily cuneiform law codes and vassal treaties of Mesopotamia. In “Judea” these genres acquired a narrative framework.
  • Later, in the postexilic period, we find instead secret genres of knowledge that drew upon the scribal traditions of omens, astronomy, etc. The primary facilitator for this development was the spread of the Aramaic script as a common scholarly language.

 

Russell Gmirkin’s view is that the above texts of Deuteronomy and Exodus are rather products of the Hellenistic era. The elements of the political and legal documents of Mesopotamia are relatively few and subsumed within the sort of literature that Plato was promoting in Laws. The narrative framing of such laws was also enjoined by Plato.

Gmirkin’s Plato and the Creation of the Hebrew Bible does not cover the noncanonical literature so the following diagram is my own, not Gmirkin’s. Throw the stones at me for what follows. I have, however, drawn upon other scholars who also set out reasons for their suspicions that the canonical texts were the product of the Persian and/or Hellenistic eras. (Philip Davies whom I mentioned in the previous post looks largely at the Persian era.)

I imagine that with this latter scenario there are different schools, some of them possibly opposed to each other. The diagram below makes it appear that they are contemporaneous but I do not think that should not be seen as strictly the case.

The diagram also only mentions the same texts as above (law codes and public curses) but that is only for comparison purposes. In fact just about everything from Genesis to Daniel is included here. (Philippe Wajdenbaum in Argonauts of the Desert extends the Greek influence from the legal codes to details of the narrative framework of those laws.) The pseudepigraphical texts are another story.

 

I am only running through a mind-game here. If there were in fact opposing scribal schools, and if the Greek literature was an influential factor in the formation of what became the canonical texts, do we find a glimpse of the origin of that division in the following passage of Plato’s Laws, Book 7. We know the Pentateuch condemned the study of the stars, but why?

ATHENIAN: Next let us see whether we are or are not willing that the study of astronomy shall be proposed for our youth.

CLEINIAS: Proceed.

Continue reading “More Thoughts on Origins of Biblical and Pseudepigraphical Literature”


2019-09-02

I Like It Dumbed Down

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

So this is why the earth does not need lots of turtles to hold it up — it’s in a weightless state

This next one explains an awful lot! . . . . it turns out we are ultimately made up of vibrating nothingness . . .


Who Influenced Biblical and Second Temple Jewish Literature?

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

I have been posting on points of interest in Seth Sanders’ From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylon and have reached a point where I cannot help but bring in certain contrary and additional perspectives from another work I posted on earlier, Russell Gmirkin’s Plato and the Creation of the Hebrew Bible.

In chapter 5 Sanders sets out the view that Judean scribes in the Late Iron Age (the era of the Assyrian and Chaldean empires) took from the Mesopotamian scribal heritage “public genres of power”. Specifically:

  1. The author(s) of Deuteronomy 13 and 28 imitated the appearance of Assyrian Treaty-Oaths such as the Vassal Treaty of Esarhaddon;
  2. The author(s) of Exodus 21-24 took the Laws of Hammurabi as their model.

In the Second Temple era the interest of Judean scribes turned to genres of secret, esoteric knowledge. Specifically:

  1. The Enoch Book of Astronomy and Qumran literature on the calendar and the “watches” embraced Babylonian astronomical knowledge;
  2. The Qumran Testament of Levi incorporated Babylonian metrology (sequences of fractions and proportions in the sexagesimal system), and apparently metrology was also a part of other texts, Visions of Aram, Testament of Qahat, pseudo-Daniel although these are primarily examples of the importance of secrecy and guarding the knowledge through proper lineages.

Seth Sanders is interested in explaining the transition from the Late Iron Age Judean scribal culture to that of the Second Temple period, from genres of public power to genres of secrecy and esoteric wisdom.

As we saw in the previous post one of the most significant innovations the Judean scribes brought to the Mesopotamian material was the addition of a narrative context for the revealed laws, rituals and knowledge of the cosmos.

One question that arises and that I have not found explored in Sanders’ book is why the Judean scribes applied a significant narrative frame to their Babylonian sources. (As far as I have been able to determine Sanders addresses the function of the narrative framing but not the source-inspiration or model for the narrative framing concept.)

For example, the Laws of Hammurabi are bluntly introduced as being given by the sun god to the king. Contrast the laws of Exodus 21-24. Yes, they are delivered by the chief god but what a build-up: the Red Sea crossing, the Mount Sinai quaking, the tension between rebellious and obedient chosen people, the struggles of Moses to lead them, and so on!

But there are a few other details worth keeping in mind, too.

One: the amount of material supposedly borrowed from the vassal treaties is in fact arguably quite limited. Certainly there are clear similarities between the curses in both Deuteronomy and the treaties. But not much else that points to clear indications of direct borrowing. (Sanders also addresses the vagueness of some of the associations but I’ll discuss his answer in more detail in a future post.) Ditto for the borrowing from Mesopotamian Law Codes. Yes, there are clear links to the law of the goring ox in Exodus. But again, we soon run dry of comparable examples.

What of the prophetic literature of the Second Temple era? Mesopotamian prophecies, like the book of Daniel, “foretold” the historical events of successive kings rising up and doing good or bad things, but again there are notable differences, especially once again with the colourful narrative context of the Judean work. Sanders refers to the explanation of Matthew Neujahr in Predicting the Past in the Ancient Near East to point to similar historical circumstances in very different time periods leading to a blending of mantic/omen literature with chronicles or “historical” records.

I think an excellent explanation for the application of narrative framing of laws and other revealed knowledge is offered by Russell Gmirkin in Plato and the Creation of the Hebrew Bible. The same thesis further explains why so little detail from Hammurabi’s code or the vassal treaties are actually found in the Pentateuch, and further yet, points out many similarities in Exodus and Deuteronomy to Plato’s discussion in Laws. Of particular importance, Plato wrote, was that law codes be presented with divine and antique authority and not as precepts newly hatched by a recent fallible generation. Myths or stories of origins were important for their presentation.

If we accept Gmirkin’s view then what we find is not a progression from “public genres of power” in the Late Iron Age to “secret and esoteric wisdom” in the Second Temple period, but rather we have different scribal schools — compare Philip R. Davies’  thesis in Scribes and Schools. To what extent these schools were contemporary I would not like to speculate, though it seems we would have to confine ourselves to the Hellenistic period unless there was more cultural overlap between Greeks and Persian dominated lands prior to Alexander’s conquests than I am aware of. At this point we are on the edge of too many questions and pathways to explore to be covered in a few short posts.

But with this interlude now done I feel I can resume posts on Sanders’ book.

-o-

See also

  1. How Does One Date the Old Testament Writings?
  2. Gmirkin: Plato and Creation of Hebrew Bible
  3. Sanders: From Adapa to Enoch

2019-09-01

“Revealed Science” : Emergence of Jewish Science and Apocalyptic Genres

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

by Neil Godfrey

Continuing to share my reading of Seth Sanders’ From Adapa to Enoch, Scribal Culture and Religious Vision in Judea and Babylon. All posts are archived here.
“Science” will be used here as a system of exact knowledge of the physical world.
Sanders, From Adapa to Enoch

Recall from the previous post (How Science Began) that we are talking about a world that conceptualized no clear distinction between the natural and the supernatural, or between nature and culture.

Seth Sanders identifies three core areas of exact description of the physical world documented by the Priestly scholars as the earliest form of Judean “scientific knowledge” known to us:

  • Time and the Universe (Genesis 1:1 to 2:4a)
  • The Temple (Exodus 25-31)
  • The Human Body (Leviticus 12-15)

The Origins of the Universe

Genesis opens with a taxonomy of each major entity in the world and concludes with God’s word creating the sabbath day as part of the cosmos. Later in ritual texts we find that this creation has included the categories of clean and unclean animals (Leviticus 11, Deuteronomy 14), their different physical attributes being recognized since antediluvian times. (Notice that the sabbath and forbidden foods are not deemed to originate in culture but as an integral part or category of the created world itself. Creation was activated by God’s word.

The Temple

Here we are in the realm of ritual requirements. We therefore find a quite different account of the temple and its system. Here we read not the words of an anonymous narrator but the words of God himself. God is quoted as setting out the details of the materials, measurements, layout and rituals of the tabernacle. Moses is a passive visionary because God points out that He, God, caused Moses to see it all. God has to show or reveal the heavenly model that the earthly structure and rituals are to copy. But it needs to be set out in the words of God for the reader who is not privileged to see the heavenly structure.

The Human Body

Similarly we are in the realm of ritual. The rules for bodily discharges and blemishes are likewise made known by divine commands, revelation.

Astronomical data and new information about the body introduced into Judea (using Judea throughout though in pre-Roman times Jehud may be more strictly correct) survive in such intertestamental literature as the Astronomical Book of Enoch and certain of the Dead Sea Scrolls.

It is interesting to see how this new scientific information made its entrance into the Judean world, building on the genres of existing “scientific” knowledge that we have seen in the three priestly statements above. We start with the introduction of astronomical knowledge that originated in Babylonia.

Revelation and Science are the One Genre

The Astronomical Book of Enoch begins:

The book of the courses of the luminaries of the heaven, the relations of each, according to their classes, their dominion and their seasons, according to their names and places of origin, and according to their months, which Uriel, the holy angel, who was with me, who is their guide, showed me; and he showed me all their laws exactly as they are . . . .

Continue reading ““Revealed Science” : Emergence of Jewish Science and Apocalyptic Genres”