6th August: expanded “the trial” comparison into “The face to face confrontation of secular and religious leaders“
Comparing other rabbinic midrash with the Gospels
In my previous post I covered Galit Hasan-Rokem’s comparisons of some early Christian and rabbinic midrash. In this post I comment on Hasan-Rokem’s discussions of other tales in the midrash of Lamentations Rabbah and draw my own comparisons with the Gospels.
The second rabbinic story of a Messiah discussed by Hasan-Rokem is one about the death of “King Messiah” Bar Kochba. Here the messiah is the villain. (Rabbinic sources subsequently referred to him as Bar Kozeba, Son of Lies.) I think there are a number of interesting plot and motif similarities here, just as there are between the messiah birth narratives of the Christian and rabbinic literature and that were detailed in the previous post. But what makes the overlaps interesting is considering an explanation for them through the constructs of anthropologist Claude Levi-Strauss. If this turns out to be an invalid process, invalidly applied, fair enough. But let’s see what it might possibly suggest till then.
Jewish scholars of midrash have recognized that “midrashic” techniques, methods of interpretation of texts in the Hebrew Bible, have been creatively woven into Christian Gospel narrative and teaching material as much as Jews worked creatively with midrash in their own literature.
Jesus’ identity as sacrificial victim, the son handed over to death by his loving father or the lamb who takes away the sins of the world . . . ostensibly so alien to Judaism, was itself constructed from Jewish reflection on the beloved sons of the Hebrew Bible. . . . (p. x)
Another theme of Levenson’s work is that the Christian understanding that Jewish religion was obsolete is also the product of a midrash on Jewish scriptures:
[T]he longstanding claim of the Church that it supersedes the Jews in large measure continues the old narrative pattern in which a late-born son dislodges his first-born brothers, with varying degrees of success. Nowhere does Christianity betray its indebtedness to Judaism more than in its supersessionism. (p. x)
A Jewish professor at the Hebrew University in Jerusalem, Galit Hasan-Rokem, has argued that the Gospels grew out of a Jewish folklore-midrashic tradition. The Gospels are not written as folklore so there are obvious differences. And midrash has a variety of applications, but in general it is a Jewish approach interpretations of the scriptures that can be applied to a number of different literary genres with different purposes and for different audiences. The intent is to inject new meanings into scriptures, often by applying them to newly created stories or new experiences within the Jewish communities.
So the distinctive feature of midrash is a weaving of passages from scripture into stories or commentaries (or other) to explore new meanings for them. I will discuss the nature of midrash more fully in a future post, and will include one of the best explanations/definitions of it that I can find — a small passage by James L. Kugel in his book, In Potiphar’s House: The Interpretive Life of Biblical Texts. This will show more explicitly the extent to which the Gospels have been influenced by Jewish midrashic thought and style.
Thomas L. Brodie wrote a small book demonstrating the way the Gospels structured much of their narratives of Jesus around the stories of Elijah and Elisha, but did not like to use the word midrash. The reason was not because midrash was wrong, but because it was too general to be particularly useful. The gospels needed a narrower definition to capture their nature. But clearly the midrashic ways of Jewish writing are found throughout the Gospels.
Rather than discuss midrash as it was known to ancient Jews and the specific similarities with many features in both the Gospels and epistles of Paul, I will just post “on record” two examples of midrashic literature applied to the folklore genre. They are from Galit Hasan-Rokem’s final chapter in Web Of Life: Folklore and Midrash in Rabbinic Literature in which she discusses three midrashic tales about the Messiah.
This way I will have something online that I can refer to when I do discuss the topic in a little more depth. But remember the following are midrash at work in folklore tales. The Gospels are not the same genre as folklore, but we do find the same midrashic features in them, i.e., retelling old scripture passages and biblical stories in new ways.