I have discussed or alluded to this novel in the various posts found on this page as a comparison to the Gospels, and this time I will show that its characters, plot and setting are drawn from a mix of historical and mythical sources.
Not a few scholars today who specialize in literary analysis of the Gospels have argued that this is how the Gospels were also constructed: from a mix of history and myth. Most recently along these lines I have posted a few times on Spong’s arguments that Gospel characters like Judas, even the “Twelve Disciples”, Jairus’s daughter who was raised from the dead, blind Bartimaeus, and Zechariah and Elizabeth (the parents of John the Baptist) are all cut from literary fictions. The character of Jesus himself is based on Moses in the Gospel of Matthew and on Elijah in the Gospel of Luke. At the same time, however, we have obviously real people — e.g. Herod and Pilate — appearing in the Gospel narratives.
Some criticisms of these posts have been along the lines of saying that ancient authors did not write stories with historical characters mixed up with fictional characters whose creation was inspired by mythical tales.
Well, that particular criticism is wrong. Chariton is evidence that ancient authors did indeed make up stories that included a mix of historical persons, events and settings along with character and plot details drafted from popular myths and older fictional literature.
This post draws its details from The Myths of Fiction: Studies in the Canonical Greek Novels by Edmund P. Cueva. Continue reading “Ancient Novels Like the Gospels: Mixing History and Myth”