Tag Archives: John Drury

The Origin of the Good Samaritan Parable and Other Lucan Favourites

David Teniers the Younger (The Metropolitan Museum of Art)

John Drury, DD, in The Parables of the Gospels, explains why it is very doubtful that Jesus ever spoke the parable of the Good Samaritan. The evidence points towards the real author of this parable being the same person who was responsible for the work of Luke-Acts. For convenience we’ll call him as Luke.

The parables of Jesus in the Gospels of Mark and Matthew are strongly allegorical. In the Gospel of Luke their allegorical character takes a back seat. The parables in this third gospel are found to be more “realistic stories which are rich in homely detail and characterization.” (Drury, p. 111)

It is not likely that different traditions, one recalling allegorical parables spoken by Jesus and the other more realistic stories of his, went their own distinct ways so that Matthew heard one sort and Luke the other. I think it’s more reasonable to suggest that we see the creative hands of the authors at work.

The All Important Mid-Turning Point

Another indicator that Luke’s creative imagination was responsible for the parables unique to his gospel is their structure.

L [i.e. unique to Luke] parables have a characteristic shape of which the most striking feature is that the crisis happens in the middle, not, as so often in Matthew’s parables, at the end. (Drury, p. 112)

It is this “middle” part of the story, or the mid-point in time, that is the turning point. Not that this observation is original with Drury. It is a familiar pattern to students of Luke’s parables ever since Conzelmann’s The Theology of Saint Luke.

This pattern is in fact a characteristic of all of Luke’s work, so much so that Drury can say

The pattern in the L parables is deeply embedded in Luke’s mind. It is the pattern of the whole of his history. Jesus in his Gospel is not history’s end but its turning point, setting it on a new course in which Judaism drops away and the Christian Church goes triumphantly forward. (p. 113)

So the story of Jesus begins in a narrative rich in allusions to the patriarchal stories of Genesis and Judges, proceeds to portray Jesus as the new Elijah (contrast Mark and Matthew who gave this role to John the Baptist), and follows up Jesus’ mission with the growth of the church as seen in his parables and in Acts. Jesus is the mid-point or turning point of the grand narrative.

This carries over to Luke’s eschatology. In Luke we read less of the end of the age, period, than we do of the end of a person’s life. But that end of the individual’s life is not the end of the story. Consequences of the life led follow. The individual’s end is the turning or mid-point. In the parable of the rich fool, for example, the crisis comes with his unexpected death and this is followed by the punishment he must receive in his afterlife. For Luke the “end” is moved from the cosmic to the individual level.

It’s the way Luke thinks and the way he designs narratives. He didn’t just happen to inherit a subset of parables from Jesus that coincidentally matched his own literary-narrative style and no-one else’s. The parables of Jesus in Luke’s gospel are Luke’s own creations.

If only by symmetry of pattern, the L parables fit perfectly into Luke’s perception of the historical significance of Jesus’ biography. 

By contrast Matthew was “very ready to end his parables with the end of time.”

The All Important Individuals

read more »

The Sermon on the Mount: Matthew’s (not Jesus’) Creation

I’m continuing here with John Drury’s analysis of the parables in the Gospels.

Anyone paying attention to the previous posts (What Is a Parable? and Jesus Did Not Speak In Parables – the Evidence) knows that the meaning of “parable” in the Gospels derived from its usage in the Septuagint (Greek) Old Testament. It could range from riddles and metaphorical sayings through to allegorical narratives.

According to Drury Matthew’s special teaching contains four themes:

  • Christian discipleship,
  • Judaism (in relation to the Church),
  • Eschatology
  • and Christology.

This post highlights his emphasis on discipleship and what is required to be a good follower of Christ. His concerns are the spiritual and moral virtues of the members of the Church. This comes through most loudly in the Sermon on the Mount; the parables of the lost sheep, of the two debtors, of the labourers in the vineyard, of the marriage feast, and more. (From Drury, Parables in the Gospels: History and Allegory)

Salt

After the Beatitudes that open the Sermon on the Mount Matthew tells us that Jesus drew an analogy with salt:

5:13 Ye are the salt of the earth, but if the salt has lost his savor, wherewith shall it be salted? It is thenceforth good for nothing, but to be cast out and to be trodden under foot of men. (All Bible quotations from KJ21)

Matthew has taken this salt simile from Mark 9:49-50

49 For every one shall be salted with fire, and every sacrifice shall be salted with salt.

50 Salt is good, but if the salt has lost his saltness, with what will ye season it? Have salt in yourselves, and have peace one with another.”

  • Mark’s “everyone shall be salted with fire” alludes to persecution and Matthew’s saying on salt segues from the Beatitude speaking of persecution of Jesus’ followers.
  • Matthew strips away the obscurity and awkwardness in Mark’s saying: “Have salt in yourselves” is transformed into a less cryptic phrase that is more clearly pushing one of Matthew’s constant themes, discipleship: “You are the salt of the earth”.
  • Another idea uppermost in Matthew’s mind (it recurs frequently throughout his gospel as the finale of parables) is the casting out of evildoers in the day of judgement and here he adds it to Mark’s saying: “Good for nothing but to be cast out and trodden under foot”.

The evidence for Matthew’s sayings of Jesus being an adaptation of Mark’s is strong.

Light

Matthew’s metaphor of light follows: read more »