Daily Archives: 2017-08-13 16:01:53 UTC

Reading the Classics and the Gospels Differently

Aesop in Life was portrayed as physically misshapen so that most people despised or mocked him on first seeing him.

Recently we talked about the Life of Aesop, a biographical novella of the fabulist written around the same time as the gospels: Aesop, Guide to a Very Late Date for the Gospels?Aesop / 2, a Guide to a Late Gospel of Mark DateDid Aesop Exist?

This post singles out one more point in Tomas Hãgg’s chapter in The Art of Biography in Antiquity.

Only two of the thirteen stories told by Aesop in the Life are known to have existed before the Roman Imperial period as ‘Aesopic fables’. This, in all likelihood, means that most of the stories were created for use in the particular situations narrated in the novel, or at least adapted for the purpose. . . . [O]ur story is first and foremost a Life, and the fables are narrated not to conserve them or explain them as originating in certain situations, but the other way round: in order to characterize the hero. (pp 116f, my bolding)

Surely the same must be said about the stories told about Jesus in the gospels. It is evident that they are not narrated for conservation purposes. Each evangelist clearly feels free to change many of the sayings and deeds found in, say, the Gospel of Mark.

But there is one detail that is not the same in the stories told about Jesus. That the anecdotes appear for the first time in the gospels is not taken as an indication that they were created for use in the particular situations in the gospels, but that they had an untestable and unverifiable origin as oral traditions. Perhaps classicists should learn from biblical scholars how to generate more scholarly papers about hypothetical origins and traditions.

One classic (I think) illustration of just how neatly tailored a story of Jesus is for the sake of the gospel’s plot was written up in Why the Temple Act of Jesus is almost certainly not historical. That episode has an indisputable narrative function. It is how the synoptic gospels account for the arrest of a man who otherwise provides no reason for his arrest given that he is in every way good and perfect. The Gospel of John removes it as the reason for Jesus’ arrest but has to replace it with the story of the raising of Lazarus to make up for the plot function that would otherwise be lacking. Yet most biblical scholars, devout as most of them reportedly are in their own respective ways, treat the “cleansing of the temple” as one of the most certain of historical episodes in the life of Jesus. The story was passed on through oral tradition.

What would Tomas Hãgg think if that sort of argument was published about the stories in the Life of Aesop? But why aren’t classicists more ready to assume new fables appearing in a first century Life of Aesop were taken from otherwise unrecorded oral tradition? Why are so few biblical scholars apparently willing to think that stories appearing for the first time in the gospels serving each author’s narrative — and theological — interests willing to accept that the stories were made up or at least adapted for those specific interests?

 

Evolution of the Gospels as Biographies, 2

The previous post on this topic ended with the following:

The first genuinely biographical detail of Jesus arrives when Jesus is twelve years old facing the wise men in the Temple. We learn about the parents’ very natural and everyday concerns and the “adolescent arrogance” of Jesus, his separation from this world, his first signs of superior wisdom, and his return to “the expected filial obedience”.

This is the kind of characterizing anecdote that every biographer wishes for, a child demonstrating extraordinary gifts and a behaviour that anticipates his grown-up persona. It is, however, the only one told about the young Jesus in the canonical gospels. (p. 171)

It’s not much, only two childhood episodes to occupy thirty years. But that’s the start.

Hägg turns to examine how two “apocryphal” gospels picked up on Luke’s beginning. . . .

Tomas Hägg (The Art of Biography in Antiquity) then relates an observation that is worth pausing over:

All four evangelists proceed in continuous narrative from baptism to death and resurrection, each giving his own picture of Jesus’ public life within a common framework . . . . Paradoxically, their alternative accounts of Jesus, composed within the short span of some thirty years, thus came to be offered between the same covers, probably a unique biographical situation. (p. 172, my bolding in all quotations)

It seems we really do need to keep in mind that the gospels really are not like other biographies, that there is indeed something, or a number of things, “unique” about them. read more »