2014-09-25

Jesus the Oral Performer: Questioning an Oral Tradition behind the Gospels

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by Neil Godfrey

jesusWriting
Henaut credits Crossan for his fascinating interpretation of Jesus writing in the dust.

All four canonical gospels . . . supply us with the general picture of Jesus as speaker of authoritative and often disturbing words, and not as reader, writer, or head of a school tradition. Insofar as he is featured as a prophetic speaker and eschatological teacher, moving from one place to another, surrounded by listeners and engaged in debate, the gospels will have retained a genuine aspect of the oral performer. His message and his person are inextricably tied to the spoken word, not to texts. (Kelber, The Oral and Written Gospel, p. 18)

Werner Kelber’s views aroused a “scholarly sensation” when they were published in the 1980s but Barry Henaut, in undertaking his doctoral dissertation a decade later, found them to be based on an error. 

Kelber had argued that the words of Jesus that were carried on through oral tradition before the gospels came to be written were memorized because they made such a powerful impression (“on friend and foe alike”) when first spoken.

It could be said that the impact Jesus made on friends and foes alike was to no small degree due to his choice and implementation of the oral medium. Spoken words breathe life, drawing their strength from sound. They carry a sense of presence, intensity, and instantaneousness that writing fails to convey. . . . Moreover, sounded words emanate from one person and resonate in another, moving along the flow and ebb of human life. They address hearers directly and engage them personally in a manner unattainable by the written medium. One can well imagine Jesus’ words interacting with people and their lives, and enacting presence amidst hearers. . . .

The beginnings of what came to be the Christian tradition undoubtedly go back to Jesus’ own speaking. He sought out people because he had something to say, and part of what he said and did will already have been passed on during his lifetime. (Kelber, pp. 18-20)

The rhetoric troubles Henaut: Continue reading “Jesus the Oral Performer: Questioning an Oral Tradition behind the Gospels”